Vince Staples Coasts Through A Laid-Back Tiny Desk Concert With Kenny Beats And Foushée

Vince Staples may have received a polarized response from fans and critics, but Vince Staples himself remains undeterred in promoting his latest project, maintaining his usual cavalier air in a mellow NPR Tiny Desk Concert performance backed by Kenny Beats and featuring Foushée. The Long Beach rapper performs songs from his self-titled third studio album in the Hollywood Hills, where he jokes he’d “never live,” reminiscing with his manager Corey Smyth (who, as always, remains offscreen) about times he was arrested in the affluent area.

While some fans found the relaxed production on Vince Staples to be off-putting, it turns out to be perfect for a Tiny Desk performance. Vince, as laid-back as ever, coasts through album standouts “Law Of Averages,” “Sundown Town,” “The Shining,” and “Take Me Home,” with Foushée joining him on the last song and Kenny Beats playing bass throughout. Fellow South LA rapper 03 Greedo gets a shout-out, while Vince reflects on the release of his first album Summertime 06 and dedicates his performance to “all the bad b*tches worldwide… whether you have two legs or no legs.”

Watch Vince Staples’ Tiny Desk Concert above.

Vince Staples is out now on Blacksmyth Recordings/Motown Records. You can get it here

Fousheé And Lil Yachty’s ‘Clap For Him’ Video Counts Someone Else’s Blessings

Fousheé’s new Time Machine video “Clap For Him” is a tongue-in-cheek humblebrag, as the “Deep End” singer commands listeners to count any man she deigns to share her time with blessed. “He looked up and stumbled on a bad b*tch,” she sings, half-facetiously. In the video, she and a pair of stripper pals command the attention of their male co-stars while dancing their way through elegant surroundings as Lil Yachty comes in with a verse co-signing Fousheé’s boasts.

After “Deep End” put her on many fans’ radars last year thanks to a viral trend and her willingness to delve into the attribution confusion it accidentally caused, the singer finally released her debut album after a half-decade spent behind the scenes of the LA music industry. While songwriting paid the bills, Fousheé stocked up experiences and oddball concepts for songs and videos like “Gold Fronts” with Lil Wayne and “My Slime,” preparing for the day she could slide to the forefront and take advantage of her quirky aesthetic. That’s exactly what she’s done since announcing and releasing her debut album Time Machine this spring, and with unexpected features like the one on Vince Staples’ new self-titled album, it’s clear she’s intent on keeping that momentum going.

Watch Fousheé’s “Clap For Him” video featuring Lil Yachty above.

Vince Staples Shares The Tracklist For His Upcoming Self-Titled Album As Its Release Date Nears

After nearly three years, Vince Staples is finally releasing a new project. The Long Beach rapper will share his third album, a self-titled effort, at the end of next week. It’s a project that will feature heavy production by Kenny Beats, something he revealed in an interview with W magazine.

“[Kenny] sent me a beat that I recorded on, and it just went from there,” he said. “We didn’t go into it intentionally thinking that we would end up with as much as we had. We ended up working two days a week for a month, from after Thanksgiving until before Christmas in 2020. A couple of weeks in, we looked up, and we had some stuff.”

As the release for Vince Staples nears, the rapper shared the tracklist for the upcoming effort on Saturday.

Vince’s third album is comprised of 10 tracks with a lone feature from rising singer Foushee. It also features his previously released single, “Law Of Averages,” which he released for fans last month. A quick glance at the album’s Apple Music pre-save page shows that Vince Staples clocks in at just 22 minutes, which happens to be the exact length of his last project, 2018’s FM!.

Blacksmith/Motown

You can check out the album’s artwork above and its tracklist below.

1. “Are You With That?”
2. “Law Of Averages”
3. “Sundown Town”
4. “The Shining”
5. “Taking Trips”
6. “The Apple & The Tree”
7. “Take Me Home” Feat. Foushee
8. “Lil Fade”
9. “Lakewood Mall”
10. “Mhm”

Vince Staples is out 7/9 via Blacksmith Recordings/Motown Records. Pre-order it here.

