Rankings and lists of any nature in the field of hip-hop always cause some form of uproar. The latest example in this long and nonetheless honorable tradition is Complex‘s list of the top 50 Atlanta rappers of all time. You can check out the full list with the “Via” link below, but here are some highlights… Or lowlights, for some. Sean Paul at 40, JID at 27, Lil Yachty at 24, Takeoff at 19, Playboi Carti at 12, Gucci Mane at 4, and André 3000 at the very top spot. Of course, this led to a bunch of outraged social media reactions. These indluce backlash to the high placement of Latto, the underrating of Lisa “Left Eye” Lopes, and other considerations.
Also, this reflection on Atlanta’s hip-hop legacy comes at a very interesting time for the city’s place in the culture. Just a couple of months ago, Kendrick Lamar accused the biggest rapper in the world right now of colonizing ATL’s sound for his own gain. While the conversation around Drake’s proximity to MCs from the A has been going on for a long time, it’s never been more present or direct. Regardless of where you fall on that debate, one thing is clear: the city is up.
Complex Picks Its Top 50 Atlanta Rappers Of All Time
In addition, Tyler, The Creator recently called out white rappers for appropriating and ridiculing the classic Atlanta sounds of high-ranking artists on this Complex list. “This white kid, regular Caucasian man,” he said during his recently published Maverick Carter interview. “And he’s, like, mocking Future and Gucci Mane… Like, rap music. People are like, ‘This s**t hard.’ It’s not even like satire… I hold rap music so close to my heart. This s**t changed my life and everyone’s life around me.” Check out more reactions to this top 50 list below.
Fan Reactions
Meanwhile, Latto is currently leading Atlanta’s wave thanks to her new album Sugar Honey Iced Tea. We’ll see who the next artist to rep the city with a huge release is, and what other names emerge to continue that community’s traditions and musical legacy. As this Complex list ironically proves, there are far more than just 50 notable rappers from ATL. And there will be many more that take the sound and the culture to new innovations, changes, and worthwhile contributions to the city. Let us know what you think of the list and what your own picks look like down in the comments below.
21-year-old Atlanta MC Bktherula recently released her latest full-length LPLVL5 P2. The project serves as one of her most ambitious outings yet following her mixtape LVL5 P1, which she released in February of 2023. In the four years that she has been releasing music professionally, the Warner Music Group signee has amassed over 1 million monthly Spotify listeners, with many surely flocking to LVL5 P2 with joyous anticipation. The album spans 13 tracks disbursed over 31 minutes, and includes a pair of well-placed features from the likes of Cash Cobain and JID. Here’s a brief overview of Bktherula’s latest project, as well as a review of the material therein.
As soon as the album opens, fans can tell that LVL5 P2 is no run-of-the-mill trap outing. On the opening track, aptly titled “Code,” Bktherula offers crackling glitchy synth pads and buzzing bass lines, which make the track feel like you’ve been transported inside a computer to engage in a shoot-out with a malicious virus. BK’s dissonant, sometimes arrhythmic rapping is reminiscent of other abstract artists such as RXK Nephew, and her lyrical content clashes interestingly with the soundscape of the song.
This trend continues through the following few tracks, with outings such as “Nun,” “Tatti,” and “Boi” each focussing on Bktherula exploring themes of self-empowerment and sexual liberation. In these songs, BK raps about stealing women from the less popular people around her and being unable to remain satisfied with one partner, resulting in her frequently hiding her phone and engaging in trysts. These themes continue throughout the album, being frequently referenced through the full run-time.
A Bit Too Repetitive
Unfortunately, Bktherula’s lyrical content sometimes repeats itself, causing some tracks to fade into the background. While the 21-year-old femcee undoubtedly possesses great talent, listeners can only hear someone boast about stealing their girl so many times before it becomes monotonous. Tracks like “Shakin It,” “Wishuwasdacrew,” and “Insane” showcase Bktherula effortlessly gliding on the beat, offering an enjoyable listening experience. However, these tracks fail to explore new lyrical territory on the record, suggesting that merging them into one track while discarding the other two could have been a better approach.
The track “Crayon” sees Bktherula doing her best Playboi Carti impression, which sounds delightful, but makes listeners want to tune in to Whole Lotta Red more than it makes them want to continue listening to LVL5 P2. Likewise, JID steals the show so hard with his lyrically-verbose guest appearance on “Woman” that it inspires listeners to turn the album off and switch to a full-length JID project. “Woman” is easily the stand-out track on the album, with BK providing an excellent vocal performance of her own, despite the fact that she can’t hold a candle to JID’s impeccable rhymes.
Despite the problems with LVL5 P2, Bktherula managed to end the project on a high note, with the thematically focused “Racks Up.” The final track offers a well-written and concise exploration of the themes that plague the entire album, such as infidelity, trust issues, and struggling to find a partner who can adjust to BK’s fast-paced lifestyle of fame, riches, and nationwide tours.
At the end of the day, each track on this record has merit, but Bktherula’s inability to diversify her range of topics on LVL5 P2 makes it a repetitive listen, even with its brief run-time. Your best bet with this album is likely to pick a handful of songs to add to your playlist, rather than running back the full project multiple times.
