Daniel Ek Archives - New Hip Hop News

Spotify CEO’s Controversial Comment About The ‘Close To Zero’ Cost Of Making Music Has Deadmau5 Threatening To Pull His Catalog

June 27, 2024 by newhiphopnews

In case you missed it: In late May, Spotify CEO Daniel Ek shared a statement in which he described the “cost of creating content” as being “close to zero.” His comments were more likely about the barrier to entry being lower than it has before than it was about devaluing or underestimating the resources is takes to create music. Still, what he said rubbed people the wrong way.

Today, with the cost of creating content being close to zero, people can share an incredible amount of content. This has sparked my curiosity about the concept of long shelf life versus short shelf life. While much of what we see and hear quickly becomes obsolete, there are…

— Daniel Ek (@eldsjal) May 29, 2024

That includes Deadmau5, who caught wind of the quote a few days ago and wrote on Instagram, “Incorrect. The cost of creating content was 25+ years of my life and much of those proceeds going to your company you complete f*cking idiot.” In response to a comment about hating Spotify, he responded (as NME notes), “I feel that, I’m about to pull my catalog from these f*cking vultures, enough’s enough.”

In the comments, Dutch DJ Leroy Styles went long outlining some of the costs involved with making music:

“This is crazy. It’s almost zero or a couple of zeros!!

Here’s a breakdown of some of the costs.

High-Performance Laptop for Music Production
For a high-performance laptop suitable for music production, consider models such as:

Apple MacBook Pro 16-inch (M1 Max, 64GB RAM, 2TB SSD): Around $3,499
Dell XPS 17 (32GB RAM, 2TB SSD): Around $3,000
Razer Blade 15 Studio Edition (32GB RAM, 1TB SSD): Around $3,999
Total Estimated Cost
Adding up these costs, assuming no sales or discounts:

VST Plugins:

Omnisphere: $499
Komplete 14 Ultimate: $1,599
Waves Mercury: $7,599
UAD Ultimate: $4,999
EastWest ComposerCloud X: $239.88/year
FabFilter Total Bundle: $899
iZotope Everything Bundle: $1,999
Soundtoys 5 Bundle: $499
Arturia V Collection: $599
Slate Digital All Access Pass: $179.88/year
Total for Plugins: $18,910.76 + $419.76/year

And then your time making music. Recording Studio Time:

Professional studios can charge from $50 to $500+ per hour.
Producer Fees:

Producers might charge per track or hour, ranging from $300 to $10,000+ depending on their reputation and experience.
Session Musicians:

Rates can range from $50 to $500+ per hour or per song.
Mixing and Mastering:

Mixing engineers typically charge $200 to $1,000+ per track.
Mastering can cost between $50 to $500+ per track.
Equipment and Software:

Purchasing or renting instruments, microphones, and recording software can range from a few hundred to several thousand dollars.
Promotion and Distribution:

Digital distribution services (like DistroKid, TuneCore) can charge $20 to $50+ per year.
Marketing campaigns, including social media ads, can range from $100 to $10,000+.
Miscellaneous Costs:

Travel, lodging, and other incidental expenses can add up.
Overall, the total cost to produce a single song can range from a few hundred to tens of thousands of dollars, while a full album can cost significantly more. My 1st album has cost me 18k euro.

And don’t forget your time!!”

Ek responded to the original wave of backlash in early June, writing, “I understand how it came across as very reductive and that wasn’t my intent. Just to clarify – my original point was not to devalue the time, effort, or resources involved in creating meaningful works, whether it’s music, literature, or other forms of creative expression. […] The significant drop in the cost of creation tools (microphones, laptops, cameras) has led to an unprecedented explosion in the volume of what people are able to produce.”

Obviously seeing the feedback to this one and wanted to respond. It’s clear I was far too vague in the post, including with my clumsy definition of content. I understand how it came across as very reductive and that wasn’t my intent. Just to clarify – my original point was not to… https://t.co/kMR0zE17Ay

— Daniel Ek (@eldsjal) June 2, 2024

Billionaire Spotify CEO Claims the Cost of Making “Content” Is “Close to Zero” and Sparks Immediate Backlash

June 4, 2024 by newhiphopnews

Spotify CEO Daniel Ek faced significant backlash after claiming on X (formerly Twitter) that the cost of creating content is “close to zero.” Let’s take a moment to think about that. This guy is a billionaire who built an empire primarily from a streaming platform that pays most artists pennies, and he dares to…. Okay, let’s get on with what he said:

“Today, with the cost of creating content being close to zero, people can share an incredible amount of content. This has sparked my curiosity about the concept of long shelf life versus short shelf life. While much of what we see and hear quickly becomes obsolete, there are timeless ideas or even pieces of music that can remain relevant for decades or even centuries.”

