2Pac Shakur

Too Short Praises Tupac’s Lightning-Fast Writing Process: Watch

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Too Short worked with Tupac Shakur often throughout his career, so there are few that witnessed the greatness of his pen and performance prowess. Moreover, he recently spoke to HipHopDX at the OneMusic Fest in Atlanta last month about ‘Pac’s writing process. According to the Bay Area native, he had a unique skill of barely having to prepare before going into the booth and spitting a killer verse. Such praise also falls on rappers like Jay-Z, who are well-known for their off-top freestyles that end up being studio quality. But with Death Row’s leading star, Short maintains, there was just a special fire.

“I know you’ve heard from a million people about Tupac, man,” Too Short began his praise. “He wrote rhymes as fast as he could write words. Like, I write a rhyme- I think about it, write it down. Think about it, write something that rhyme with it. Think about it, you know, I’m writing a story, telling something, and I’m writing. But he just goes [mimics writing on paper] and he’ll go, ‘Alright, I’m ready to go in the booth.’ Like what? He can’t be ready. And it’s just dope as f**k. So I don’t how his mind was working to be able to make such prolific statements in a rhyme and then go in and put a pattern to it. And it really wasn’t like he was going in the booth and f***ing up. He’d just go in there and spit it.

Read More: Tupac Has Street Named After Him In Oakland

Too Short Recalls Tupac’s Writing Skills: Watch

“So I don’t know, some people have the gift, you know?” Too Short continued. “I saw my man Erick Sermon so many times like put on the beat, the beat bumping and he like, ‘Let me in the booth.’ Like you ain’t got a pen, paper, nothing. And he’d get in there and say some funky-a** s**t and I’m like, he just got it. Some people just got it.” Earlier this year, he shared another story of his relationship with Tupac to the 85 South Show. “I’ve been platinum before most n***as,” the 57-year-old recalled. “Shock G was the leader of Digital Underground, but Tupac was the little homie in the crew. But Tupac started coming of age and I looked at him, I liked the n***a. But I’m an East Oakland n***a, right?

“And I seen him, he used to always keep his little thing, he was not a punk,” he concluded. “He was ready for whatever. He was a real one. But I was like, ‘I cannot bring this n***a around my homies ‘cause it’s going to be like oil and fire.’ When Tupac got to L.A., he went 10,000 mph. I knew it! I was like, ‘I cannot bring this n***a around my homies.’ So I literally made a conscious effort to not ever bring Tupac to- he found his way to Richie Rich; he gave ‘Pac the town. I said I wouldn’t do it ‘cause I wouldn’t want that guilt. I can’t bring ’em around them n***as ‘cause the kind of n***as I was running with the time, they would have been like, ‘Oh you wanna be a G? Come on n-gga, let’s go be a G.’” For more news and updates on Tupac and Too Short, log back into HNHH.

Read More: 7 Of Too Short’s Best Party Hits

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Boosie Badazz Jokes About Jada Pinkett Smith & Tupac: “That’s That Cherry Love”

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Boosie Badazz is a very outspoken figure; is anyone surprised he’s got something to say about the Jada Pinkett Smith and Tupac drama? Moreover, he recently sat down with DJ Vlad of VladTV for an interview, and they eventually discussed all the stories that the actress has been so keen to tell about the legendary rapper. However, the Baton Rouge MC didn’t really roast her in these remarks; rather, he cracked jokes with Vlad and made some hefty accusations. One of these was that ‘Pac actually took Jada’s virginity, a romantic bond that she’s denied, and both men were pretty clear that this is just speculation and their own wild theories.

Furthermore, Boosie and Vlad spoke on the various claims that the Baltimore native’s made about the West Coast hip-hop icon. These include his alopecia condition, his proposal to her, and a whole lot more. In fact, the “Wipe Em Down” hitmaker confessed that he loved Jada Pinkett Smith- and still does, to a degree, as she still arouses him. “The Internet is undefeated,” he conceded when talking about the variety of memes that propped up as a result of these bombshell statements.

Read More: Cam’ron Dresses As Tupac And Cracks Jokes About Jada Pinkett Smith

Boosie Speaks On Tupac & Jada Pinkett Smith’s Relationship

Regardless of these jokes, Boosie stood by his belief that Jada and Tupac had some sort of bond that went further than a friendship. He remarked on the many years that they spent together, their rough lives in Baltimore, and how devoted they both were to each other. Of course, there’s a gaggle of fans, social media users, and regular folk that are pushing these very same ideas. In regard to these theories and the 40-year-old’s own speculation, he had this to say: “The questions be complicated, but the answer is simple.”

