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Yelawolf Net Worth 2024: What Is The Rapper Worth?

February 29, 2024 by newhiphopnews

Yelawolf, the Alabama-born rapper, has etched his name in the annals of hip-hop with his distinctive style and gritty lyricism. Since bursting onto the scene, he’s carved a niche for himself, garnering both critical acclaim and commercial success. As fans continue to groove to his beats, one question persists: What is Yelawolf’s net worth in 2024?

Early Career & Mixtapes

yelawolf net worth — Yelawolf performs at Adesina Dowers’ birthday party at Greenhouse on March 29, 2010 in New York City. (Photo by Johnny Nunez/WireImage)

Yelawolf’s journey to success was paved with determination and resilience. Born Michael Wayne Atha in Gadsden, Alabama, he faced his share of hardships growing up. Yet, fueled by his passion for music, he began honing his craft in the early 2000s. His mixtapes, such as Ball Of Flames: The Ballad Of Slick Rick E. Bobby and Stereo: A Hip-Hop Tribute To Classic Rock, showcased his raw talent and versatility, laying the groundwork for his future triumphs.

Trunk Muzik & Breakout Success

It was with the release of Trunk Muzik in 2010 that Yelawolf catapulted into the spotlight. This mixtape garnered widespread attention, earning him praise for his Southern-influenced sound and poignant storytelling. The track “Pop The Trunk” became an instant hit, solidifying his status as a rising star in the rap scene. Building on this momentum, Yelawolf dropped his debut studio album, Radioactive, in 2011, further cementing his place in the industry.

Shady Records Deals & Continued Ascendancy

In 2011, Yelawolf inked a deal with Shady Records, the label founded by rap icon Eminem. This partnership proved to be a game-changer for the Alabama native, providing him with a platform to amplify his reach and artistic vision. His subsequent albums, including Love Story (2015) and Trial By Fire (2017), showcased his evolution as an artist, blending elements of country, rock, and rap to create a truly unique sound. Alongside his musical pursuits, Yelawolf has also ventured into entrepreneurship, with ventures like his own record label, Slumerican.

Despite facing setbacks and challenges along the way, Yelawolf’s dedication to his craft has remained unwavering. His authenticity and bold creativity have resonated with audiences worldwide, propelling him to continued success. As of 2024, Yelawolf boasts an estimated net worth of around $4 million, according to Celebrity Net Worth. This impressive figure is a testament to his enduring impact on the music industry and his ability to turn passion into profit.

Conclusion

In conclusion, Yelawolf’s journey from humble beginnings to rap stardom is a testament to the power of perseverance and talent. Through his music, he has not only entertained but also inspired countless fans around the globe. As he continues to push the boundaries of the genre, one thing remains certain: Yelawolf’s legacy will endure for years to come, leaving an indelible mark on the world of hip-hop.

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5 Classic Southern Rap Tiny Desk Concerts To Rewatch After Jeezy

February 21, 2024 by newhiphopnews

The South reigned supreme for over two decades with cities like Houston, Atlanta, New Orleans, and Memphis engraining their timeless sounds into the 50-year-old genre. Fortunately, platforms like NPR’s Tiny Desk Concert series have allowed us to appreciate the musical compositions of the South’s finest with a bit more intimacy. This week, trap pioneer Jeezy delivered a pint-size powerhouse set of bangers during his concert, fleshing out the gritty and motivational trap hits with the help of a string section that added a poignant touch to songs like “Standing Ovation” and accentuating the eloquence of trap anthems such as “Go Crazy.”

For hip-hop trailblazers, the NPR Tiny Desk Concert series is a moment that allows them to reimagine the classic records to reflect their current reality. The undertones of trap music, in particular, are equal parts motivational and grim; a reflection of the bleak realities that inspire the music and the aspirations to be removed from said environments. Ultimately, these performances allow our rap icons and their catalogs to shine in a new form, one that pays respects to their roots and their artistic growth and evolution simultaneously.