Ek continued reflecting on enduring ideas: “For example, we’re witnessing a resurgence of Stoicism, with many of Marcus Aurelius’s insights still resonating thousands of years later. This makes me wonder: what are the most unintuitive, yet enduring ideas that aren’t frequently discussed today but might have a long shelf life? Also, what are we creating now that will still be valued and discussed hundreds or thousands of years from today?”

Musicians and music fans quickly criticized Ek’s remarks. Composer Tim Prebble responded, “Music will still be valued in a hundred years. Spotify won’t. It will only be remembered as a bad example of a parasitic tool for extracting value from other peoples music. (or ‘content’ as some grifters like to call it).”

Other users echoed similar sentiments, highlighting the low payouts Spotify provides to artists per stream. Primal Scream bassist Simone Marie Butler bluntly commented, “Fuck off you out of touch billionaire.” The Future of Music Coalition added, “It actually can still be expensive to make records, especially if you care about paying your collaborators fairly. Many musicians are skilled at cutting corners to accomplish their creative goals within limited budgets.”

For the record, he has since clarified his statements in a follow-up post on X, but what do you think? Is the damage done, or not?

The post Billionaire Spotify CEO Claims the Cost of Making “Content” Is “Close to Zero” and Sparks Immediate Backlash first appeared on The Source.

The post Billionaire Spotify CEO Claims the Cost of Making “Content” Is “Close to Zero” and Sparks Immediate Backlash appeared first on The Source.

Spotify Was Surprised That Laying Off 1,500 People Would ‘Disrupt’ Operations As Much As It Has

April 24, 2024 by newhiphopnews

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In 2023, Spotify turned a ton of their employees into former employees via layoffs that impacted about 2,300 people. The biggest of those cuts was a round of layoffs that was announced in December, which left 1,500 folks without jobs. It turns out that getting rid of that many people had a significant impact on the company’s day-to-day, more so than they expected.

As Business Insider reports, per a transcript, Ek said in an earnings call on April 23, “Although there’s no question that it was the right strategic decision, it did disrupt our day-to-day operations more than we anticipate. It took us some time to find our footing, but more than four months into this transition, I think we’re back on track. I expect to continue improving on our execution throughout the year, getting us to an even better place than we’ve ever been.”

Per Business Insider’s report, Spotify reported a 2024 first-quarter profit of $210 million, compared to a loss of about $241 million in the same period of 2023.

Elsewhere, Ek said, “Next year, our focus may return to top-of-the-funnel user growth, but in the near-term, monetization remains our top priority. Bottom-line, we are really good at pivoting our attention when it makes sense. When I say pivot, I really mean making tweaks that will get us to an even better outcome. And because of our ability to do this, I have no doubt that we will be able to recapture top-of-the-funnel growth over time as it becomes more of a focus area for the team.”

(Insider defines “top of the funnel” as referring to “the marketing activities carried out to create awareness about a brand or product.”)

Daniel Ek Net Worth 2024: What Is The Spotify CEO Worth?

February 9, 2024 by newhiphopnews

In the realm of tech entrepreneurs, Daniel Ek stands out as a beacon of success. As the co-founder and CEO of Spotify, Ek has navigated the ever-evolving landscape of digital media and streaming services, solidifying his position as one of the most influential figures in the industry. With his innovative mindset and relentless drive, Ek has amassed considerable wealth over the years, with Forbes estimating his net worth to be $4.1 billion in 2024.

