The New York musicians are paying tribute to Reservoir Dogs & Django Unchained director, Quentin Tarantino, with a new song and video. The video sees the members of Flatbush Zombies dressed in white suits and traveling through Los Angeles in a white vintage car. The collaboration is an ode to both RZA and Flatbush Zombies’ […]
Last week, two New York fixtures came together at last on RZA and Flatbush Zombies’ “Plug Addicts.” The video took a page out of Quentin Tarantino’s Reservoir Dogs, with RZA’s beat on the track hearkening back to an important project in his career. “I’ve had my eyes on the Flatbush Zombies for sometime now,” RZA said in a statement last week. “Their style of dark hip-hop lyricism is reminiscent of my days in the Gravediggaz. This type of collaboration was overdue.”
Today, they’ve doubled-down with the as-promised track entitled “Quentin Tarantino” and it’s an overt homage to the iconic director. The track is a vintage RZA production that sounds like it could’ve come out of the Jackie Brown soundtrack. Flatbush Zombies Meechy Darko, Zombie Juice, and Erick “Arc” The Architect carry the torch on the mic on this one, with Arc’s flow packing in a slew of Tarantino films:
“They killin’ us all, but we endure, Reservoir Dog
I’m Mr. Orange, so since we sparrin’, I put my all in
Your whip be stallin’, unchained, unhandled, Django is dormant
They pat me down, nigga you don’t know? You better ask around
It’s been half an hour, blast the sound, where’s Jackie Brown?”
The video has nods to Kill Bill and heavy Pulp Fiction vibes, with the Zombies driving around in the same style of Chevy Nova that Jules and Vincent Vega drove in the film. There’s even a briefcase motif and RZA punctuating the hook asking about the age-old Tarantino film geek mystery: “What the f*ck’s up in that briefcase?”
Watch the video for “Quentin Tarantino” above.
“I’ve had my eyes on the Flatbush Zombies for sometime now,” RZA said in a statement. And when the RZA speaks, people listen. It’s hard to believe that the Brooklyn crew and the Staten Island producer had never linked in the past, given how Flatbush Zombies’ penchant for the macabre seems so aligned with RZA’s cinematic aesthetic. But now here they are, two NYC entities born in different eras, at the start of a new collaborative arc.
In the new “Plug Addicts” clip, the “glorious dead” Meechy Darko, Zombie Juice, Erick Arc Elliott, and The RZA are all dressed like Quentin Tarantino’s Reservoir Dogs as they take turns dropping a verse. The video is sinister to say the least, and even culminates with RZA’s slasher re-enactment of Michael Madsen’s Mr. Blonde torture scene from the movie. They all play off of each other fluidly on the mic and the production sounds eerily similar to a certain project from the past. “Their style of dark hip hop lyricism is reminiscent of my days in the Gravediggaz,” RZA remarked about the Zombies. “This type of collaboration was overdue,”.
This is the first of their two singles, with another called “Quentin Tarantino” due on December 17th. Flatbush Zombies’ Eric Arc Elliott added some words on the collab:
“In a lot of ways I saw RZA in myself, as a fellow producer/artist. We are making history together at this very moment. The music he’s made over the course of his career had a lot to do with why I wanted to make music in the first place, it’s beautiful to see these things come full circle.”
Watch the video for “Plug Addicts” above and be on the lookout for “Quentin Tarantino” next week.
Although biographical films about hip-hop pioneers have become a hot commodity in recent years — just see Straight Outta Compton, Roxanne, Roxanne, and Aaliyah: The Princess of R&B for proof — one group that has yet to see its story adapted to the big screen is Wu-Tang Clan, which instead has been recounting its origin in the Hulu original series Wu-Tang: An American Saga. However, according to group member Raekwon, the group did come close thanks to an unlikely ally: Leonardo DiCaprio.
In an excerpt of Raekwon’s upcoming memoir From Staircase To Stage: The Story Of Raekwon And Wu-Tang Clan published on Rolling Stone today, Raekwon detailed his efforts to produce a Wu-Tang film with DiCaprio’s help — and how RZA ultimately shut those plans down in favor of the television series concept.
“We started talking about the possibility of a Wu-Tang movie and I told Leo I’d love to see him play a role in it, anything he wanted to do,” Rae recounts of meeting the actor at what he calls “an old mafioso-looking pizza spot.” “He talked about his production company and all the directors he thought might do a great job — and these were big names and people he’d worked with.”