Kenny Mason is a 29-year-old MC from West Atlanta who has made quite a splash in the last few years with his experimental blend of low-key trap and rugged pop-punk. The young rapper is gearing up to drop his latest effort on streaming services on March 14. Fans across social media are already voicing their excitement for the project. The new Kenny Mason album is simply titled 9, and is said to have nine tracks, including two singles, “Jumping In” and “Us,” which were just released.
9 serves as a follow-up to Kenny’s last LP 6, which released in June of 2023. Though 6 had some major highs, some fans felt that there were elements missing from the project which could have made it even stronger. With over 2 million monthly Spotify listeners to please, Kenny Mason may be on track to deliver his first certified classic with 9. Here are five things fans want from the upcoming album.
5. A Full-Length Run-Time
Like many young artists coming up in the TikTok era, Kenny Mason has been known to produce incredibly brief songs in the past. With 9 already confirmed to have only nine songs, fans are hoping the album’s run-time will be sufficiently longer than 15-18 minutes. Though neither of the two leading single tracks released this week have run-times that reach 3 minutes, fans are holding out hope that the album won’t be very short to appeal to young, easily distracted fans across social media. While nobody is asking Kenny Mason to create an 8-minute-long power ballad with an extended guitar solo outro, it would surely please fans to hear a few tracks that last long enough to fully flesh out their themes and ideas.
4. Variety In Production
Kenny Mason is known to produce much of his own material, and 9 will undoubtedly contain at least a handful of self-produced songs from the prolific Atlanta artist. However, fans would surely appreciate Kenny’s impressive vocal range and ability to innovate even more if he took the opportunity to work with some well-known producers. Beat-makers like Hit-Boy, the Alchemist, and JID collaborator Christo would all be excellent picks for a Kenny Mason collab. Of course, Kenny could also use 9 as a means to highlight some other young up-and-comers from West Atlanta by working with underground producers from his neighborhood.
3. Some Well-Placed Vocal Guests
Throughout his career, Kenny has had the opportunity to work with a wide array of excellent vocalists. He has previously collaborated with artists such as Denzel Curry and Freddie Gibbs and even appeared across multiple tracks with JID. His songs with the latter include cuts like “Dance Now” and “Just In Time” with Lil Wayne from JID’s critically acclaimed album The Forever Story. While Kenny Mason is certainly capable of carrying his album with no features a la J. Cole, it would surely please fans to see inclusions from some of his contemporaries on 9. Appearances from the likes of Isaiah Rashad, EarthGang, or SZA could really put the record over the top.
2. Genre-Blending Bangers
As stated, Kenny’s work is known for its genre-blending, with tracks often switching between a laid-back smoke session vibe and a hard mosh pit setting complete with shredding guitars. This sonic mixture has become something of a trademark for Kenny Mason, which many fans hope to see continued on 9. Perhaps the young rapper can even blend a few new styles into his music, with notes of jazz funk like Denzel Curry on Melt My Eyez See Your Future or harsh noise-core samples like JPEGMAFIA’s latest effort Scaring The Hoes. Either way, Mason’s high-energy output often features surprising left-field musical choices that blend seamlessly with his lyrical style, making the artist one to look out for on this year’s ‘best of’ lists.
1. Kenny Mason At His Best
No matter what sonic styles and lyrical one-two punches Kenny Mason delivers on 9, fans are looking forward to the artist putting out his best body of work yet. Kenny has continued to elevate his sound and production quality through each release so far, making 9 a culmination of all his greatest efforts thus far. Based on the leading singles to the album, it’s clear that Kenny is hungry and passionate, with recent social media posts from the up-and-comer confirming that this project will serve as some of his finest material yet.
In the heart of Atlanta’s vibrant music culture lies a collective that transcends mere collaboration. Dungeon Family has forged a legacy that echoes through the city’s streets and beyond. A musical brotherhood born from the soul of the South, they are the cornerstone upon which Atlanta’s music scene was built.
In detail, at a time when Hip Hop was dominated by the coasts, Dungeon Family put Atlanta on the map. Since the early ‘90s, the collective has carved out a space for Southern voices to be heard. Although they have had their ups and downs over the years, Dungeon Family’s bond remains unbroken. Here’s how they became such inspirational figures in the Atlanta Hip Hop scene.
This iconic musical collective was formed in 1991 by the production trio Organized Noize, consisting of Rico Wade, Ray Murray, and Sleepy Brown. Besides those three, Dungeon Family has many other members who are prominent figures in the Atlanta Hip Hop scene. These include Future, Killer Mike, and Society Of Soul, among a host of others. Altogether, they emerged as a collective of like-minded artists and producers drawn together by a common desire to push the boundaries of Hip Hop and R&B.
The catalyst for Dungeon Family’s formation was the iconic Atlanta recording studio known as “The Dungeon.” This basement space located in Rico Wade’s mother’s house was the birthplace of many special songs. It was in The Dungeon that Organized Noize, along with a revolving cast of musicians and artists, created magic. Occasionally, they would gather to experiment, collaborate, and cultivate their sound. Subsequently, The Dungeon became a creative sanctuary, a space where artists were free to explore their craft without limitations or expectations.