Early Years & Education

daniel ek net worth — SAN FRANCISCO, CA – SEPTEMBER 22: Spotify CEO Daniel Ek makes an appearance during a keynote address by Facebook CEO Mark Zuckerberg at the Facebook f8 conference on September 22, 2011 in San Francisco, California. Facebook CEO Mark Zuckerberg kicked off the conference introducing a Timeline feature to the popular social network. (Photo by Justin Sullivan/Getty Images)

Daniel Ek was born on February 21, 1983, in Stockholm, Sweden. From a young age, he displayed a keen interest in technology and entrepreneurship. Ek’s entrepreneurial spirit was evident even in his teenage years when he started several ventures, including a web-hosting business. Despite facing setbacks early on, Ek remained undeterred in his pursuit of success.

After completing his secondary education, Ek enrolled at the Royal Institute of Technology in Stockholm but dropped out after just eight weeks. He realized that traditional education was not aligned with his aspirations, and he was eager to dive headfirst into the world of entrepreneurship.

Business & Tech Background

Ek’s foray into the tech industry began when he co-founded Advertigo, an online advertising company, at the age of 23. The venture proved to be successful, attracting the attention of major players in the industry. However, Ek had his sights set on larger endeavors, and in 2006, he sold Advertigo to Tradedoubler.

Following the sale of Advertigo, Ek delved deeper into the world of digital media and technology. He worked as the Chief Technology Officer at Stardoll, an online community for fashion enthusiasts, where he honed his skills in product development and management.

Launching Spotify

In 2006, Ek’s entrepreneurial journey reached new heights when he co-founded Spotify alongside Martin Lorentzon. The idea for Spotify stemmed from Ek’s frustration with the limitations of existing music streaming services. He envisioned a platform that would provide users with access to millions of songs at their fingertips, all while offering a seamless user experience.

Despite facing resistance from major record labels, Ek persevered, striking licensing deals that laid the foundation for Spotify’s success. Since its launch in 2008, Spotify has grown exponentially, becoming the leading music streaming service globally. Ek’s vision and leadership have been instrumental in shaping Spotify into the powerhouse it is today.

Other Ventures And Revenue Streams

CANNES, FRANCE – JUNE 22: Daniel Ek, founder and chief executive officer of Spotify, attends the Cannes Lions 2016 on June 22, 2016 in Cannes, France. (Photo by Antoine Antoniol/Getty Images)

While Spotify remains Ek’s primary focus, he has diversified his interests over the years, exploring new avenues for revenue generation. Ek has invested in various startups and tech companies, leveraging his expertise and resources to support budding entrepreneurs. Additionally, he has ventured into the world of podcasting, capitalizing on the growing demand for audio content. Furthermore, Ek has been actively involved in philanthropy, using his wealth and influence to drive positive change in society. He is a staunch advocate for education and entrepreneurship, believing in the power of innovation to transform lives.

Daniel Ek Net Worth 2024

In conclusion, Daniel Ek’s journey from humble beginnings to becoming a billionaire tech mogul is a testament to his tenacity and vision. With Spotify continuing to dominate the music streaming industry and his ventures into other lucrative areas, Ek’s net worth is likely to soar even higher in the years to come. As he continues to push the boundaries of innovation, Daniel Ek’s impact on the tech world will undoubtedly be felt for generations to come.

The post Daniel Ek Net Worth 2024: What Is The Spotify CEO Worth? appeared first on HotNewHipHop.

Spotify, Which Has Spent Much Of 2023 Firing Tons Of People, Announced They’re Cutting About 1,500 More Employees

December 4, 2023 by newhiphopnews

With all the great new music that was released in 2023, it was a great year to be a Spotify subscriber. 2023 was less awesome, though, for a noteworthy amount of now-former Spotify employees: Throughout the year, the company has had a number of significant layoffs.

In January, they cut 6 percent of their global workforce, which amounted to about 600 people. Then, in June, Spotify cut about 200 jobs from its podcast division. Now, more layoffs have arrived and it’s the biggest round of the year so far. Today (December 4), Spotify announced they’re cutting a whopping 17 percent of its employees. As The Verge notes, “Based on its total headcount of 9,241 revealed during its last earnings release, the cuts are expected to impact over 1,500 people.” So, across all three rounds, that’s about 2,300 people this year.

In a message shared to employees (and here), Spotify CEO Daniel Ek wrote in part:

“Over the last two years, we’ve put significant emphasis on building Spotify into a truly great and sustainable business – one designed to achieve our goal of being the world’s leading audio company and one that will consistently drive profitability and growth into the future. While we’ve made worthy strides, as I’ve shared many times, we still have work to do. Economic growth has slowed dramatically and capital has become more expensive. Spotify is not an exception to these realities.