However, Rae recalls, “RZA’s energy was entirely different. He barely said anything and seemed to be going through the motions, nothing more. I could tell he wasn’t going to agree to do it, and my instincts told me why: my guess is that he was already in bed with a production company, deep into developing the scripted series for TV, even though none of us had signed off on it.”
The “Ice Cream” rapper said the move hurt his feelings “because it proved to me that he’d already counted me out before I began. He didn’t think I could bring that kind of power to the table, but I’d gotten them there, all ready to rock and roll.” Eventually, though, the TV show plans went ahead and the show itself has become a well-received success, so even if Raekwon’s movie idea could have been a winner, it looks like the story was told how it needed to be after all.
Anybody who thought the vinyl resurgence was just a fad was mistaken: The industry has experienced a legitimate revival. As a result, music fans are interested in physical media in ways they may not have if the decades-old medium hasn’t made a comeback. That doesn’t mean everybody is listening to just their parents’ old music, though. That’s part of it, sure, thanks to rereleases that present classic albums in new ways. A vital part of the renewed vinyl wave, though, is new projects being released as records, of which there are plenty.
Whatever you might be into, each month brings a new slew of vinyl releases that has something for everybody. Some stand out above the rest, naturally, so check out some of our favorite vinyl releases of November below.
The Black Keys were at the height of their power with 2011’s El Camino, and in just a few days, the album celebrates its tenth anniversary. To mark the occasion, the band has re-released it in various expanded editions. Aside from the remastered album, bonuses include a photo book, a limited-edition poster, and a previously unreleased concert recording from a 2012 show in Portland, Maine. Coincidentally, I was actually at that concert, and if my memory serves me correctly, it was a good one.
Get it here.
Lil Wayne’s Tha Carter series is an iconic hip-hop institution, and now he’s collected the highlights all in one place. On Tha Carter Singles Collection, you get 19 of the finest songs from the series pressed on ten 7-inch records, as well as a booklet full of rare photos, two lithos, and brand new art.
Get it here.
After the all-time classic album The Joshua Tree and the not-as-beloved Rattle & Hum, U2 made a drastic change to their sound with the alternative- and electronic-inspired album Achtung Baby. That album dropped 30 years ago, so now the band is celebrating its three decades with a new anniversary edition. This version of the album has been remastered and also includes remixes of songs from both Achtung Baby and its follow-up Zooropa.
Get it here.
Los Angeles played a major role in the story of jazz legend Charlie Parker, and now some formative recordings from the Kansas City native’s time in the City Of Angels are all together on this new collection. The release features the only known recordings from Billy Berg’s on December 17, 1945; three previously unknown JATP recordings from the Shrine Auditorium on November 22, 1948; and the complete recordings of the July 1952 party at Jirayr Zorthian’s Altadena ranch. For those wanting more context on the meaning of these recordings, the project’s producer, John Burton, offers just that in his liner notes.
Get it here.
1976’s Destroyer was a formative and landmark release for Kiss, and now, 45 years later, they’re expanding upon it with a new reissue. Aside from the remastered album, the amount of goodies that is included with the Super Deluxe box is extravagant but not surprising coming from perhaps the most merchandised band ever: There are iron-ons, stickers, posters, trading cards, stage blueprints, a newspaper, a hardcover book, and much more.
Get it here.
Much has been made about the 30th-anniversary edition of Nirvana’s Nevermind, and truly, this is a must-have for Nirvana fans. There are a variety of editions, the beefiest of which comes with 8 LPs that feature the original album (newly remastered, of course), four full concerts, a 40-page hardcover book with unreleased photos, and other goodies. If physical music isn’t your thing, the band also has a bunch of new merch to coincide with the album’s anniversary.
Get it here.
Speaking of anniversary releases, Radiohead had a big one this year, although it’s pretty different from the Nirvana one. Kid A Mnesia actually celebrates two albums, Kid A and Amnesiac, by collecting both albums as well as B-sides and unreleased tracks from the era. Again, if you’re not looking to buy a record/CD/tape, the gift-able merch offerings here are diverse, including everything from a paint-by-numbers set to holographic stickers.
Get it here.
Who’s that girl? It’s Zooey Deschanel! And also that guy, M. Ward, who is known collectively alongside Deschanel as She & Him. The duo dropped a delightful Christmas album a decade ago and now they’re celebrating the project with a rerelease. It’s super holiday-ready, too, as it’s pressed on tinsel silver vinyl and comes with a new 7-inch, which features covers of Madonna’s “Holiday” and Wham!’s “Last Christmas.”
Get it here.