HER’s 2021 Lights On Festival Is Led By Erykah Badu, Bryson Tiller, And Ari Lennox

In addition to winning Grammy and Oscar awards, HER also has her very own music festival. She first premiered the Lights On Festival back in 2019 with help from Summer Walker, Jhene Aiko, and Daniel Caesar. While there might’ve been plans to have the festival again in 2020, the coronavirus pandemic forced the singer to delay the show for the forseeable future. Now that things are reopening for the most part, HER used the 2021 BET Award stage to announce that the Lights On Festival would return this fall. Moments later, the official lineup for the show was revealed.

This year’s Lights On Festival will return the Concord Pavilion on the weekend of September 18-19. The show is led by Erkyah Badu, Bryson Tiller, and Ari Lennox as well HER who will appear with “friends” that have yet to be mentioned. Other performers for the Lights On Festival include Ty Dolla Sign, Keyshia Cole, Masego, Lucky Daye, Kiana Lede, Foushee, Blxst, VanJess, Arin Ray, Tone Stith, Tiana Major9, Maeta, Brianna Castilo, Samaria, Maxx Moore, Lorea, and more names to be announced.

In addition to announcing the festival at the BET Awards, HER also performed “We Made It” and won the Best Female R&B/Pop Artist award.

You can view the full lineup above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Fousheé Has A Whimsical Thug Romance In Her Cheeky ‘My Slime’ Video

Viral favorite singer Fousheé released her debut album Time Machine this week, along with the cheeky video for “My Slime.” The self-directed video finds Fousheé and the goon of her dreams robbing a bank, going on the run, and forced to split up when he finally gets caught. The incongruity between them — him with his gold grill and ski mask and her with her whimsical schoolgirl look — makes for a lot of comedy as she plays the lovestruck Harley Quinn to her beau’s blinged-out Joker. Even the bank tellers are smitten with their romance — although, Fousheé’s poor trigger discipline makes me want to gnaw off my own fingers.

“My Slime” isn’t the first time the singer — who really only wants to “Sing About Love” — has toyed with the dichotomy between the soft, cotton-candy vibes of her dreamy R&B and the aggressive, boastful projections of rugged rap aesthetics. In her video for “Gold Fronts,” the stripped-down, drumless backing track allows an off-kilter but engaging backdrop for Lil Wayne to flex his lyrics while Fousheé sings about wanting a pair of gold fronts — a historically atypical topic for the sort of soulful music she creates. By playing with expectations, she puts her own unique twist on all the songs on Time Machine, which is out now via RCA Records. Get it here.

Watch the video for “My Slime” above.

Fousheé Seeks A Partner In Crime In Her Breathy Track ‘My Slime’

On the heels of her announcement as Apple’s Up Next Artist for the month of June, breakout artist Fousheé offers a final preview of her upcoming debut project Time Machine. Days before the mixtape’s release, Fousheé shares the single “My Slime” as a softhearted reflection on newfound love.

The tender track leans on a gently strummed acoustic guitar to support Fousheé’s breathy lyrical delivery. The single’s room-filling production gives the song an intimate feeling as Fousheé sings about the euphoria of finding a new crush. “You’re my slime / My partner in crime / We just blow a day but you’re still on my mind / Let’s go to Paris some time,” she lilts.

Time Machine arrives following Fousheé’s viral track “Deep End,” which gained popularity on TikTok after it was sampled by a rapper. The song has racked up millions of streams and hit the top 10 of the Billboard Alternative Airplay chart. Landing a spot on the chart made her the first Black women in over 30 years to do so. The last woman to achieve the feat was Tracy Chapman for “Crossroads,” which made the Billboard Alternative Airplay chart’s top ten in 1989.

Listen to Fousheé’s “My Slime” video above and check out her Time Machine cover art below.