This brings me to a decision that will mean a significant step change for our company. To align Spotify with our future goals and ensure we are right-sized for the challenges ahead, I have made the difficult decision to reduce our total headcount by approximately 17% across the company. I recognize this will impact a number of individuals who have made valuable contributions. To be blunt, many smart, talented and hard-working people will be departing us.”

Read the full message here.

Spotify Wipes Thousands Of AI Songs From Its Platform

May 9, 2023 by newhiphopnews

Spotify has reportedly taken down tens of thousands of tracks from the AI company, Boomy. Universal Music previously reported the company for suspicious streaming activity to Spotify. The platform pays out to artists on the basis of streaming numbers and thus takes artificially boosted numbers quite seriously.

“Artificial streaming is a longstanding, industry-wide issue that Spotify is working to stamp out across our service,” Spotify said in a statement to Insider. “When we identify or are alerted to potential cases of stream manipulation, we mitigate their impact by taking action that may include the removal of streaming numbers and the withholding of royalties. This allows us to protect royalty payouts for honest, hardworking artists.”

Spotify Cracks Down On A.I. Music

PARIS, FRANCE – JANUARY 06: In this photo illustration, the logo of the Swedish music streaming service Spotify is displayed on the screen of an iPhone on January 06, 2017 in Paris, France. Spotify announced, via a tweet published Thursday, that it now has 70 million paid subscribers. As a comparison, in September, Apple Music claimed 30 million subscribers and Deezer had fewer than 10 million subscribers. (Photo by Chesnot/Getty Images)

The recent takedown encompasses 7% of Boomy’s total tracks. A.I. technology and its impact on the music industry has been a prominent talking point in recent weeks. Songs recreating vocals from Drake, The Weeknd, JAY-Z, and many more artists have all gone viral on social media. Many artists have condemned the use of their vocal likeness in the songs, while others, such as Grimes, have embraced it.

During Spotify’s quarterly financial call in April, CEO Daniel Ek described A.I. technology as both “really cool and scary.” He explained: “These are very, very complex issues that don’t have a single straight answer…But we’re in constant discussion with our partners and creators and artists and want to strike a balance between allowing innovation and, of course, protecting artists.” He added: I think the whole industry is trying to figure that out and trying to figure out [AI] training…I would definitely put that on the risk account because there’s a lot of uncertainty, I think, for the entire ecosystem.”

[Via]

Spotify Could Raise Premium Prices This Year

April 26, 2023 by newhiphopnews

Spotify has become the music streaming platform. Other platforms such as YouTube Music and Tidal do exist. However, none of them come close to the reach or influence of Spotify. It also expanding its podcast services over recent years. Spotify is now the official home of Joe Rogan and The Ringer founder Bill Simmons.

Spotify is free to use with ads. Furthermore, it has previously introduced a system where ads are “frozen” for 30-minute play intervals. However, ads can be avoided entirely with a $9.99 subscription to Spotify Premium. Spotify has also previously run promotions That may not be the case for much longer, as Spotify might be gearing up to raise its prices.

Spotify “Ready” To Raise Prices

Spotify says it’s “ready to raise prices” — with 210 million paid subscribers as quarterly revenue grows 14%. https://t.co/8Yv8e9ecKH

— billboard (@billboard) April 26, 2023

Spotify is not exactly losing money. During their first quarter shareholder meeting, the platform was reported to have made $3.3 billion during 2023 Q1. That’s a 14% increase over 2022, but “slightly lower than the company expected.” This is reportedly due to a $20 million hit taken by the advertising revenue over economic uncertainty. However, CEO Daniel Ek appears set on raising prices in the US. “I think we are ready to raise prices, I think we have the ability to do that, but it really comes down to those negotiations [with major music industry stakeholders].” Ek said. Spotify currently has a reported 210 million premium subscribers. That means they are looking to increase the estimated $2.1 billion they make from premium subscriptions alone.

He also noted that “We did raise prices in 46 different locations and markets last year, and even in those markets, we were still out performing. I feel really good about our ability to raise prices over time — that we have that ability — and we have lots of data now that backs that up. We may have been marginally helped by being a lower-cost provider, but it isn’t a primary part of our strategy and it’s not something that we’re thinking about. Instead, we’re working with our label partners to work […] to figure out what’s the best opportunity to do that. And that’s a more complex trade. When the timing’s right, we will raise it.” While no formal plans were announced, be ready for your Premium subscription to change by the end of the year.