Meanwhile, he also has some thoughts on another ‘Pac story these days: the arrest of his alleged murderer, Keefe D. That’s another tale with a lot of conspiracies and differing views on it, one that will hopefully be more clarified in court. We’ll have to wait and see what happens, and just how much truth there is behind celebrities’ assumptions on the whole ordeal. For more news on Boosie, Jada Pinkett Smith, and Tupac Shakur, check back in with HNHH.

Read More: Boosie Badazz Erupts Over “Alleged Serial Killer” Documentary About Him

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Death Row Pendants From Tupac & Snoop Dogg Set To Sell For High Price At Auction

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Tupac Shakur and Snoop Dogg’s legacy as the star MCs of Death Row Records is virtually unmatched within not just the West Coast, but hip-hop as a whole. Tha Doggfather remains one of rap’s most important leading gurus, whereas ‘Pac remains arguably the most influential rapper of all time. However, interest in the two doesn’t just revolve around their current moves and, in Shakur’s case, his tragic murder. Moreover, nothing matches those early days in many’s eyes, whether due to their artistry, their groundbreaking characters, or their iconic style. On that last point, some iced-out pieces that the two spitters once owned could sell for a massive pile of cash at an upcoming auction.

Furthermore, GottaHaveRockAndRoll.com claimed to TMZ Hip Hop that they got their hands on Snoop Dogg and Tupac’s diamond-encrusted Death Row pendants. They will soon go up for auction, along with many other items from the Suge Knight-fronted record label’s heyday. Apparently, the outlet got them from Reggie Wright Jr., the Row’s former head of security. From what these reports allege, Suge commissioned various chains for his artists to borrow, and set aside these 14-karat “Fully Iced” pieces for ‘Pac and Snoop. As such, hopeful buyers expect them to go up for anywhere between $500K and $1 million.

Read More: Snoop Dogg’s “Doggystyle” Celebrates 30th Anniversary Edition

Tupac & Snoop Dogg In 1996

<a href=2Pac Snoop Dogg Death Row Pendants Auction Hip Hop News” class=”wp-image-728510″ srcset=”https://wp.hnhh.com/wp-content/uploads/2023/10/Tupac-Snoop-Dogg.jpg 1024w, https://wp.hnhh.com/wp-content/uploads/2023/10/Tupac-Snoop-Dogg-300×233.jpg 300w, https://wp.hnhh.com/wp-content/uploads/2023/10/Tupac-Snoop-Dogg-768×596.jpg 768w” sizes=”(max-width: 1024px) 100vw, 1024px” />
Snoop Dogg and Tupac Shakur attend 13th Annual MTV Video Music Awards at Radio City Music Hall in New York City on September 4, 1996. (Photo by Ron Galella, Ltd./Ron Galella Collection via Getty Images)

Not only that, but a couple of partial diamond pendants will also be available, and folks think they could sell for any price point between $200K and $500K. In terms of other items available, there’s also Tupac’s SNL memorabilia from 1996, including a performance envelope and a personalized ticket. Those are expected to range from $8K to $12K, and is part of an online bidding structure. It opened today (Thursday, October 26) via Gotta Have Rock And Roll and will close on November 10. This is a part of the outlet’s celebration of rap’s 50-year anniversary.

Do you think that you’ll try to get your hands on any of these items or are those price tags too steep? How else do you think Death Row’s legacy will endure? Let us know what you think about all this down in the comments below. Also, stay logged into HNHH for more news and updates on Death Row, Tupac Shakur, and Snoop Dogg.

Read More: Tupac Was “Tense” Leading Up To His Death, Outlawz Rapper Napoleon Claims

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Tupac & Afeni Shakur “Dear Mama” Doc: Episode 1 Review

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Tupac & Afeni Shakur’s Dear Mama documentary recently premiered, and it has fans buzzing. It has been nearly 27 years since the unsolved murder of Tupac Shakur, and the mythology has continued since. This Allen Hughes docuseries sheds light on the history and background of the infamous West Coast legend. Hughes is best known for his scripted films, such as Menace II Society and Dead Presidents, which offered insightful depictions of Black men. His introduction into documentary filmmaking with his twin brother Albert, American Pimp, did not live up to expectations.