In the wake of Jeezy’s excellent Tiny Desk Concert performance, we’re taking a look at some of the most iconic performances from some legendary Southern rappers that we encourage you to revisit right now.

Gucci Mane

If there’s anyone who could take the NPR offices to the trap, it’s Gucci Mane. In 2016, shortly after his release from prison, Wop, alongside his day-one collaborator Zaytoven, delivered an iconic Tiny Desk Concert performance that felt like a warm return. The short set consisted of three songs, “First Day Out,” “Waybach” and “Last Time” – newer entries in his catalog at the time but three records that undoubtedly captivated the masses upon his release. Unlike most Tiny Desk performances, Wop kept the live instrumentation minimal, opting to use fully recorded versions of his songs as backing tracks while Zaytoven played the keys over top of them. For anyone else, it would be considered amateur but for Gucci Mane, it remained an iconic performance that further affirmed his position as a Trap God.

Read More: The Year Of Gucci Mane

Big Boi

The possibilities of an Outkast reunion album are quite slim these days, though Big Boi’s remained active in keeping their catalog alive on stages across the world. In 2018, Daddy Fat Sax and Sleepy Brown of Organized Noize came through with a few Outkast classics during Big Boi’s Tiny Desk Concert performance, beginning with “So Fresh So Clean.” Then, Big Boi dived into “All Night” from Boomiverse before closing out with “The Way You Move” from Speakerboxxx/The Love Below. Big Boi reworked these classic records with the help of trumpet players, a turntablist, a drummer, a guitarist, and a bassist to exceptional results.

Rick Ross

There’s a duality in Rick Ross’s sound: the grimy trap and the lush orchestral productions that became synonymous with Maybach Music Group. Yet, he’s always found ways to bridge the gaps between these two incredibly distinctive production choices, as evidenced in his Tiny Desk Concert performance in 2021. Still amid the pandemic, Rick Ross delivered a legendary performance at the gallery space of Miami artist Rich B Caliente. DJ Sam Sneak held it down on the ones and twos but it was the live band that helped deliver Ross’ catalog in a new dimension, from the backup vocalist’s rendition of the “Aston Martin Music” hook to the band’s high-energy on songs like “BMF” and “I’m Not A Star.” Although confined due to COVID-19 restrictions, Rick Ross certainly went above and beyond expectations during his Tiny Desk Concert performance.

Scarface

Could this list even make sense without mentioning the ever-legendary Scarface? A groundbreaking MC and a consummate instrumentalist, the Houston MC delivered one of the best Tiny Desk performances ever (regardless of genre) in late 2023. Although he had already begun teasing his retirement the year prior, the lush, bluesy, and soulful performance highlighted his illustrious catalog. Serving as the “conductor” of the show, he reunited with Mike Dean and enlisted a full band to help revise iconic records like “Smile” and breeze through some of Scarface’s most iconic hits throughout the eras, from Geto Boys’ “Mind Playing Tricks On Me” to “I Seen A Man.”

Juvenile

After demands for a Tiny Desk Concert with Juvenile, the rapper emphatically shut down the request on Twitter in the funniest way imaginable. “Wtf is a tiny desk [laughing emoji] and no [laughing emoji] [laughing emoji],” he tweeted in response. The tweet rippled across social media and serendipitously led to his iconic performance, where he paid respects to the rich history in his stomping grounds, New Orleans.

Accompanied by the backbone of the Cash Money sound, Mannie Fresh, Juvenile delivered a set that celebrated and commemorated second-line music. With plenty of brass instruments, such as trumpets, trombones, and saxophones, along with musical direction from Jon Batiste, Juvenile delivered a refreshing twist to iconic records like “Ha,” “Slow Motion,” “Back That Azz Up,” and the Hot Boys’ “I Need A Hot Girl.” In fact, it was such an exhilarating set that it led to the first-ever encore at a Tiny Desk concert — a remarkable feat for an artist who didn’t even know that the platform existed months prior.