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Spotify CEO Daniel Ek Says The Platform Is ‘Ready’ To Increase Subscription Prices In The US

April 26, 2023 by newhiphopnews

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Spotify can be used for free, but to unlock more features, music lovers can subscribe to one of the streaming services’ premium tiers. The most basic of those plans, for a single user, currently costs $9.99 per month in the US. That could change soon, though.

Yesterday (April 25), in a conference call discussing Spotify’s first quarter earnings (as Billboard notes), Spotify CEO Daniel Ek said, “I think we are ready to raise prices, I think we have the ability to do that, but it really comes down to those negotiations [with major music industry stakeholders].”

Ek also noted, “We did raise prices in 46 different locations and markets last year, and even in those markets, we were still out performing. I feel really good about our ability to raise prices over time — that we have that ability — and we have lots of data now that backs that up. We may have been marginally helped by being a lower-cost provider, but it isn’t a primary part of our strategy and it’s not something that we’re thinking about. Instead, we’re working with our label partners to work […] to figure out what’s the best opportunity to do that. And that’s a more complex trade. When the timing’s right, we will raise it.”

This comes after Spotify had about $3.3 billion in total revenue during the first quarter of 2023. That’s a 14-percent increase over 2022, but as Billboard notes, it’s “slightly lower than the company expected as macroeconomic fears crimped Spotify’s advertising business by around $20 million.”

Spotify CEO Daniel Ek Believes AI Is ‘Huge For Creativity’ But Acklowledges ‘The Scary Part’

April 26, 2023 by newhiphopnews

AI recreations of popular musicians’ voices have become a rising trend, with Drake and The Weeknd’s fake “Heart On My Sleeve” song being pulled from streaming platforms, Grimes saying she’s OK with it, and Liam Gallagher calling an Oasis AI album “mega.” Still, Spotify’s CEO, Daniel Ek, offered his thoughts on just what this means for the future of the music industry,

“On the positive side, this could be potentially huge for creativity,” Ek said on a conference call, according to Billboard. “That should lead to more music [which] we think is great culturally, but it also benefits Spotify because the more creators we have on our service the better it is and the more opportunity we have to grow engagement and revenue.”

Earlier this year, the streaming service announced an AI DJ aspect to the app, which develops song recommendations for users based on their listening history and features narration from an AI bot.

“I’m very familiar with the scary part… the complete generative stuff or even the so-called deep fakes that pretend to be someone they’re not,” Ek added during a recent episode of Spotify’s For The Record podcast. “I choose to look at the glass as more half-full than half-empty. I think if it’s done right, these AIs will be incorporated into almost every product suite to enable creativity to be available to many more people around the world.”

Currently, Universal Music Group and the National Music Publishers’ Association are some standing against AI, as the record label released a recent statement to the publication:

“The training of generative AI using our artists’ music (which represents both a breach of our agreements and a violation of copyright law) as well as the availability of infringing content created with generative AI on DSPs, begs the question as to which side of history all stakeholders in the music ecosystem want to be on: the side of artists, fans and human creative expression, or on the side of deep fakes, fraud and denying artists their due compensation. We’re encouraged by the engagement of our platform partners on these issues – as they recognize they need to be part of the solution.”

Spotify CEO Daniel Ek Tells Employees He Doesn’t Believe ‘Silencing’ Joe Rogan Is A Good Idea

February 7, 2022 by newhiphopnews

When Spotify employees clock into work on Monday morning, they’re going to have a bold letter to digest from CEO Daniel Ek. In a message sent to the entire “Spotify Team” on Sunday, Ek addressed the mounting controversy surrounding The Joe Rogan Experience. This began when Neil Young decided to pull his music from the platform on January 24th, citing the COVID vaccine misinformation that Rogan regularly purveys on his show. Other artists soon followed suit, including India.Arie, who cited Rogan’s problematic language surrounding race and posted a damning clip on her Instagram Story three days ago, of multiple instances where Rogan used a racial slur on his show.

