De La Soul Addressed Their Fight To Gain Control Of Their Catalog After Years Of Legal Issues With Tommy Boy Records

Just months before Hip-hop’s 50th commemoration, De La Soul shared that their entire catalog would finally be available on streaming platforms for the first time. As one of rap music’s most impactful trios, fans jump for joy knowing that their years-long battle with former label Tommy Boy Records had finally ended. Unfortunately, beloved member Trugoy died before it could happen.

Now that their critically acclaimed bodies of work are available for all to enjoy, Maseo and Posdnuos addressed their fight to gain control of their catalog. The group discussed their lengthy legal pursuit in the teaser clip for their upcoming appearance on People’s Party with Talib Kweli.

“I’m going to be very candid and very real; it was like freeing the slaves but adding vagrancy laws,” said Maseo. Vagrancy laws were enacted to essentially make it a crime for an individual to loiter. For decades, vagrancy laws have been criticized as an attack on unhoused people.

With his statement, Maseo seemingly touches on the rumors that the group almost were given their rights to the past works but were told they wouldn’t be allowed to monetize it any further. This was at the root of online speculation after negotiations between parties were shut down in 2019.

Maseo continued, “[The deal] was almost like giving me a house that I couldn’t do nothing with… the wordplay in the contracts. I have a house I can live in, but I can’t sell it. I can’t control nothing [in it], but I can live inside of it. That just wasn’t going to work for me or my crew. It was another form of slavery, in my opinion.”

Maseo’s wife, Tina, played a critical role in his desire to push forward. “The more we continued to talk about it [I realized] we were talking about a new deal over old music and [look at] the age we’re at, at the same time… What future opportunity are we really talking about?.. The more I assessed this thing, we’re in a business where we are worth more dead than alive. So, it was really about negotiating that deal based on death and life. Knowing the realities of the business that we are in,” proclaimed Maseo.

He closed by saying, “It was a tough decision to make, but God was on our side. My wife was on my side, and it worked out for the best. It wasn’t even Tommy Boy that made it right. It was the new owners of the catalog that did. Tommy Boy… Tom Silverman would’ve never made it right.”

Watch the full clip above.

Fat Joe Defends Use Of The N-Word On Talib Kweli’s Podcast

Fat Joe, who is of Puerto Rican descent, addressed the backlash to his use of the n-word during an interview with Talib Kweli for the People’s Party podcast. In doing so, he explained that he grew up around the use of the word in New York City and described the controversy as “mind-boggling.”

The conversation kicked off with Talib Kweli explaining the situation. “For those of us that grew up in New York City – Latino people who grew up in Black neighborhoods, they say n***a just like Black people do,” he said.

Read More: Fat Joe Responds To Criticism Of His Use Of The N-Word

Fat Joe Performs In Brooklyn

NEW YORK, NY – OCTOBER 27: Rapper Fat Joe performs onstage during Power 105.1’s Powerhouse 2016 at Barclays Center on October 27, 2016, in New York City. (Photo by Theo Wargo/Getty Images for iHeart- Power 105.1)

From there, Joe responded: “Explaining it to people at this point is like, mind-boggling to me, ’cause it’s been like, ‘What’s up Fat Joe? You my n***a!’ since I’m 2 years old. You taking it offensive, then what do I look like a slave owner to you? Or I look like the cop who killed George Floyd? I gotta think about you. ‘Cause you obviously know that you just said I’m the most important piece of Hip Hop. You obviously know I’m wit Black people all day. I fight for Black people, I fight for Latinos every day of my life.”

He continued: “I don’t try to let people make me second guess what I do because that’s not what Hip Hop was founded on. The origin of the word is foul anyway. I don’t know how we made it cool. If I’m driving right down the block and somebody’s doing something to the blackest lady in the world – I’m jumping out. I’m dying! So it’s offensive to me when people say, ‘Yo, why do you even say that?’ Like, don’t you know?!”

Fat Joe Speaks With Talib Kweli

It’s far from the first time Joe has addressed the controversy. He also spoke about using the word while appearing on The Breakfast Club back in 2022. Additionally, he had to defend himself from users on social media after criticizing Joe Rogan for using the n-word.

Read More: Fat Joe Rips Joe Rogan For N-Word Use, Twitter Calls Him A Hypocrite

[Via]

The post Fat Joe Defends Use Of The N-Word On Talib Kweli’s Podcast appeared first on HotNewHipHop.

Just Blaze Addresses Kanye West Calling Him His Archenemy: ‘There’s A Friendship There’

Earlier this year, Kanye West‘s three-part docu-series, Jeen-Yuhs, premiered on Netflix. The docu-series spans over 20 years of his career, including his time collaborating with producer Just Blaze at Roc-A-Fella records. At one point in the documentary, Ye calls Blaze his best friend and his archenemy.