As word of The Dungeon’s legendary sessions spread, it attracted a diverse array of talent from Atlanta’s musical landscape. Among those drawn to its magnetic pull were the members of OutKast (André 3000 and Big Boi), as well as Goodie Mob (CeeLo Green, Big Gipp, T-Mo, and Khujo). These two groups formed the nucleus of Dungeon Family with Organized Noize serving as the sonic architects behind their groundbreaking sound. Eventually, many more artists and groups joined the collective, and the Dungeon Family grew much larger.
1995: A Call To Action
After working with Organized Noize for a while, OutKast released their debut single, “Player’s Ball” in 1993. The Organized Noize-produced track became OutKast’s breakout song and put the duo’s name on the map. Subsequently, on April 26, 1994, OutKast dropped their debut album, Southernplayalisticadillacmuzik.
At the time, the album brought local attention to the duo, and by extension, the Dungeon Family. However, their music had yet to cross the Southern borders and break into the mainstream. Nevertheless, the excellence of their album was evident, and it began to garner OutKast some accolades.
At the 1995 Source Awards, the duo won the award for Best New Rap Group. This happened in the thick of the East Coast-West Coast rivalry, and the audience was largely made up of those demographics. As OutKast walked up on stage, they were booed by the audience because they were relatively unknown. Despite the ill reception of their win by the audience, they proudly went on to receive their award.
During their acceptance speech, André 3000 said something that arguably altered the landscape of Southern rap forever. In what is now undoubtedly a pivotal moment in Dungeon Family history, André declared, “The South got something to say.” Later, this phrase turned out to become a rallying cry for Southern Hip Hop artists. They had a point to prove, and their music needed to be heard beyond the shores of their home. Needless to say, OutKast’s subsequent albums were much bigger hits.
On November 20, 2001, The Dungeon Family dropped the seminal album, Even In Darkness, their debut offering. Although it is the collective’s sole album to date, its impact on the Atlanta Hip Hop scene is immense and undeniable. The 14-track album was entirely produced by Organized Noize and Earthtone III (André 3000, Big Boi, and Mr. DJ). It features a fusion of Southern Hip Hop, funk, soul, and R&B elements, showcasing the diverse musical influences of the Dungeon Family collective.
Without a doubt, Even In Darkness is a very ambitious project. Considering that it features over 20 artists, there are several ways it could have gone wrong since collective projects can be tricky. However, Dungeon Family delivered, as expected, inspiring a new generation of artists. While the album only peaked at number 42 on the Billboard 200 chart, it is widely regarded as a cult classic. With Even in Darkness, Dungeon Family set a new standard for creativity within the Hip Hop community. Although the albums broke into other circles around the country, Atlanta certainly felt its impact the most.
The Legacy Of Dungeon Family
The Dungeon Family undoubtedly played a pivotal role in shaping the sound and identity of Atlanta hip-hop. Through their music, members of the collective provided a voice for the diverse communities of the city. Over the years, their influence increased greatly, and they helped serve as a launching pad for many more artists. Future (formerly known as Meathead), Janelle Monáe, and Killer Mike, among many others, are affiliated with the Dungeon Family.
The collective’s legacy in ATL is unshaken and continues to reverberate through its music scene today. By pushing the boundaries of Hip Hop and amplifying the voices of their community, Dungeon Family became indispensable icons. While simultaneously shaping Atlanta’s cultural identity for generations to come, they helped elevate the city onto the global stage.
YFN Lucci, a prominent figure in the hip hop scene, has navigated a path marked by lyrical prowess and notable challenges. As of 2024, his net worth stands at $1 million, according to NetWorth202, reflecting a career built on musical ingenuity and perseverance. This valuation comes at a pivotal moment in his life, marking both his professional achievements and personal tribulations.
Verses & Vibes: The Musical Milestones
YFN Lucci’s ascent in the music industry was marked by his unique blend of gritty storytelling and melodic hooks. His breakout mixtape Wish Me Well set the stage for a career defined by authenticity and relatable narratives. Chart-topping singles like “Key to the Streets” and the heartfelt “Everyday We Lit” showcased his ability to connect with audiences on both street-savvy anthems and introspective tracks. Collaborations with prominent artists further cemented his place in the hip-hop landscape.
Despite facing significant personal challenges, YFN Lucci’s talent has been recognized with nominations and awards within the music industry. His journey has been a blend of critical acclaim and personal growth, navigating the complexities of fame and fortune. The accolades he received are as much a recognition of his musical talent as they are of his resilience in the face of adversity.
A Turning Point: Personal Struggles & Recent Developments
YFN Lucci’s personal life has been as dramatic as his music. The latest turn in his story is a sentence of 20 years in prison, handed down today (January 23). This development marks a significant shift in his life’s narrative, overshadowing his financial achievements with a personal journey that will take a drastically different path. Despite the challenges, his music and influence continue to resonate with fans, reflecting a legacy that extends beyond monetary measures.