black actors

Best Movies Directed by Black Women

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It is clear that Hollywood has much progress to make in the pursuit of diversity. We witness year after year how award shows tend to praise productions helmed by cisgender white men, with movements like #OscarsSoWhite, #MeToo, and Times Up illuminating the pervasive lack of inclusivity. However, we can use our influence as consumers to advance these efforts – something that should have been exercised long ago. More specifically, publicizing films directed by talented Black women would commend their work and show the need for change.

These movies – ranging from dramatic to comedic – are made through the female perspective with strength, compassion, and brilliance. Boasting emotional complexity and artistic vision, they further serve as a reminder that Black women must be represented throughout all aspects of filmmaking. So, if you’re searching for your next Friday night flick, take a look at these remarkable movies directed by Black women.

10. Dr. Ayoka Chenzira – Alma’s Rainbow (1994)

Set in Brooklyn in the 1990s, Alma’s Rainbow is a captivating coming-of-age story that follows Rainbow Gold (Victoria Gabrielle Platt), a spirited teenage girl struggling to express herself under her mother Alma’s (Kim Weston-Moran) stringent control. However, the arrival of her worldly and glamorous Aunt Ruby (Mizan Kirby), who has been living in Paris for years, introduces Rainbow to a diverse lifestyle of opulent clothing and independent living – offering her the chance to discover who she is. Moreover, recorded with rich cinematography and superb performances, this film examines the fragile relationship between mothers and daughters and the power of claiming one’s identity.

9. Stella Meghie – The Photograph (2020)

Mae (Issa Rae) receives the task of handling her famed photojournalist mother Christina Eames’s effects after her passing. Upon discovering a photograph in a safety deposit box, Mae resolves to uncover the secrets of her mother’s past. As she immerses herself in Christina’s story, Mae recognizes similarities in matters of living and loving. 

8. Channing Godfrey Peoples – Miss Juneteenth (2020)

Set in Texas, Channing Godfrey Peoples’ film explores the vital connection between mothers and daughters. Specifically, the movie tells the story of a former beauty queen who is now a single mom. She is preparing her rebellious teenage daughter for the “Miss Juneteenth” pageant. This captivating depiction highlights dreams, disappointment, resilience, and survival; all put together masterfully by Channing Peoples. Undoubtedly, it’s an inspiring story worth seeing.

7. Tina Gordon – Little (2019)

Issa Rae and Marsai Martin star in this body-swapping comedy, depicting a powerful tech CEO. Consequently, she is suddenly transformed into her thirteen-year-old self. To regain her former shape, she must further confront her own skewed worldview. She relies on her neglected assistant to help guide her through the transformation.  A prominent Black female filmmaker directed the project, while Martin served as its executive producer. It earned her the distinction of being the youngest executive producer for one of the best movies directed by Black women.

6. Cheryl Dunye – The Watermelon Woman (1996)

In the realm of “Best Movies Directed by Black Women,” there is still a limited representation of Black queer women. In 1996, Cheryl Dunye became the first Black lesbian to direct a feature film with The Watermelon Woman. It wasn’t until 15 years later that Dee Rees followed suit with her project Pariah. Correspondingly, the protagonist Cheryl works in a video store and discovers an uncredited actress from a 1940s film playing the character of Mammy. Motivated to uncover the woman’s name and story, she makes a documentary about her. The quest unveils hidden secrets and simmering resentments. Additionally, The Watermelon Woman explores Black, LGBTQ+, and Hollywood histories, simultaneously remaining soul-stirring and light-hearted. The film depicts Cheryl’s journey as she explores the lives of Black women who were mandated to live on the fringes.

5. Gina Prince-Bythewood – Love & Basketball (2000)

Love & Basketball is one of those cherished love stories from the early 2000s, worth revisiting time and again. Additionally, with direction and production by Prince-Bythewood, this movie follows two childhood friends whose shared ardor and skill for basketball. It takes them on a journey as they strive to reach their ultimate goal – the professional leagues. Despite their divergent backgrounds, both persevere in pursuit of their dreams.

4. Nzingha Stewart – Tall Girl (2019)

The tallest girl in high school came face-to-face with her doubts when a foreign exchange student captured her heart. Unexpectedly, she was embroiled in a love triangle that strengthened her resolve to stand tall with dignity. Despite the initial criticism of Stewart’s movie, it was an inspiring narrative of youthful growth and acceptance.

3.  Kasi Lemmons – Harriet (2019)

Follow the story of Harriet Tubman, an iconic figure whose undaunted courage and compassion revolutionized history. In this regard, witness Cynthia Erivo’s captivating portrayal in one of the best movies directed by Black women. The movie unlocks the inspiring tale of Tubman’s undaunted courage and compassion that revolutionized history.

2.  Dee Rees – Mudbound (2017)

Set amid bygone days in the rural sprawl of Mississippi, Dee Rees’ Academy Award-nominated film adaptation of Hillary Jordan’s 2008 novel Mudbound is a stirring exploration of racism and PTSD. The story follows two World War II veterans – one white, one Black – as they attempt to surmount the struggles of life after the war. Moreover, with an intense visual aesthetic and lauded screenplay, direction, and performances, it has enthralled critics and audiences alike.

1.  Julie Dash – Daughters Of The Dust (1991)

Julie Dash’s Daughters of the Dust is an iconic feature carrying historical impact. Examining the lives of the Peazant family, the film chronicles their decision whether to stay in their familiar island home or leave for more modern pursuits. From the unborn child’s perspective, it weaves a tale of the past and present in a stunning, poetic fashion. Notably, it pays special attention to the authentic Gullah Geechee dialect. As the members’ secrets slowly unravel, the choice grows ever closer – will they remain in place or venture toward new horizons? Incorporating home and history into one beautiful tapestry, Dash leaves her mark as the first African-American woman to have a full-length theatrical release in America.

