Last week, Hulu released the XXXtentacion documentary, Look At Me. While it was marketed as an in-depth look at the maligned rapper who was as well known for his alleged domestic abuse as he was for gaudy streaming numbers with tracks in the billions, the film seems to leave us with more questions than answers.
But how could XXXtentacion’s estate deny themselves of another chance to blow up the late rapper’s streaming figures once again? Enter Look At Me: The Album. The 25-song, double-disc release is an accompaniment to the documentary and is set to be released on Friday, June 10. The compilation features 11 early cuts that were previously not on any streaming services, 13 of his better-known cuts like “Hope,” “Jocelyn Flores” and “Look At Me!” and the brand new “True Love” featuring Kanye West.
Listen to “True Love” above and check out the Look At Me: The Album artwork and tracklist below.
Side One: Look At Me Then
1. “Vice City”
2. “Never”
3. “Rare”
4. “Fuxk” (feat. Ski Mask The Slump God)
5. “WingRiddenAngel”
6. “King Of The Dead”
7. “Failure Is Not An Option” (Interlude)
8. “#ImSippinTeaInYoHood”
9. “I spoke to the devil in Miami, he said everything would be fine”
10. “Willy Wonka Was a Child Murderer”
11. “Kill Me (Pain From The Jail Phone)
Side Two: Look At Me Now
12. “Look At Me!”
13. “I Don’t Wanna Do This Anymore”
14. “Yung Bratz”
15. “Jocelyn Flores”
16. “Depression & Obsession”
17. “Everybody Dies In Their Nightmares”
18. “Alone, Part 3”
19. “Moonlight”
20. “Sad!”
21. “Changes”
22. “Hope”
23. “Before I Close My Eyes”
24. “Train Food”
25. “True Love” (featuring Ye)
Look At Me: The Album is due out on streaming services on 06/10 via Columbia.
The existence of the Hulu documentary Look At Me: XXXTentacion is sort of perplexing. XXXTentacion was an artist who was almost excessively documented. Blogs, magazines, and newspapers covered what seemed to be his every move — starting with the move that kickstarted his infamy. Oddly enough, with all that documentation, it seems the enormity and repugnance of that initial move were never truly reckoned with, despite the Florida-born artist emerging at the height of an era in which nearly everyone can obsessively and thoroughly document their own lives, in real-time for audiences of thousands (the film seems pretty disinterested in doing so, as well).
Against those circumstances, the new documentary raises more questions than it answers, and the one hovering over all of them is: Who is this for? Produced by XXXTentacion’s manager, his mother, and the co-founder of The Fader magazine, the two-hour production functions at first as a biography. There are interviews with pivotal figures in X’s early career such as his former manager and friends like Ski Mask The Slump God. However, early problematic behavior like beating up another young man for a live stream on Periscope is characterized as simply marketing tactics or the reckless behavior of an exuberant personality. That’s the first sign of which way this documentary seems to be heading.
The tension increases upon the introduction of Geneva Ayala, the young woman who dated X shortly after some of his initial success — and who he nearly beat to death in horrific instances of alleged domestic abuse that were again recounted in lurid detail in court documents that surfaced in the years-long case that was never resolved. Ayala describes herself as “lost” as she continued her troubling, controlling relationship with XXXTentacion. It takes nearly an hour for the film to finally address the elephant in the room, and then strategically placed title cards seem to cast doubt on Ayala’s assertion that she was pregnant when X attacked her. She also admits to infidelity, which you can’t tell me isn’t another strategic move to undermine Ayala as a victim.
This is where XXXTentacion’s story highlights the grotesque of the entertainment industry. As X languishes in jail but receives heightened attention as a result of the gruesome charges against him, labels come calling, looking to capitalize on the publicity — no matter what it implies about their prospective partner. And while scenes recounting his record deal negotiations rightly reflect X’s business acumen at such a young age, they also — perhaps unintentionally — indict those who looked at him as a cash cow rather than a troubled young man who needed a different kind of help.
The movie reverts back to an examination of his album recording process for 17 and the album’s resulting success. Throughout the course of this act of the documentary, recordings are dredged up to reflect XXXTentacion’s fractured mind state — his paranoia, depression, and anxiety. It’s almost like the film is begging for sympathy for him, as if his talent and his mental illness could justify or excuse his behavior. While the filmmakers never shy away from the things he did or deny them, it’s hard to shake the sense that the producers — the people closest to him, who benefitted from his career the most, even as they likely had the most responsibility to get him into counseling or encourage him to restore his victims — are bargaining for absolution for themselves.
That sense comes through strongest in a round table scene toward the tail end of the film in which X’s aunt laments that X’s abuse hung over his head and defined him as much as his music. “How do you fully redeem yourself if every time, on every corner, it just keeps popping up?” his mom wonders. An off-screen interviewer counters, “How do you redeem yourself without ever admitting that you did something wrong?” The answers are as vague as X’s own responses on the issue; a focus on judgment, on his sense of personal accountability, the potential of his lost life. X’s mom offers her belief that he would have changed if he’d only gotten the chance — but would he? And what does it say about his fame that so many were so willing to excuse him if he didn’t?