Teaser And The Firecat helped establish Stevens as a premier singer-songwriter of his era 50 years ago. Now he’s celebrating the anniversary with a deluxe edition of the album that is described as “the most in-depth and definitive version of the album possible.” This version includes a remastering of the original artwork, 41 previously unreleased tracks including studio demos and alternate mixes, and a 108-page essay book.
Get it here.
Billy Joel is still going strong today, but on The Vinyl Collection, Vol. 1, he looking back on the ’70s. The massive 9-LP collection features his first six solo albums (Cold Spring Harbor, Piano Man, Streetlife Serenade, Turnstiles, The Stranger, and 52nd Street), his first live album (Songs In The Attic), and a previously unreleased concert recording (Live At The Great American Music Hall — 1975). All of the aforementioned come right from the original album tapes, and there’s also a 50-page booklet to offer more context on these classic projects.
Get it here.
RZA went out on his own outside of Wu-Tang with his debut solo album, 1999’s Bobby Digital In Stereo, a project that helped him establish his own unique identity outside of the iconic hip-hop collective. Vinyl Me, Please always nails it with the vinyl color and they did so again here with their reissue of the album, which is pressed on “Mantis” Green vinyl that’s a perfect visual complement to the cover art.
Get it here.
Sigur Rós’ 2008 album was a defining release for post-rock fans and buttcheek lovers everywhere, and while it’s not celebrating a round-numbered benchmark anniversary this year, the group is still going ahead and giving it a vinyl reissue. It was a good call, though, as the album was previously out of print worldwide, and now it’s available in both heavyweight black vinyl and a limited run of sky blue vinyl.
Get it here.
No, Rihanna hasn’t announced a new album though. However, for those looking back on her old projects in the meantime, she is now offering a tremendous way to do so. She recently announced a cleverly titled new series of “Rih-Issue” releases, which features fancy rereleases of her entire eight-album discography. Each one comes with an exclusive shirt, making this the best way to fill any Rihanna-shaped hole in your vinyl library.
Get it here.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Earlier this year, Wu-Tang’s Once Upon A Time In Shaolin album was sold by the government to pay off part of ultra-weasel Martin Shkreli’s $7.4 million forfeiture judgment. But members of The Wu-Tang Clan have stayed plenty busy with other endeavors. For starters, the second season of the Hulu show Wu-Tang: An American Saga came out, and one of its members, RZA, re-launched his series Saturday Afternoon Kung Fu Theater on his platform 36 Cinema, which hosts screenings of old school kung-fu and blaxploitation films, complete with guests and live commentary.
In a recent interview with Mic, where RZA spoke about An American Saga, the 2019 Sacha Jenkins-directed documentary Wu-Tang Clan: Of Mics and Men, and the need for Black voices to tell Black stories. He also revealed that he is working on a biopic about Ol’ Dirty Bastard. If you’ve heard about this before, it’s because in 2018, The Hollywood Reporter ran a story revealing the project was green-lit by Columbia Pictures, that it would be produced by RZA, and that a search for a director and screenwriter were underway. Not only that, but he shared that it’s part of a bigger vision:
“The documentary was to capture the story as best we can in the reality of it, and then the TV series was to dramatize it. The third tier of the plan, which I’m in progress of, is an ODB movie biopic. Like the five-year Wu-Tang plan, this was a five-year media plan that I concocted, I meditated on, and I’m striving to live out. So far, it’s working well.”
ODB was a polarizing figure, to say the least, and his life was shrouded in equal parts flamboyance and mystique. A RZA-produced biopic is sure to shed light on his fantastic and mad existence.
Wu-Tang Clan had high hopes when they created only one copy of their exclusive album Once Upon A Time In Shaolin, which was meant to be auctioned off and barred from commercial sale for 88 years. But things didn’t quite go according to plan when currently imprisoned “Pharma bro” Martin Shkreli bought the LP before going to jail for several counts of fraud. RZA now admits that selling Shkreli the album was a mistake, but his original vision for Once Upon A Time In Shaolin could still come true after all.
RZA recently sat down for an interview on Hot 97’s Ebro In The Morning radio show, where he discussed selling the album to Shkreli and said it definitely “was in the wrong hands.”
The rapper explained he met with Shkreli before selling him the album, but that was before his true character was revealed. “The thing that’s powerful about it now is, now that it’s out of our hands, no disrespect to Martin Shkreli, because I don’t never knock somebody who bought something,” he said. “But it was in the wrong hands in reality. He made the deal before it was revealed of his character, his personality, and all the insidious things he would go on to do. That wasn’t the guy that I met. He definitely unfolded into that guy. He had control of this one-of-a-kind piece of art, and I could see it was in the wrong hands. But still, it was a sale and I can’t complain about who we sell it to. Everybody’s got a right to buy something that’s for sale.”