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Juicy J’s 7 Most Successful Production Credits

June 8, 2023 by newhiphopnews

Although known for his ratchet persona, Juicy J boasts extensive credits behind the scenes as a producer. He’s a cemented legend in the rap game, and he’s still active in it, too. However, Juicy J’s origins date back to the days of his group Three 6 Mafia, where he not only served as an MC but a producer, as well. The Memphis group’s dark sound would lay the foundation for underground acts that often sampled and emulated their style in the years that followed.

Juicy J has kept his legacy alive in all the years since then. He’s got a strong relationship with Wiz Khalifa whom he’s collaborated with on a number of projects and songs. His recent features include songs alongside Logic, Conway The Machine, and more. In the cases of both Logic and Conway, he also doubled as a producer on these tracks. Today, we’re looking back at 7 of the most successful production credits of his career.

7. “Gunwalk” – Lil Wayne feat. Gudda Gudda (2013)

Juicy J and Crazy Mike showcased their ear for haunting production on Lil Wayne’s “Gunwalk.” The 2013 record leans more into eerie lane as a looped piano and a ghastly vocal sample play throughout the song. The song builds from these elements before the bass and drums come in. Lil Wayne’s verse is filled with creative references and punchlines for guns while Gudda Gudda’s follows the same theme. Still, Juicy J comes in at the track’s closing moments to deliver the final hook of the song, repeating Wayne’s chorus and driving it home. Hearing these two legends on a song together was a treat for listeners, especially with Juicy J’s signature production style laying the foundation for their collab. This song is a little different from most of the others on this list which is a testament to Juicy J’s range as a producer and as an artist overall.

6. “Freaky Girls” – Megan Thee Stallion Feat. SZA (2020)

Juicy J held down the production Megan Thee Stallion’s first collaboration with R&B superstar SZA. The TDE songstress holds down the hook on this highlight from Megan’s debut album. However, it’s the way Juicy J tied their personas together on wax that makes this song special. Sampling a melody from Adina Howard’s 1995 Hit, “Freak Like Me” for a nostalgic 90s vibe, SZA and Megan Thee Stallion’s confidence and sex appeal is on 10.

6. “Simon Says” – Megan Thee Stallion Ft. Juicy J (2019)

Another co-production effort with Crazy Mike, “Hot Girl Meg” pop out on “Simon Says.” A highlight from Fever, Meg delivers an instructional guide for a twerking anthem that continues to be celebrated to this day. But, before this even happens, producers Juicy J and Crazy Mike show off their sampling skills if only for a brief moment. A sample of Billy Jones’ “Me and Mrs. Jones” plays before changing into one from DJ Squeeky’s “Looking 4 Da Chewin,” which forms the foundation of the song. The looping technique is one that became with Juicy J and Three 6 Mafia but it’s his bars alongside Megan Thee Stallion that make this such an immediate highlight in her catalog.

5. “Hot Girl Summer” – Megan Thee Stallion feat. Nicki Minaj And Ty Dolla $ign (2019)

This is a Juicy J-produced that cemented 2019 as the “Hot Girl Summer.” Marking Megan’s first and collab with Nicki Minaj, it became the breakout moment that many anticipated from the Houston Hottie. Plus, a co-sign from Nicki Minaj, especially as a budding young woman in hip-hop, is a badge of honor. The song itself also capitalizes on Megan’s slogan and gives it a literal anthem. Although many were hesitant to see Ty Dolla $ign’s attached to the record, his innate ability to craft infectious and melodious hook undoubtedly helped propel this song’s legacy. Juicy J teamed up with Earl on the Beat and Bone Collector for this one.

4. “Poppin My Collar” – Three 6 Mafia Feat. Project Pat (2005)

“Poppin’ My Collar” is one of Three 6 Mafia’s biggest hits to date. Juicy J and DJ Paul hold down the production on this one, which includes an appearance from “affiliated member” and Juicy’s brother, Project Pat. On “Poppin’ My Collar,” Juicy J and DJ Paul utilize a soulful vocal sample and layer it with triumphant horns. But, the drums give it an extra layer of bounce that allows for the groups’ animated flows to pop out.

