Salute to Montell Jordan, who revealed that he beat prostate cancer. Jordan, turning 56 years old, revealed his battle to TMZ.
Jordan states he had a prostatectomy surgery six weeks ago, revealing early detection saved his life. Jordan no longer has his prostate but now is using his work as a pastor to share why people should get screenings.
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Montell Jordan, a figure synonymous with the 90s R&B and hip-hop scene, has cultivated a net worth estimated at $15 million as of 2024, as reported by CAknowledge. Best known for his iconic hit “This Is How We Do It,” Jordan’s musical career spans decades, diversifying into realms beyond singing, including songwriting, producing, and, more recently, pastoral work. His journey from the top of the charts to the pulpit paints a multifaceted picture of talent and transformation.
Born on December 3, 1968, in Los Angeles, California, Montell Jordan demonstrated a profound affinity for music early in life. Growing up in a church-going family, he honed his musical skills in a spiritual environment, which later significantly influenced his career path. Jordan attended Pepperdine University, where he pursued a degree in communications but continued to nurture his passion for music. His breakout came in 1995 with the release of “This Is How We Do It,” a song that topped the Billboard charts and became a defining anthem of its era.
Montell Jordan’s debut album, also titled This Is How We Do It, achieved platinum status, cementing his place in the music industry. He followed up with a series of albums including More…, Let’s Ride, and Get It On…Tonite. Each of these records featured collaborations with other prominent artists and showcased Jordan’s versatility as an artist. His smooth transition from upbeat party anthems to soulful R&B ballads illustrated his adaptability and appeal, keeping his name relevant in the competitive music landscape of the 90s and early 2000s.
In a surprising career turn, Montell Jordan stepped away from the music industry in 2010 to devote himself to religion. He became a licensed minister and took a position at Victory World Church in Norcross, Georgia. This shift was not merely a career change but a personal transformation. It further reflects his deep-rooted values and the influence of his early life in the church. Jordan has since utilized his platform and musical talent to lead worship and youth outreach programs, combining his passion for music with his commitment to faith.
Montell Jordan’s legacy in music and his influence as a cultural icon are indelible. His work has inspired numerous artists and continues to be celebrated in various retrospectives and musical callbacks to the 90s era. Beyond his chart-topping hits, his decision to transition into ministry has also shaped his narrative as a public figure, portraying a path of significant personal and professional evolution. His ongoing influence in music and ministry underscores the breadth of his impact, spanning entertainment and community service.
The post Montell Jordan Net Worth 2024: What Is The “This Is How We Do It” Icon Worth? appeared first on HotNewHipHop.
Hip-hop has to be one of the oldest genres on the planet. The one to go through the most tonal shifts, the one to evolve the most, and more importantly, the one that has entertained the masses uniquely so often that we end up with more than a handful of one-hit wonders. While hip-hop is great, the reliance on a beat and catchy tune can make some songs dispensable. When they’re here, they’re here in your mind on a loop inside your head. But when they’re gone, they’re gone for good. That’s exactly what it means to be a one-hit-wonder.
Before we jump into our list, it may be best to go over the parameters of what we think a One Hit Wonder even means. Does it mean that it’s no longer relevant today? I wouldn’t say so. There are plenty of songs that are still relevant today that are considered one-hit wonder. No, a one-hit wonder is when a song releases, captivates the population, and then just as quickly as it came, the artist never produces something on the same level of quality again.
They hit it once, and it’s a wonder how they hit it at all, and that same spark was never slapped again. So no, that doesn’t mean the artist is bad, or that the song is. A one-hit wonder is simply one of the beautiful nuances of creating and following music. You never know what’s going to appear, and you don’t have any guarantee of producing the same hit twice.
So, while the term does have a negative connotation, think of it like this: a one-hit-wonder goes viral. It’s almost a prerequisite. So even though the one-hit wonder is a temporary burst of fame, anyone would be happy to create one, even just once.
With all that out of the way, let’s jump right into our top picks for one-hit wonders!
Ice Ice Baby by Vanilla Ice is probably one of the biggest and most well-known one-hit wonders in hip-hop history. The song was released in the 90’s and quickly (as well as unsurprisingly) became an overwhelmingly massive hit. When it hit the fan, it reached top rankings in the US, UK and even Australia. The catchy beat, singable lyrics, and overall sass made it a great song for parties. In addition to the song itself doing well, the music video paired with it did stellar too. It reached viral status and became a phenomenon in and of itself.
However, circumstances more than public opinion led to Vanilla Ice’s quick race into one-hit wonder-ness. His subsequent releases didn’t stack up to the previous precedence. He also sampled both Queen and David Bowie’s Under Pressure without explicit permission. This threw him into controversy and gutted any attempts at reaching that level of stardom again.
MC Hammer’s “U Can’t Touch This” was another massive hit in 1990. It’s still played at parties and weddings to this day. The song’s iconic video featured Hammer’s trademark dance moves and parachute pants. Its catchy chorus made it an instant classic.