That’s the true tragedy of a life cut as short as XXXTentacion’s was: We’ll never know. Yes, with more time, he could have turned his life around, perhaps in prison, perhaps on probation, perhaps years or even decades later after much therapy and self-reflection. But the flip side of that, the one this movie and X’s fans and the whole entertainment apparatus that benefitted from covering his blowups, his meltdowns, his triumphs, his failures, and yes, even his untimely demise can’t seem to acknowledge is that he could have stayed the same. He could have gotten worse. That’s the “complex” part of having a “complex legacy.” Look At Me, which seems to be as much for Jahseh’s closest associates to salve their guilty consciences as anything else, never really wants to look at that.
The past twelve months have been an active period for music with Kanye West. Back in February, the rapper released his eleventh album Donda 2 exclusively on his Stem Player site. The 16-track release, which was later extended to 17, arrived just six months after Kanye shared his chart-topping and Grammy-nominated tenth album Donda. Donda 2 featured appearances from Future, Migos, Jack Harlow, the late XXXTENTACION, Vory, Alicia Keys, Fivio Foreign, Soulja Boy, Sean Leon, Baby Keem, Travis Scott, and Don Toliver. The record with XXXTentacion, “True Love,” which served as the intro track for Donda 2, is now available for streaming thanks to an official release from the respective artists.
“True Love” strikes as quite the personal record as both rappers look to untangle the complicated web of love. “True love shouldn’t be this complicated,” XXXTENTACION sings to open the song. “I thought I’d die in your arms.” Through his verses on the song, Kanye sings about the conclusion of his marriage with Kim Kardashian and how it’s affected his relationship with him and Kim’s four children: North, Saint, Chicago, and Psalm.
According to Variety, which sets a press release that announced the song, “True Love” will also appear on XXXTENTACION’s upcoming posthumous album Look At Me: The Album. The song’s official release arrives with the release of XXXTENTACION’s Hulu documentary Look at Me: XXXTentacion which begins streaming tonight on the platform. The film grants a new look into XXXTENTACION’s career including his rise to fame and accusations of assault against him, like that of his then-pregnant girlfriend Geneva Ayala who appears in the film as well as XXXTENTACION’s other ex-girlfriends.
The trailer for the long-awaited documentary, Look At Me: XXXTentacion, has arrived. First announced in 2019, the documentary will finally land on Hulu on May 26, moving the date up by several weeks. The documentary promises to delve into not just the late rapper’s meteoric rise to fame but also the fallout from his abuse of ex-girlfriend Geneva Ayala. In the trailer, those who knew him best — his mother, his manager, and his friends — weigh in on the elements of his personality that made him both charismatic and self-destructive.
XXXTentacion’s death at 20 years of age in 2018 left behind a complicated legacy. Obviously, lots of people loved his music and felt as though he spoke for them. Equally as obviously, he’d done plenty of harm in even the short time that he had, from a homophobic attack on a cellmate to the horrific abuse he inflicted on Ayala. The polarizing rapper was never held to account for that abuse, with his case getting closed as a result of his death. That leaves some pretty heavy questions hanging over his name and image — questions that many will look to this documentary to resolve. While they may not find the answers they want, there’s little question that they’ll be tuning in.
At the time of XXXTentacion’s death at 20 years old in 2018, the controversial rapper had yet to resolve or apologize for the domestic abuse he allegedly admitted to committing against his ex-girlfriend Geneva Ayala. He was still awaiting trial when he was shot to death in June of that year for both aggravated battery of Ayala and witness tampering, with which he was charged after Ayala wrote a note to the court asking to have the charges dropped.
These events and others are the subjects of the upcoming documentary, Look at Me: XXXTENTACION, which will stream on Hulu later this year after premiering today at SXSW. According to The Daily Beast’s Cheyenne Roundtree, who reported from the premiere, the documentary does delve into X’s alleged abuse of Ayala, while including footage of the rapper’s mother, Cleo Bernard, who believes that her son would have eventually apologized for his actions.
“I would have liked to think he would have gotten there,” she says during her interview for the film. “He just never had a chance.” In lieu of that chance, the film reportedly features a meeting between Bernard and Ayala, during which the rapper’s mother says she feels “like it’s up to me now to make amends and try to right his wrongs as much as I can.” She admits that although X attempted to hid his actions from her, she acknowledges, “Jahseh was wrong for what he did. There’s no excuse for that, period. But I just want the world to know that he wasn’t that same person anymore, but the past is still part of his story.”
Look at Me: XXXTENTACION will stream on Hulu beginning June 10.
It’s no secret that the death of XXXTentacion was a complicated tragedy. It left social media in a state of moral quandary, reckoning with the inherent devastation of a young person dying too soon while also knowing that he committed a great deal of harm against women. This is why the news, via The Fader, that the documentary Look At Me: XXXTENTACION is coming this summer might not thrill everyone; it is opening that can of worms once again. It was originally announced in 2019 and it’s premiering today at SXSW in Austin, but it won’t be available to stream on Hulu until June 10.
The documentary was produced by FADER Films, and directed by Sabaah Folayan who directed 2017’s Whose Streets? about the Ferguson Uprising. Folayan claims that this XXXTentacion documentary will not ignore the complexity of the rapper’s death and will address those issues head-on. “I decided to tell this story because while violence is inexcusable, it is not unintelligible,” Folayan said in a press release. “It has interpersonal roots and generational pathways for both abusers and survivors. I am hopeful that with care from the collective, cycles of violence can be interrupted. Movements like #MeToo have spotlighted the need for improvement in the way masculinity is performed in society. But when, where, and how can this positive change take place? There is no certain solution but what is clear is that the criminal justice and deportation systems are doing more harm than good.”