3. “Stay Fly” – Three 6 Mafia Feat. Young Buck, 8Ball & MJG (2005)

This is another classic track produced by Juicy J and DJ Paul that has a certain cinematic feel to it. The strings combine with the horns to create a soundscape that feels like a dose of nostalgia for anyone that recall the song’s original release. These sounds drop out completely during the first half of 8Ball’s verse, allowing the bass of the song to stand out. The chemistry between each of the artists on the song is seamless, especially as they champion various aspects of Southern culture. For many listeners, picking a favorite verse is a part of the fun and only proves how good each verse on the song was.

1. “Int’l Players Anthem (I Choose You)” – UGK feat. OutKast (2007)

If we’re talking about a classic song that Juicy J produced, “Int’l Players Anthem” is a no-brainer. However, the history behind the song makes his presence even that much more significant. Andre 3000’s opening verse remains celebrated in rap circles but he nor Big Boi were originally slated to appear on the record. Three 6 Mafia was. Due to label politics, they were blocked from being on the original version. Juicy J shared in an interview with OkayPlayer how frustrating this was at the time but he also respected Outkast’s presence on the song. Fortunately, the version with Three 6 Mafia on it is included as a bonus track on UGK’s self-titled album. This was another song that was produced by the duo of DJ Paul and Juicy J who brought a soulful vocal loop, trumpets, and their go-to drums to the track.

What’s your favorite song Juicy J has produced? Let us know in the comments section.

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Master P’s Best Albums Ranked

April 11, 2023 by newhiphopnews

Master P has established himself over the years as a record producer and entrepreneur who built one of the most iconic labels of the ’90s and early 2000s. Out of the massive catalog released under No Limit Records, many of its biggest hits came from Master P, himself. The same unique, gritty sound that made No Limit Records a huge success was present in Master P’s solo works as well. His unique sound has allowed him to maintain a lengthy rap career. This led to making anthems that are loved by the streets today.

While some albums by Master P have been lost to time, many have seen great commercial success. These albums continue to have a cult following to this day. Although he is now known more for being a mogul than an entertainer, fans will continue to remember him for his classics that did major numbers and solidified the sound of No Limit Records. Here are the five best Master P albums, ranked.

5. Ghetto Postage (2000)

Master P released Ghetto Postage on November 8, 2000. Though panned by mainstream music critics, Ghetto Postage was a classic to fans of the New Orleans Don. Support from fans of Master P, and No Limit’s increasing influence lead to Ghetto Postage becoming certified Gold.

The success of Master P’s ninth studio album came from two singles, “Bout That” and “Soulja.” The latter went on to chart up to No. 35 on the Billboard Hot R&B/Hip-Hop Songs and also appeared at No. 98 on the Billboard Hot 100. Ghetto Postage also saw features from other mainstream artists, including Snoop Dogg and Tamar Braxton.

4. Only God Can Judge Me (1999)

Only God Can Judge Me was released by Master P on October 26, 1999. The rapper’s eighth studio album marked his return as a solo artist after releasing Da Crime Family alongside his group, TRU. The 23-track album sported many noteworthy contributions, including a Nas feature and Jermain Dupri production. Only God Can Judge Me went on to become certified gold by the RIAA. The album’s hit single, “Da Ballers,” saw success on the charts, peaking as high as No. 21 on the Billboard Hot R&B/Hip-Hop Songs chart. “Step to This,” featuring Jermain Dupri, also climbed to No. 40 on the Billboard Hot R&B/Hip-Hop Songs chart.

3. MP Da Last Don (1998)

By the late ’90s, No Limit Records had solidified itself in the rap game. They were already expanding their influence towards film and other media. Not slowing down and releasing his grasp on the music scene, Master P released MP Da Last Don on June 2, 1998. The album was released through Master P’s No Limit Records, Priority Records, and EMI.

