A Right-Wing Platform Has Offered Joe Rogan $100 Million To Leave Spotify

The Joe Rogan Spotify saga isn’t going away anytime soon, folks. Today, a right-wing platform just offered Rogan the same $100 million that Spotify paid him for the exclusive rights to broadcast his The Joe Rogan Experience podcast, because of course they did.

The company that has approached Rogan with the offer is Canadian video platform Rumble, which has prominent right-wing pundits like Steve Bannon and Dinesh D’Souza in its stable. As The Hollywood Reporter reported, CEO Chris Pavloski posted an open letter to Rogan on the company’s Twitter account. It has a real deal with the devil vibe.

“Dear Joe, We stand with you, your guests, and your legion of fans in desire for real conversation,” Pavloski began. “So we’d like to offer you 100 million reasons to make the world a better place. How about you bring all your shows to Rumble, both new and old, with no censorship, for $100 million bucks over four years? This is our chance to save the world. And yes, this is totally legit … We stand with you, your guests and your legion of fans in desire for real conversation.”

So what would stop Rogan from spurning Spotify and taking the money from Rumble? For one, Spotify’s platform is huge and Rogan can certainly get more listeners there than just about anywhere else. Additionally, for all the malarkey that he spits on his show, he is a self-proclaimed liberal who has apologized for using the n-word. So, finding a platform that would seemingly not care if he used it or spread vaccine misinformation isn’t likely what motivates him quite so much as what the court of public opinion thinks of him in the long run.

Meanwhile, Spotify CEO Daniel Ek wrote a letter to all staff members on Sunday night indicating that he doesn’t believe that censoring Joe Rogan is the right call. Time will surely tell how this all plays out…

Spotify CEO Daniel Ek Tells Employees He Doesn’t Believe ‘Silencing’ Joe Rogan Is A Good Idea

When Spotify employees clock into work on Monday morning, they’re going to have a bold letter to digest from CEO Daniel Ek. In a message sent to the entire “Spotify Team” on Sunday, Ek addressed the mounting controversy surrounding The Joe Rogan Experience. This began when Neil Young decided to pull his music from the platform on January 24th, citing the COVID vaccine misinformation that Rogan regularly purveys on his show. Other artists soon followed suit, including India.Arie, who cited Rogan’s problematic language surrounding race and posted a damning clip on her Instagram Story three days ago, of multiple instances where Rogan used a racial slur on his show.

“I do not believe that silencing Joe is the answer,” Ek said in his letter, which was obtained by The Hollywood Reporter. “We should have clear lines around content and take action when they are crossed, but canceling voices is a slippery slope. Looking at the issue more broadly, it’s critical thinking and open debate that powers real and necessary progress.”

Ek also tried to illustrate that Spotify is not the publisher of The Joe Rogan Experience, but are merely the exclusive license holders — a license that Spotify acquired for that $100 million figure that keeps popping up. He referred to the notion that people assume that the streaming platform is the publisher of the show as merely the “perception” of it, which gave his lengthy letter an odd public relations feel, as if he’s being open with a divided staff about a damage control situation. “…I’ve been wrestling with how this perception squares with our values,” he said.

To that point, the most impactful portion of the letter was Ek pledging $100 million to elevate creators from historically marginalized groups. “If we believe in having an open platform as a core value of the company, then we must also believe in elevating all types of creators, including those from underrepresented communities and a diversity of backgrounds,” he said. “I am committing to an incremental investment of $100 million for the licensing, development, and marketing of music (artists and songwriters) and audio content from historically marginalized groups.”

Rogan has apologized for using a racial slur and is in a damage control situation of sorts himself. Especially considering Spotify has already pulled 70 of his episodes, presumably for containing inappropriate language. Ek also addressed this and more in his letter, which you can read in full below.

“Spotify Team,

There are no words I can say to adequately convey how deeply sorry I am for the way The Joe Rogan Experience controversy continues to impact each of you. Not only are some of Joe Rogan’s comments incredibly hurtful — I want to make clear that they do not represent the values of this company. I know this situation leaves many of you feeling drained, frustrated and unheard.

I think it’s important you’re aware that we’ve had conversations with Joe and his team about some of the content in his show, including his history of using some racially insensitive language. Following these discussions and his own reflections, he chose to remove a number of episodes from Spotify. He also issued his own apology over the weekend.

While I strongly condemn what Joe has said and I agree with his decision to remove past episodes from our platform, I realize some will want more. And I want to make one point very clear — I do not believe that silencing Joe is the answer. We should have clear lines around content and take action when they are crossed, but canceling voices is a slippery slope. Looking at the issue more broadly, it’s critical thinking and open debate that powers real and necessary progress.

Another criticism that I continue to hear from many of you is that it’s not just about The Joe Rogan Experience on Spotify; it comes down to our direct relationship with him. In last week’s Town Hall, I outlined to you that we are not the publisher of JRE. But perception due to our exclusive license implies otherwise. So I’ve been wrestling with how this perception squares with our values.

