An FN Meka Investor Is Under Scrutiny For His Own Band’s Offensive Lyrics

The investor behind the controversial AI rapper project FN Meka has come under scrutiny recently for his own music as Rolling Stone has revealed that the music manager’s band “frequently used the n-word” in its lyrics.

Before getting involved with Factory New, the digital record label that pushed virtual artists such as FN Meka, Anthony Martini — who is white — co-founded a hardcore band called E.Town Concrete in the mid-90s. The band released four albums from 1997 to 2004 and won a local following in New Jersey. Martini, the band’s frontman rapped and scream-sang in the vein of similar bands of the era. However, his lyrics were often peppered with instances of the racial slur according to Rolling Stone‘s report, which listed songs such as “4 the Fame,” “End Of The Rainbow,” “Hold Up,” “Justwatchastep,” and One Life To Live” from the band’s first album as examples. The second album — and the last to use the slur — included “Dirty Jer-Z,” “First Born,” “Guaranteed,” and “Shaydee.”

However, despite releasing two more albums and an EP without using the n-word, Martini apparently continued to recite the lyrics during live performances as recently as 2018. At a more recent appearance in Long Beach, California earlier this month, he censored himself; it’s worth noting that this was after the FN Meka flameout, which brought scrutiny to the avatar’s recitation of lyrics containing the n-word. Somewhat ironically, Martini himself addressed the controversy surrounding FN Meka in a statement to The New York Times earlier this month, saying, “If you’re mad about the lyrical content because it supposedly was A.I., why not be mad about the lyrical content in general?”

Although FN Meka’s lyrics and performance were later revealed to be the work of a Black rap artist from Houston, Factory New’s marketing claiming that the lyrics were written by an algorithm sparked criticism among industry professionals who questioned that algorithm, the racially-ambiguous, inhuman-looking avatar, and the fact that seemingly no other Black people were involved in its creation. The artist who initially voiced FN Meka also claimed he was never paid after performing a handful of the character’s early songs.

The FN Meka project received increased scrutiny when Capitol Records announced it had “signed” the imaginary rapper, drawing a backlash that prompted Capitol to step away from the project. FN Meka’s accounts have since been mostly cleared or made private.

FN Meka’s Company Co-Founder Claims Listeners Should Critique Rap Lyrics In General

In just two short weeks, the music community witnessed the rise and fall of A.I. rapper FN Meka. The virtual artist was signed to Capitol Records, only to be quickly dropped when listeners questioned who was involved in the making of an artificially created artist that would use the n-word. Now that the dust has settled, Anthony Martini,m the co-founder of Factory New, the company responsible for Meka, is speaking out about how rap fans should view the genre in general.

In a statement to The New York Times, Martini addressed how his company utilized a technology that researched popular themes and lyrics within hip-hop to generate lyrics that Meka would use in his songs. “If you’re mad about the lyrical content because it supposedly was A.I., why not be mad about the lyrical content in general?” he said. While true, it does not absolve the company for being shortsighted in their creation of an A.I. rapper that would exist within the hip-hop landscape.

Martini has reportedly distanced himself from FN Meka, in addition to leaving Factory New. “I joined the team in early 2020 because I am truly passionate about the future of digital media and felt my background could help fulfill Meka’s potential in the music industry,” he said. “It’s become apparent that I should have done more diligence before joining. In the past few days, I’ve learned of Kyle The Hooligan’s experience with Meka which is deeply at odds with my core values. I believe that artists must always be at the center of the creative process and must be compensated fairly.”

Despite the blunder, Martini remains optimistic about the future of virtual artists in this constantly technologically evolving world.

Check out Anthony Martini’s statement to New York Times above.