Idris Elba Reflects On Backlash To “Black Actor” Comments

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Idris Elba recently reflected on the backlash he received from fans in response to his comments on being a “Black actor” during an interview with Esquire in February. Now, speaking with The Guardian for a new piece, he says that his statements were taken out of context.

Elba recalled the Esquire interview, explaining that the outrage was caused because his quote was “overly scrutinized, taken out of context,” and “thrown into some sort of bullshit, zeitgeisty social media argument.” He added: “Me saying I don’t like to call myself a Black actor is my prerogative. That’s me, not you. So for you to turn around and say to me, I’m ‘denying my Blackness.’ On what grounds? Did you hear that? Where am I denying it? And what for? It’s just stupid. Whatever.”

Idris Elba On The Red Carpet

LONDON, ENGLAND – MARCH 01: Idris Elba arrives at the global premiere of “Luther: The Fallen Sun” at BFI IMAX Waterloo on March 01, 2023 in London, England. (Photo by Mike Marsland/WireImage)

As for what exactly Elba said during his conversation with Esquire, he remarked: “As humans, we are obsessed with race. And that obsession can really hinder people’s aspirations, hinder people’s growth. Racism should be a topic for discussion, sure. Racism is very real. But from my perspective, it’s only as powerful as you allow it to be.” He continued: “I stopped describing myself as a Black actor when I realized it put me in a box. We’ve got to grow. We’ve got to. Our skin is no more than that: It’s just skin. Rant over.”

The remarks caused quite an uproar on social media with users taking both sides. One prominent voice to react to Elba was fellow actor John Boyega. “I think we should fixate on who is typecasting and putting actors in boxes because of this. Not on making weird adjustments for them,” Boyega wrote on Twitter. “We continuously focus on what we have to do so they don’t do this or that. Very worrying. We BLACK and that’s that.” In the immediate afterward, Elba also released a clarification of his statement on the platform.

Elba’s Initial Statement

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John Boyega Reacts To Idris Elba Not Calling Himself A Black Actor

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John Boyega took to Twitter to defend Idris Elba, who sparked a conversation online when he told Esquire UK that he no longer refers to himself as a “Black actor.” According to Elba, the label puts him in a box and limits his career. He said that “as humans, we are obsessed with race and that obsession can really hinder people’s aspirations, hinder people’s growth. Racism should be a topic for discussion, sure. Racism is very real. But from my perspective, it’s only as powerful as you allow it to be.”

He continued, saying “I stopped describing myself as a Black actor when I realized it put me in a box. We’ve got to grow. We’ve got to. Our skin is no more than that: it’s just skin. Rant over.” After the interview, people accused Elba of renouncing his Blackness with the statement. However, some individuals came to Elba’s defense to agree. Hollywood’s need to put labels on actors and performers plays a huge hand in the way they are able to stereotype actors. John Boyega responded to the discussion on Twitter.

John Boyega Speaks

When Elba realized that the statement was causing backlash, he responded to the negative comments on Twitter with an overall response. He said, “There isn’t a soul on this earth that can question whether I consider myself a BLACK MAN or not. Being an ‘actor’ is a profession, like being an ‘architect,’ they are not defined by race. However, If YOU define your work by your race, that is your Perogative. Ah lie?”

Soon after, someone said that “[Elba]’s not wrong lmao. Many Black and POC actors have talked about being typecast into stereotypical roles because of their race.” Boyega said, “I think we should fixate on who is typecasting and putting actors in boxes because of this. Not on making weird adjustments for them. We continuously focus on what we have to do so they don’t do this or that. Very worrying. We BLACK and that’s that.” The biggest highlight from Boyega’s statement is that more individuals should be paying attention to and questioning the typecasting that happens in Hollywood. It, like Elba said, puts Black actors into boxes.

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Idris Elba Says He Doesn’t Want To Be Referred To As A “Black Actor”

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Idris Elba says that he no longer refers to himself as a “Black actor.” He explained why he doesn’t like the description during an interview with Esquire magazine, published earlier this week. Elba says that being called a “Black actor” makes him feel like he’s being put “in a box.”

“I stopped describing myself as a Black actor when I realized it put me in a box. As humans, we are obsessed with race. And that obsession can really hinder people’s aspirations, hinder people’s growth. Racism should be a topic for discussion, sure. Racism is very real. But from my perspective, it’s only as powerful as you allow it to be. We’ve got to grow. We’ve got to. Our skin is no more than that: It’s just skin.” From there, he added: “I’m not any more Black because I’m in a white area, or more Black because I’m in a Black area. I’m Black. And that skin stays with me no matter where I go, every day, through Black areas with white people in it, or white areas with Black people in it. I’m the same Black.”

Idris Elba’s Explanation

Elba also said that he didn’t choose to go into the entertainment industry for representation. He said he “didn’t become an actor because I didn’t see Black people doing it and I wanted to change that. I did it because I thought that’s a great profession and I could do a good job at it.”

Elba later addressed the backlash he has been receiving to the comments in a statement posted on Twitter. He wrote: “There isn’t a soul on this earth that can question whether I consider myself a BLACK MAN or not. Being an ‘actor’ is a profession, like being an ‘architect’, they are not defined by race. However, If YOU define your work by your race, that is your Perogative. Ah lie?”

Idris Elba’s next film, Netflix’s Luther: The Fallen Sun, hits theater later this month before being added to the streaming platform in March. Elba is best known for his role as Stringer Bell in The Wire, as well as his roles in Beast, Three Thousand Years of Longing, Mandela: Long Walk to Freedom, The Suicide Squad, and more.

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