“I do not believe that silencing Joe is the answer,” Ek said in his letter, which was obtained by The Hollywood Reporter. “We should have clear lines around content and take action when they are crossed, but canceling voices is a slippery slope. Looking at the issue more broadly, it’s critical thinking and open debate that powers real and necessary progress.”

Ek also tried to illustrate that Spotify is not the publisher of The Joe Rogan Experience, but are merely the exclusive license holders — a license that Spotify acquired for that $100 million figure that keeps popping up. He referred to the notion that people assume that the streaming platform is the publisher of the show as merely the “perception” of it, which gave his lengthy letter an odd public relations feel, as if he’s being open with a divided staff about a damage control situation. “…I’ve been wrestling with how this perception squares with our values,” he said.

To that point, the most impactful portion of the letter was Ek pledging $100 million to elevate creators from historically marginalized groups. “If we believe in having an open platform as a core value of the company, then we must also believe in elevating all types of creators, including those from underrepresented communities and a diversity of backgrounds,” he said. “I am committing to an incremental investment of $100 million for the licensing, development, and marketing of music (artists and songwriters) and audio content from historically marginalized groups.”

Rogan has apologized for using a racial slur and is in a damage control situation of sorts himself. Especially considering Spotify has already pulled 70 of his episodes, presumably for containing inappropriate language. Ek also addressed this and more in his letter, which you can read in full below.

“Spotify Team,

There are no words I can say to adequately convey how deeply sorry I am for the way The Joe Rogan Experience controversy continues to impact each of you. Not only are some of Joe Rogan’s comments incredibly hurtful — I want to make clear that they do not represent the values of this company. I know this situation leaves many of you feeling drained, frustrated and unheard.

I think it’s important you’re aware that we’ve had conversations with Joe and his team about some of the content in his show, including his history of using some racially insensitive language. Following these discussions and his own reflections, he chose to remove a number of episodes from Spotify. He also issued his own apology over the weekend.

While I strongly condemn what Joe has said and I agree with his decision to remove past episodes from our platform, I realize some will want more. And I want to make one point very clear — I do not believe that silencing Joe is the answer. We should have clear lines around content and take action when they are crossed, but canceling voices is a slippery slope. Looking at the issue more broadly, it’s critical thinking and open debate that powers real and necessary progress.

Another criticism that I continue to hear from many of you is that it’s not just about The Joe Rogan Experience on Spotify; it comes down to our direct relationship with him. In last week’s Town Hall, I outlined to you that we are not the publisher of JRE. But perception due to our exclusive license implies otherwise. So I’ve been wrestling with how this perception squares with our values.

If we believe in having an open platform as a core value of the company, then we must also believe in elevating all types of creators, including those from underrepresented communities and a diversity of backgrounds. We’ve been doing a great deal of work in this area already but I think we can do even more. So I am committing to an incremental investment of $100 million for the licensing, development, and marketing of music (artists and songwriters) and audio content from historically marginalized groups. This will dramatically increase our efforts in these areas. While some might want us to pursue a different path, I believe that more speech on more issues can be highly effective in improving the status quo and enhancing the conversation altogether.

I deeply regret that you are carrying so much of this burden. I also want to be transparent in setting the expectation that in order to achieve our goal of becoming the global audio platform, these kinds of disputes will be inevitable. For me, I come back to centering on our mission of unlocking the potential of human creativity and enabling more than a billion people to enjoy the work of what we think will be more than 50 million creators. That mission makes these clashes worth the effort.

I’ve told you several times over the last week, but I think it’s critical we listen carefully to one another and consider how we can and should do better. I’ve spent this time having lots of conversations with people inside and outside of Spotify — some have been supportive while others have been incredibly hard, but all of them have made me think.

One of the things I am thinking about is what additional steps we can take to further balance creator expression with user safety. I’ve asked our teams to expand the number of outside experts we consult with on these efforts and look forward to sharing more details.

Your passion for this company and our mission has made a difference in the lives of so many listeners and creators around the world. I hope you won’t lose sight of that. It’s that ability to focus and improve Spotify even on some of our toughest days that has helped us build the platform we have. We have a clear opportunity to learn and grow together from this challenge and I am ready to meet it head on.

I know it is difficult to have these conversations play out so publicly, and I continue to encourage you to reach out to your leaders, your HR partners or me directly if you need support or resources for yourself or your team.

Daniel.”