The success of MP Da Last Don was sparked by its hit singles. “Make Em Say Uhh Part 2,” “Hot Boys and Hot Girls,” and “Goodbye To My Homies” each saw charting success upon release. “Make Em Say Uhh Part 2” reached No. 19 on the Billboard Hot 100. “Hot Boys and Hot Girls” also reached No. 19 on the same chart, while “Goodbye To My Homies” climbed to No. 27. MP The Last Don sold 4 million copies in America, making it one of Master P’s best-selling works. Master P also created a film, Da Last Don, to coincide with the album. It was released on DVD on December 31, 1998.

2. Ice Cream Man (1996)

Released on April 16, 1996, Master P’s fifth studio album was certified in both the streets and by the industry. Ice Cream Man was Master P’s first studio album to achieve RIAA’s recognition to become certified platinum. A fan favorite and a commercial success, the album’s two central singles saw a reasonable amount of time on the charts. “Mr. Ice Cream Man” charted at No. 55 on the Billboard Hot R&B/Hip-Hop Songs chart. The album’s second single, “No More Tears,” charted at No. 78 on the Billboard Hot R&B/Hip-Hop Songs chart. Ice Cream Man was one of the most commercially successful albums and also one of his highest-rated. It is also the first album on which Master P collaborated with Beats By The Pound.

1. Ghetto D (1997)

On September 2, 1997, Master P released his sixth studio album, Ghetto D. The album would later become one of Master P’s most popular and commercially successful albums. Ghetto D soon became certified triple-platinum by the RIAA. The singles “Make Em Say Uhh” and “I Miss My Homies” were the main factors behind the album’s popularity. “Make Em Say Uhh” eventually sold enough copies to become a certified platinum single, charting as high as No. 16 on the Billboard Hot 100. “I Miss My Homies” charted as high as 16 on the Billboard R&B/Hip-Hop Songs chart, also becoming certified gold by the RIAA. These singles solidified themselves as street anthems and the two songs that Master P is most known for. Ghetto D debuted at No. 137 on the Billboard 200 but became No. 1 in its second week, selling 260,000 copies.

Jermaine Dupri Argues Southern Rap Fans Didn’t Know Jay-Z Until “Money Ain’t A Thang”

February 16, 2023 by newhiphopnews

Jay-Z’s status as a bonafide legend has been in the line of questioning recently. Following Billboard top 50 greatest rappers list– which Jay-Z topped – some felt as though it wasn’t necessarily an accurate reflection. Others felt there was an East Coast bias due to the exclusion of legends from other regions. Big Gipp recently explained how he felt as though Jay-Z wasn’t as big as 50 Cent or DMX in their prime.

It seems as though the sentiment regarding Jay extends across the South. Though NYC is the mecca of hip-hop, cities like Atlanta developed their own sound that spoke to their experiences. That said, Jay-Z apparently struggled to gain prominence in the South during the late 90s and early 2000s. Dupri sat down on the I Am Athlete podcast where he said that Southern rap fans weren’t familiar with Jay-Z. “People that worked for me back then, I was telling them ‘yo listen, there’s rappers in New York that n****s in Atlanta don’t never hear,” he said.

Jermaine Dupri Says “Money Ain’t A Thang” Helped Jay-Z Pop Down South

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J.D. explained that strip clubs largely dictated the music that played in Atlanta. Through this environment, fans found music that reflected the regional sound more than anything. He said even Jay-Z wasn’t necessarily receiving much play in these spaces in Atlanta until they worked together on “Money Ain’t A Thang.” “I got n****s from my hood that didn’t never listen to Jay-Z til’ I made ‘Money Ain’t A Thang.’ This is people that told me this, not me. That’s not me saying this,” he said.

He continued, “I knew who Jay-Z was or I wouldn’t have put him on my song. I’m saying that to say I knew who Jay-Z was, but the area, right?”He related this to the brief debacle surrounding 21 Savage, who claimed that Nas wasn’t relevant. JD said he wasn’t shocked by what 21 said because he knew that a lot of people in Atlanta aren’t listening to music outside of their environment. “When you walk outside and you hear these cars driving down the street they not playing Nas. They playing whatever the ghetto n**** is that’s hot right now,” he added. Check the clip above.