On an episode of Uproxx’s The People’s Party With Talib Kweli podcast, Blaze spoke with the host, revealing that he understands where the comments came from.

“I can see why he would look at it as the ‘archnemesis’ thing,” Blaze said to Kweli. “I guess it kinda was that, ’cause a lot of archnemeses…a lot of times they’re actually guys that are friends. Most of the classic super-villain/superhero stories, there’s a friendship there.”

Blaze continued, saying, “Some people like to spin the narrative, ‘Oh, they were super competitive, they were out there duking it out,’ I never, I honestly never looked at it like that. Like, he would call me to ask me, ‘Yo, how did you get your horns to sound like this on this record, I’m trying to figure that out,’ right?”

Elsewhere in the episode, Blaze revealed that he and West haven’t spoken in a while, not out of bad blood, but rather due to going separate paths. Though in 2021, West accused Blaze of copying his production style, though Blaze remained peaceful on the matter.

Check out the full episode above.

The Founders Of A$AP Foundation Talk Battling Fentanyl On The Frontlines

Steven “A$AP Yams” Rodriguez was a powerful element in the rise of the A$AP Mob. His music helped usher in a new wave of East Coast rap that took the planet by storm. To get a sense of his lasting impact at the time of this article, his single “Yamborghini High feat Juicy J” currently has more than 141 million views on YouTube. But in the middle of the truly meteoric rise of the A$AP Mob, tragedy struck. A$AP Yams died suddenly on January 18, 2015, after an accidental fentanyl overdose. The hip-hop world was shaken to its core at the death of this 26-year-old rising star. Yam’s death was part of a growing trend inside the entertainment world and mainstream America, where fentanyl overdoses were fast on the rise.

Taking a broader view, fentanyl overdoses have spiked in the country at an alarming rate over the past decade. Musicians, college kids, and even cops are not safe from the rapid death toll the drug has claimed across all American demographics. According to the DEA website, as little as 2 milligrams can kill you. The death rate increases when those small amounts are mixed with other drugs. Rolling Stone recently did a feature on how many celebrities — Prince, Tom Petty, Lil Peep, etc. — have fallen victim to having very small doses of fentanyl laced with other drugs. Two students at Ohio State University just died after an accidental overdose from buying fake Adderall pills. San Jose State University football star turned Police Officer, Dejon Packer recently died in his home from “fentanyl toxicity.”

No one is safe from this drug. Full stop.

In response to the devasting toll caused by fentanyl, A$AP Yams’ mother, Tatianna Paulino founded the Always Strive and Prosper Foundation (It follows the A$AP moniker, the acronym created by Yams). Darryl Phillips joined her in actualizing her vision. Serving as Executive Director in the non-profit they spread awareness to the streets on how to avoid the deadly impact of drugs, focusing on fentanyl. We spoke with Tatiana and Darryl about Yams’ music, A$AP Yams Day, and their mission to heal the hood.

***

Can you tell me why the Always Strive And Prosper Foundation was created and what your goals are with it for young people?

Darryl Phillips: The foundation was created really as a a commemorative, but also a meaningful mission brought together by Tatiana Paulino, A$AP Yams, mom. She wanted to be able to help one family or, you know, an individual person, whoever. If we could kind of help in any way to not experience some of the mourning that she was going through. It kind of started as something that we just were talking about. Then we got together in a community room up in Riverdale, in the Bronx and just started discussing what we saw as issues.

From there we tried to figure out we could deal with substance abuse.. But really it was just about this woman here [Yam’s mom] wanting to be able to help other families and other people to not go through the same pain.

Sometimes when a rapper dies, in the expansion of public awareness, the humanity of the individual can be lost. Can you tell us who he was to you before the rest of the world got to know him?

Tatianna Paulino: Well, I don’t even know how to describe that. It’s like, he was my kid. He was my friend. He was my son and he was everything for me before he was A$AP. He was my kid.

He made a lot of jokes. So for me in the house, it was like having a comedian around all of the time. You know, having a great time, having dinner with him. He was hilarious. So I miss all the family time that we had together.

Now, do you remember the day or even the moment you decided you were gonna create a foundation?

Paulino: The same time he passed away. I wanted to do something to help other parents and other families with the problem that I’m going through at the moment. Because it’s really hard. He was helping a lot of people in the music business, we can help another family. I said, “We have to do the foundation. We have to keep his legacy alive.”

ASAP Yams and Tati
ASAP Yams Foundation

Do either of you have advice for parents who may be concerned about their kids abusing drugs or being exposed to these environments? What is your advice to them?