If we believe in having an open platform as a core value of the company, then we must also believe in elevating all types of creators, including those from underrepresented communities and a diversity of backgrounds. We’ve been doing a great deal of work in this area already but I think we can do even more. So I am committing to an incremental investment of $100 million for the licensing, development, and marketing of music (artists and songwriters) and audio content from historically marginalized groups. This will dramatically increase our efforts in these areas. While some might want us to pursue a different path, I believe that more speech on more issues can be highly effective in improving the status quo and enhancing the conversation altogether.

I deeply regret that you are carrying so much of this burden. I also want to be transparent in setting the expectation that in order to achieve our goal of becoming the global audio platform, these kinds of disputes will be inevitable. For me, I come back to centering on our mission of unlocking the potential of human creativity and enabling more than a billion people to enjoy the work of what we think will be more than 50 million creators. That mission makes these clashes worth the effort.

I’ve told you several times over the last week, but I think it’s critical we listen carefully to one another and consider how we can and should do better. I’ve spent this time having lots of conversations with people inside and outside of Spotify — some have been supportive while others have been incredibly hard, but all of them have made me think.

One of the things I am thinking about is what additional steps we can take to further balance creator expression with user safety. I’ve asked our teams to expand the number of outside experts we consult with on these efforts and look forward to sharing more details.

Your passion for this company and our mission has made a difference in the lives of so many listeners and creators around the world. I hope you won’t lose sight of that. It’s that ability to focus and improve Spotify even on some of our toughest days that has helped us build the platform we have. We have a clear opportunity to learn and grow together from this challenge and I am ready to meet it head on.

I know it is difficult to have these conversations play out so publicly, and I continue to encourage you to reach out to your leaders, your HR partners or me directly if you need support or resources for yourself or your team.

Daniel.”

Who Left Spotify Because Of Joe Rogan?

Spotify was hit with an ultimatum by Neil Young late last month: cut ties with Joe Rogan and his podcast or remove all of my music from the platform. Young’s demand came after another instance of Joe Rogan sharing misinformation about COVID-19 and the pandemic, which is a month away from entering its third year of effects in the United States. Spotify stuck by Rogan which led to Young sending a letter to his label requesting that all his music be removed from Spotify, which occurred just a few days later. However, Young was not the only person to make this move.

Who Left Spotify Because Of Joe Rogan?

Shortly after Neil Young pulled his music off Spotify, singer-songwriter Joni Mitchell took a stand with him and removed her music from the platform as well. Days later Graham Nash, who is Neil Young’s former bandmate from the Crosby, Stills, Nash & Young band, also decided to pull his music from Spotify. Then, the rest of the members in Crosby, Stills, Nash & Young — David Crosby and Stephen Stills — made an announcement that they too will take off their music from the platform. But wait, there’s more. R&B singer India.Arie also took a stance with Neil Young and revealed that her music would be removed from Spotify, saying, “Neil Young opened a door that I MUST walk through.” There’s no telling who will be next to join Young, but we can almost assume this list will grow to be a bit longer.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

After Pulling His Music Off Spotify Due To Joe Rogan, Neil Young Is Now Criticizing The Platform’s Audio Quality

Neil Young has officially pulled his music off Spotify, citing his distaste for the streaming service giving a platform to known anti-vaccine conspiracist, Joe Rogan. In the past, Neil has taken umbrage with streaming services that didn’t support high quality sound, even going so far as to create his own mp3 player at one point.

Now that most of his music, at least, is off Spotify, he’s taken back up that old point to further criticize the platform. Today, Young wrote a short missive on his site about the situation, and he also repeatedly notes that when he left Spotify “I felt better,” and encourages listeners to really dig into their experience with the platform. Read it here or check it out in full below.

“When I left SPOTIFY, I felt better.

Digital music has been with us about 40 years now. Digital, rather than reproducing copies of the music as we did back in the analog day, reconstitutes it from 1s and 0s and plays back data that you hear as music.

This allows business people like those who run SPOTIFY to cut the quality right down to 5% of the music’s content. It’s just math. It’s easy to do that with digital, thus allowing more songs and less music to stream faster. That’s because 95% is missing. Thats what SPOTIFY the Tech company does. SPOTIFY then sells you the downgraded music.
When I started everyone got to hear all the music. 100%.

AMAZON, APPLE MUSIC and Qobuz deliver up to 100% of the music today and it sounds a lot better than the shitty degraded and neutered sound of SPOTIFY. If you support SPOTIFY, you are destroying an art form. Business over art. SPOTIFY plays the artist’s music at 5% of its quality and charges you like it was the real thing.

AMAZON, APPLE MUSIC and Qobuz now deliver the real thing. SPOTIFY is ripping you off and has been since day 1. No goosebumps from SPOTIFY sound!

Switch to one of the alternatives – companies that support the arts. Real sound is available there. AMAZON, APPLE MUSIC and Qobuz You just have to leave Spotify and go to a new place that truly cares about music quality.

I met Danile [sic] Ek when he started SPOTIFY. it sounded to me like he was really going to be getting into it. That was a long time ago. I wonder what happened.

When I left Spotify, I felt better.