The government has now sold Once Upon A Time In Shaolin to NFT organization PleasrDAO in order pay off the $7.4 million forfeiture judgment against Shkreli at the time of his conviction. RZA believes that the album is now in the “right hands” after meeting with the person behind PleasrDAO, saying his original vision for the album could still become a reality:
“But now, I think it’s in the right hands. I’m hoping that it is in the right hands. I spoke to the gentleman who’s leading the way and he just seems to have more of a Wu vibe about him. Wu is a vibe and I strive to say it’s a vibe of positivity, even with the aggression. […] There were some original ideas that we wanted to do with this album. A lot of beautiful ideas that wasn’t disclosed to the public, and I won’t disclose them now, but those ideas were not able to happen with Mr. Shkreli. Now that PleasrDAO has it, there’s an opportunity for a lot of these beautiful ideas of what this art can be and how it can expand itself in the world.”
Watch RZA’s full interview with Ebro In The Morning above.
Vinyl Me, Please has established themselves as an essential ally to vinyl collectors over the years, as they regularly offer exclusive editions of revered albums, pressed in unique colors and accompanied by delightful extras. There are only three months left in the year, and today, VMP has shared the roadmap for how they’ll be handling their monthly releases for October, November, and December.
October’s albums of the month are Grizzly Bear’s Veckatimest (as the month’s Essentials release), Teddy Pendergrass’s Life Is A Song Worth Singing (Classics), Three 6 Mafia’s When The Smoke Clears: Sixty 6, Sixty 1 (Hip-Hop), and Sam Hunt’s Montevallo (Country). Following that in November will be Usher’s Confessions (Essentials), Freddie King’s My Feeling For The Blues (Classics), Clipse’s Hell Hath No Fury (Hip-Hop), and Gram Parsons’s Grievous Angel (Country). Closing the year in December are The Meters’s Rejuvenation (Essentials), Roberta Flack’s Quiet Fire (Classics), RZA’s RZA as Bobby Digital In Stereo (Hip-Hop), and Buck Owens & His Buckaroos’s Carnegie Hall Concert (Country).
All of the releases are bound to be special, and in particular, Usher’s Confessions represents something new for VMP, as Alexandra Berenson, their Head of A&R, notes, “We’re really excited for the opportunity to run a record like this because we haven’t really done a massive R&B crossover hit in our Essentials. It’s a very cohesive album and it has been totally underserved on vinyl. It hasn’t had a reissue since it first came out and we figured, ‘Let’s give this the VMP treatment. Let’s try to make the most definitive version of this record that we can.’”
Learn more about the upcoming Essentials releases here, the upcoming Classics releases here, the upcoming Hip-Hop releases here, and the upcoming Country releases here.
RZA’s love for cinema is well-known — in fact, it’s the core of the entire Wu-Tang brand. After launching his Saturday Afternoon Kung Fu Theater event this spring to announce his upcoming solo album, today, he shared a new single with the same title to further promote the return of his alter ego Bobby Digital. The high-concept album finds RZA verbally sparring with Bobby Digital over throwback production courtesy of longtime collaborator and friend DJ Scratch.
The concept posits Bobby Digital as a more outgoing version of the rapper inspired more by exploitation flicks like Shaft and The Mack (just check out the original RZA As Bobby Digital In Stereo album cover from 1998, inspired by classic movie posters). Meanwhile, the “RZA” persona is the more contemplative aspect of himself, influenced by the aged kung-fu masters in the Shaw Brothers films from which he borrowed the Wu-Tang ethos.
DJ Scratch, whose career credits include albums from the likes of Busta Rhymes, EPMD, Flipmode Squad, The Roots, and Talib Kweli, is executive producing RZA Vs. Bobby Digital, prompting RZA to say in a statement, “He delivered tracks that resonated and brought me back to a sound that I felt was missing. For me, it was really natural for me to flow and write to these songs.”
Listen to RZA’s new single “Saturday Afternoon Kung Fu Theater Part 1” above.
RZA Vs. Bobby Digital is slated to drop 8/6.
Wu-Tang Clan’s RZA is the man to call when change is needed. The hip-hop hitmaker and leader of the all-mighty Clan came to the rescue when Good Humor needed a replacement for its racist-rooted jingle and wants ice-cream truck drivers to project their necks – and vehicles with its new tune. RZA flips racist-rooted ice […]
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