Phillips: I think the advice is to try and have a conversation [with your kids]. To always be able to instill something about truth with your children, with your kids, your brothers, your family members. Speak to each other in a way that involves care and some kind of trust.

I had a conversation at a friend’s house once and you know, we’re talking about drug use and just how it was impacting community lives. He’s like “Well, you know, my son is not really around friends that are into that.” The son chimed in and said, “No, actually they are.” The dad was shocked.

Then provide extracurricular things. Like “Hey, do you know, what is it that you wanna do? And how can I help you do that with art, basketball, chess- you know? Ask how you can support their personal vision of themselves.

Paulino: I think as parents, we have to be open-minded. Try to get information, to see what’s really going out there. Because sometimes we are behind, because of our age.

Can you talk about A$AP Yams Day? What happens at those events?

Phillips: It was something where we were asking the mob, can we do something? A$AP Rocky was kind of always carrying a flag for that, as well. He wanted to make sure it was something that was really commemorative. It’s a concert that involves not really random artists, but up-and-coming artists.

The first year [Jan 18, 2019] seemed to be the coldest day of the year. It was marking the day that he passed. It was a who’s who of artists. But we also had up and comers take the stage as well.

The Weeknd, Kendrick, Tyler [the Creator], there has been such a host of people that have come to support it. And now we can incubate programs to do little events that we could outside the concert to develop the community. You know, I think every day is A$AP Yams Day.

ASAP Yams Grid
ASAP Yams Foundation

Do you have any messages for the artists that promote, you know, the high drug lifestyle these days? They really do seem to have the ears of the teens and kids.

Phillips: We can’t blame the kids ever. Us being old school, we always understood that even when it was in NWA was a reflection of what we were going through in our community. We were experiencing every day going outside, the injustice that was over us. We had a generation of kids that grew up living with their grandparents. Not even their parents. So I think we have to look at the overall larger picture, which is the drug war. We have to look at the pharmaceutical companies that are really pushing the agenda [of how these drugs are made so available to teenagers]. From Purdue [an international pharmaceutical company responsible for many opioid deaths] and many others.

Follow the money on all that.I can’t blame the artists. We have to try and see what we can do to counter it or to figure out how to abate it in some way.

Tatianna, can you tell me some of the other upcoming events, your organization will be hosting?

Paulino: So we have a back-to-school event usually involving a basketball tournament. We have a show in Harlem and it’s going on in the lower east side. We have a toy and coat drive that we do as well. That’s around the Christmas holidays. It was just really us giving them scarves, brand new toys, and other people coming to donate stuff for the kids. We try and keep these quarterly events alive as well. We are always working to figure out other ways to support other people doing other events also.

Phillips: So Michael K. Williams was a friend of mine. He knew of our organization as well. And when he passed, you know, we were able to contribute. We’d like to do something, I think a little bit outta state. I’m going to talk to some people about A$AP Yams events in LA and on the west coast.

For more information and support on upcoming events, issues with fentanyl, and other addiction issues please contact the Always Strive and Prosper Foundation and on IG @asapfoundation.

Niko Is And Talib Kweli Trade Dense Lyrical Verses In This Eerie Posse Cut

Niko Is has linked up with Talib Kweli, MidaZ the Beast, A.L. Punchline, and Wordsworth for a lyrical, hard-hitting, classic hip-hop posse cut titled “Live From The Blue Note.” Take “classic” with a grain of salt though, while this harkens back to a golden age of hip-hop group cuts, “Live” is anything but traditional. The video is shot in a moody black and white and sees the MCs trading dense lyrical verses over an eerie minor-key piano motif which acts as the song’s sole rhythm track.

The sparse and eerie track’s minimal arrangement allows the natural musicality of the words and the rhythms of each MC’s flow to really shine — every member of the crew excels at filling gaps and nailing their punchlines. Kweli, in particular, has a fiery verse that boils with a steady intensity (including lines that dance around his recent public conflict with Ye).

“See the grifters dressing like they’re post-apocalyptic fly fishers, you get the picture when I frame and capture, I’m the famous rapper posing as a backpacker…” and “your mental state seems to be in a defensive place, your fans must’ve got the Corona and lost their sense of taste.”

Or you know, maybe he’s talking about some other bridge-burning headline-making rapper who talked publicly about posing as a backpacker.

Despite the song’s brooding vibe and length (it’s past the six-minute mark, with no drums in sight!) it never drags for a second. There’s a steady heat boiling on high as this collective of mic masters push one another and trade layered bars. It never feels out of step with the rhythm of current or classic hip-hop (there’s definitely some Mobb Deep energy in play).

Watch the video for “Live From The Blue Note,” above, the song is set to appear on Niko Is’ upcoming LP with Juni Ali, Young Viejos.