I support free speech. I have never been in favor of censorship. Private companies have the right to choose what they profit from, just as I can choose not to have my music support a platform that disseminates harmful information. I am happy and proud to stand in solidarity with the front line health care workers who risk their lives every day to help others.

As an unexpected bonus, I sound better everywhere else.

love earth be well neil”

Neil Young Has Threatened To Leave Spotify Because They Allow Joe Rogan To Spread Vaccine Misinformation: ‘They Can Have Rogan Or Young’

Who would you prefer: the weakest link on the ‘90s sitcom NewsRadio or the legend who wrote “Cinnamon Girl”? That’s the choice Neil Young is giving Spotify. The music streamer is home to dozens and dozens of Neil Young releases, from his self-titled 1969 debut to last year’s excellent Crazy Horse reunion Barn. It’s also home to the podcast The Joe Rogan Experience, whose host regularly spouts misinformation about the two-years-old-and-counting pandemic.

Now Young is taking a stand. As per Rolling Stone, the rocker wrote a letter to his management and label, sking them to remove some of the greatest songs ever recorded from the streamer that also allows a guy who used to force people to eat bugs to help make a public health crisis even worse.

“I am doing this because Spotify is spreading fake information about vaccines — potentially causing death to those who believe the disinformation being spread by them,” Young wrote. “Please act on this immediately today and keep me informed of the time schedule.”

“I want you to let Spotify know immediately TODAY that I want all my music off their platform,” he charged. “They can have [Joe] Rogan or Young. Not both.”

Young is the latest figure to come out against Rogan, who has fed his 11 million subscribers nonsense that is sometimes debunked on his show by his guests. Earlier this month, 250 doctors signed an open letter, begging Spotify to “to take action against the mass-misinformation events which continue to occur on its platform” by implementing a policy against misinformation. Meanwhile, the day before Young came out against Rogan, the U.S. saw almost 700,000 new COVID cases, as well as over 2,000 COVID-related deaths.

In the meantime, you better take one last spin of Everybody Knows This is Nowhere, On the Beach, Tonight’s the Night, maybe even Everybody’s Rockin’ before it vamooses, all for a guy who’d rather take medication also used on horses than get a free and effective vaccine.

(Via Rolling Stone)

Neil Young is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Freddie Gibbs Claims To Have Shot A Crackhead Nine Times — To Very Little Effect

Rappers often make braggadocious claims about their lives from before they picked up the mic. In fact, it could be argued that these claims are a large part of why many rap fans enjoy the genre, whether or not those big fish tales turn out to be true (Jadakiss’ 360-degree walls have become a favorite water cooler talking point on Twitter). However, every so often rappers say these things outside the context of their music, which somehow makes their boasts all the more outrageous and, in some cases, borderline problematic.

One of the kings of such statements is Freddie Gibbs. As a rapper whose primary inspiration seems to be his uninhibited, drug-dealing days in Gary, Indiana, Gibbs’ raps are often packed with shootouts, shady deals, and the sort of details that make US Prosecutors salivate at the thought of introducing lyrics in court (fortunately, they can’t). But during his appearance on the Joe Rogan Experience podcast yesterday, Gibbs casually makes a claim that has fans doing double-takes.

“It’s a crackhead, back in the day,” he recalls. “I shot that n**** nine times with a TEC-9 and he kept running down the alley.”

It’s the sort of story that both begs more context and utter and absolute silence from the storyteller because as badly as we all want to know more, that’s exactly the sort of narrative that should remain on wax — not in a podcast, which isn’t protected by the same rules. Of all the questions that arise from Gibbs cavalier recollection, the one that hovers over the proceedings the lowest might just be:

Freddie Gibbs Reveals His Wild, Secret Instagram On The ‘Joe Rogan Experience’ Podcast

Freddie Gibbs has built a reputation as one of the funniest rappers on Twitter and today, he brought that off-color sense of humor to the Joe Rogan Experience podcast. In the four-hour conversation, Gibbs, Rogan, and comedian Brian Moss talked boxing, Freddie Gibbs’ wild, secret Instagram profile, and more. You can check it out at the link below.

Meanwhile, Gibbs has been promoting his upcoming major-label debut album, dropping the animated video for his first single “Gang Signs” earlier this month. The video transforms Gibbs into a hedonistic white rabbit (a euphemism for his favorite subjects) as he goes about the same activities he generally likes to rap about, mining the juxtaposition for some head-scratching, borderline inappropriate comedy.

In addition to “Gang Signs,” Gibbs recently collaborated with Big Sean and Hit-Boy on “4 Thangs” celebrating LeBron James. Meanwhile, he’s kept fans entertained with his social media antics, which have included freestyling over his Piñata partner Madlib’s new instrumental album Sound Ancestors in an Uber. The one thing fans won’t be able to expect from him is a Verzuz appearance; aside from disapproving of Jeezy’s recent match with Gucci Mane, Gibbs shot down speculation over a potential battle between himself and hip-hop’s other resident coke rap connoisseur, Pusha T.

Freddie Gibbs is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.