Foushee

Time Machine is out 6/4 via Trackmasters Entertainment/RCA Records. Pre-order it here.

Fousheé Transforms Depeche Mode’s ‘Enjoy The Silence’ Into A Sultry R&B Tune

Fousheé’s music has been turning heads ever since a sample of her song, which later became “Deep End,” blew up on TikTok. In the months following, Fousheé remained hyper-focused on her artistry, releasing more tunes and even teaming up with Lil Wayne for a track. Now, the singer has another exciting project on the horizon — a campaign video for H&M’s summer clothing line.

Fousheé’s music is the soundtrack for a video to the clothing company’s new campaign, Find The Strength In Silence. It’s a cover of Depeche Mode’s “Enjoy The Silence,” which she transformed from a synth-heavy anthem into a more sultry R&B tune. In press materials for the campaign’s accompanying film, which was shot in LA, it’s described as standing “for the women who face public opinions daily.”

The project follows an exciting accomplishment for the singer. After “Deep End” went viral on TikTok, the song began racking up streams. Thanks to its viral success, the song achieved a peak at No. 10 on Billboard‘s Alternative Airplay chart after hovering on the chart for sixteen weeks. The new spot marked the first time a Black woman occupied the chart’s top ten in 32 years. The last person to achieve the feat was Tracy Chapman for the song “Crossroads,” which hit the Billboard Alternative Airplay chart’s top ten in 1989.

Listen to Fousheé cover “Enjoy The Silence” above.

Fousheé Gets A Feature From Lil Wayne On The Optimistic New Single ‘Gold Fronts’

Things have been going great for upcoming R&B artist Fousheé lately. Last week, her breakout hit “Deep End” made history by being the first single by a Black woman to hit the top 10 of the Billboard Alternative Airplay chart in over 30 years. Now, she has a new collaboration with one of the biggest names in hip-hop history, as she and Lil Wayne have shared a video for the uplifting “Gold Fronts.”

Fousheé spoke about the track with Apple Music’s Zane Lowe and explained how she and Wayne came to collaborate:

“I was like, ‘How did you find me?’ And he was like, ‘Well, I’m not really on social media. I don’t search for artists. I have two TVs in my skate room. One is on ESPN, one is on Revolt, and the TV just plays music videos back to back. It’s like, if you end up on that screen and I like you, then I know it’s meant to be.’ And then he was like, he was skating and he saw the video, the ‘Deep End’ video. And it stood out to him because he thought it was like a movie. […] Then he saw me pull out a guitar and he was like, ‘No, stop. Stop the music,’ because I guess he was playing music. […] And he stopped and he listened to it. He was like… he really liked what he heard. The guitar stood out. It’s crazy.”

Check out the “Gold Fronts” video above.

Fousheé’s Breakout Hit ‘Deep End’ Just Made History For Black Women On The Alternative Charts

Rising R&B artist Fousheé had herself a breakout hit last summer when “Deep End” gained traction on TikTok, and since then, the single has been making its way up the Billboard charts. Now, the recent RCA Records signee’s breakout hit has put her in the history books.

On the latest Billboard Alternative Airplay chart (dated March 27), “Deep End” has achieved a new peak at No. 10 in its sixteenth week on the chart. The top 10 spots of that particular chart aren’t often occupied by Black women: As Fousheé notes in a video shared yesterday, this is the first time a song by a Black female artist has been in the top 10 of the Alternative Airplay chart in 32 years. The last time it happened was when Tracy Chapman’s “Crossroads” was top-10 in 1989.

Fousheé wrote alongside the video, “HISTORY WAS MADE! thank u from the bottom of my [heart].”

Fousheé previously explained the song’s origins, writing on Twitter, “I wrote Deep End when protests were just beginning. Minnesota was up in flames. When i picked the pen up that’s all I could think about. that’s how the earlier version of the song came about. […] I ended up writing a new version because I wanted the song to feel like victory instead of defeat & people were tired of being sad.”

Watch the “Deep End” video below.