Despite the song’s success, MC Hammer’s subsequent releases failed to replicate its popularity. His next album, “Too Legit to Quit,” was a commercial disappointment. He struggled to remain relevant in the rapidly changing hip-hop landscape. However, MC Hammer’s impact on the genre cannot be denied, and “U Can’t Touch This” remains a beloved classic.
Young MC’s “Bust a Move” was a massive hit in 1989. It won the Grammy Award for Best Rap Performance the following year. The song’s upbeat tempo and catchy lyrics made it an instant party favorite, and it appears on radio stations still today.
Despite the song’s success, Young MC was unable to replicate it with his subsequent releases. His follow-up album, “Brainstorm,” failed to match the success of his debut. He faded into obscurity in the early 1990s. However, “Bust a Move” remains a beloved classic of the genre, experts often cite it as one of the greatest hip-hop hits of all time.
One of the earliest and most significant one-hit wonders in hip hop history is “Rapper’s Delight” by The Sugarhill Gang. The song was released in 1979 and was the first rap song to achieve mainstream success. It was a huge hit, reaching number 36 on the Billboard Hot 100 chart and selling over 2 million copies. The song’s success helped to establish hip hop as a viable genre and paved the way for many other artists. While it did well, there was no significant reason this song became a one-hit-wonder. Reception afterward simply didn’t match the volume with Rapper’s Delight.
In 1993, Tag Team released “Whoomp! (There It Is),” which became a massive hit. The song peaked at number two on the Billboard Hot 100 chart and stayed there for seven weeks. It also reached the top of the Billboard Hot Dance Club Play chart and the Hot Rap Singles chart. The song’s catchy chorus and danceable beat made it an instant party anthem, and it continues to be played at events to this day.
In 1992, Sir Mix-a-Lot released “Baby Got Back,” which became a cultural phenomenon. The song’s catchy chorus and risqué lyrics made it an instant hit, and it spent five weeks at the top of the Billboard Hot 100 chart. The song’s success also helped to launch Sir Mix-a-Lot’s career, and he went on to release several other albums and singles. However, none of them achieved the same level of success as “Baby Got Back.”
In 2012, Psy released “Gangnam Style,” which became a viral sensation. The song’s catchy beat and bizarre music video made it an instant hit, and it became the first video on YouTube to reach one billion views. The song’s success helped to introduce K-pop to a global audience and paved the way for other Korean artists to achieve international success. However, Psy has yet to replicate the success of “Gangnam Style,” and he remains a one-hit wonder in the United States.
In 1992, Positive K released “I Got a Man,” which became a hit on both the rap and pop charts. The song features Positive K’s back-and-forth conversation with a woman who is trying to flirt with him, but he is not interested because he already has a man. The song’s catchy hook and playful lyrics made it a hit, but Positive K never achieved the same level of success with any of his other songs.
In 1995, Montell Jordan released “This Is How We Do It,” which became a massive hit and is still a classic party song today. The song’s catchy beat and lyrics about partying and having a good time made it a hit, but Montell Jordan never achieved the same level of success with any of his other songs.
This latest episode of Euphoria ended on a cliffhanger. Rue, Jules, and Elliot’s love triangle has become more intimate, but their bond is put at risk thanks to a discovery that’s made by one of the characters. Meanwhile, Nate and Cassie’s affair reaches toxic levels as a result of the latter’s decision to spend more time with his ex-girlfriend, Maddy. Then there’s Cal, who goes on quite the bender, which comes to a dramatic end, all while Kat reaches a conclusion in her relationship with Ethan.
All of these events are soundtracked by great music selections that help to accentuate the emotions behind each scene.
What Songs Were In ‘Euphoria’ S2E4?
The big stand-out songs on this week’s episode are Towns Van Zandt’s “I’ll Be Here In The Morning” and Sinead O’Conner’s “Drink Before The War.” The former was used in the opening scene as Rue describes her love for her girlfriend Jules. The latter was used during Cal and Cassie’s most vulnerable moments as they dance at a bar as well as Maddy’s birthday party.
The soundtrack for this week’s episode also includes:
Baby Keem — “Trademark USA”
Montell Jordan — “This Is How We Do It”
Pussycat Dolls and Busta Rhymes — “Don’t Cha”
Faith Evans — “Love Like This”
James Blake — “Pick Me Up”
Jonathan Richman — “I Was Dancing In The Lesbian Bar”
INXS — “Devil Inside,” “Need You Tonight,” and “New Sensation”
Mahalia Jackson — “Sometimes I Feel Like A Motherless Child”
Red 7 — “Heartbeat”
Ericdoa — “Sad4whatt”
Pavel Sporcl and Petr Jirkovsky — “24 Caprices for Solo Violin, Op. 1: No. 14 in E-Flat Major”
Can — “Vitamin C”
Daryl Hall & John Oates — “Method Of Modern Love”
Artery Eruption — “Swarmed By Mosquitos Place Larvae Into Your Cranium”
Skatt Bros — “Life At The Outpost”
Spandau Ballet — “True”
Mindfulness Healing BGM Project — “Gemini & Detox”