However, since pursuing solo projects, Allen has found his stride with The Defiant Ones, a Grammy-winning and Emmy-nominated docuseries chronicling the successful partnership between Dr. Dre and Jimmy Iovine. Allen Hughes’s impressive documentary work has solidified his status as one of his generation’s most innovative and skilled filmmakers.

Hughes & Dear Mama

Hughes returns with his latest project, Dear Mama: The Saga of Afeni and Tupac Shakur, a five-hour docuseries that examines the role of Black activism in Shakur’s life and its blend into his music. In this ambitious series, Hughes parallels the lives of Tupac and his mother, Afeni, an outspoken leader in the Black Panther Party. Hughes delivers a complete account of the rapper by interweaving his story with his mother’s. Dear Mama offers real insights into the impact of the Shakur family across movements and generations. The series constructs an experience that offers an intimate and nuanced portrayal of their relationship. With Dear Mama, Hughes again proves his gifted and imaginative approach to documentary filmmaking.

Episode 1: “Panther Power”

At 17 years old, Tupac faced many challenges, including poverty and familial struggles. He pursued his dream of using poetry and music to spread his mother’s message of social activism. At the same time, Afeni, a well-known Black Panther activist, was haunted by her past. She worried about how it might impact Tupac’s promising future. Despite his difficulties, Tupac remained committed to his goals and continued using his art to advocate for vital issues.

The first episode of Dear Mama, “Panther Power,” starts with the impactful story behind one of Tupac’s most beloved songs. The rapper’s activism and revolutionary spirit, inspired by his mother’s involvement with the Panthers, drove him to intervene during a violent incident. He witnessed two white men harassing a Black motorist in Atlanta in 1993 on Halloween night.

Despite the victim attempting to calm the situation, one of the men hit the motorist and pointed a gun. Tupac witnessed the event, grabbed his weapon, and shot both assailants. It was later learned that the attackers were off-duty police officers. As law enforcement surrounded the hotel where Tupac and his friends stayed, he attempted to comfort the tense room by playing a song he had just recorded: “Dear Mama.” The song showcases Tupac’s musical talent and deep love and appreciation for his mother. Although the show portrays the shooting incident as legendary, it also exposes Tupac’s troubled past and struggles as a young Black man.

Lawsuit Against Oakland Police

The first episode concludes just as powerfully as it began with the jaywalking arrest of Tupac. Following his arrest and beating for jaywalking, Shakur filed a well-known lawsuit against the Oakland Police. He sought $10 million in damages. The film emphasizes the poignant and heartwarming realization that even though he was enraged by the incident, he longed for his mother’s counsel.

Unfortunately, she was undergoing treatment in rehab at the time. Regarding sensitive subjects like violence, it can be tricky to strike the right tone. That’s undoubtedly a challenge Hughes faces when analyzing the tumultuous life of Tupac. While glorifying some of the more violent moments in his past may not sit well with some viewers, it’s a reminder that Tupac’s life teemed with complexities and contradictions. It’s up to the viewer to grapple with that truth. By taking on this complicated subject matter, Dear Mama forces viewers to confront the darker side of Tupac’s legacy, even as it celebrates his enduring impact on popular culture.

The premiere episode, which debuted on April 21, is now FX’s most-watched unscripted series premiere in the network’s history. The Dear Mama Hulu release date also performed exceptionally well.

Sweet Lady, Don’t You Know We Love You?

Afeni’s story is captivating, from her leadership in the Black Panther Party to her imprisonment while pregnant with Tupac. She also battled addiction and financial struggles that contributed to her family’s constant displacement. What sets Dear Mama apart is its unconventional, non-linear narrative approach that weaves events from Afeni’s and Tupac’s lives. Through interviews with former Black Panther colleagues and family members, the film offers valuable insights into how Afeni’s influence helped shape her son’s myth-building approach to storytelling.

Despite her flaws, Afeni was a fierce advocate for justice and equality. She played a significant role in the movements of the late 20th century. The story of Afeni Shakur is one of courage and resilience. Her influence on her son Tupac’s life is undeniable.

Personal & Poignant

The documentary takes a profoundly personal approach. It features a diverse cast of individuals who share their stories about the mother and son. From Tupac’s peers and cousins to his former collaborators at Death Row Records, the film provides a multifaceted perspective on the complex and enigmatic figures. Ultimately, the purpose behind Hughes’s documentary is the argument about Tupac’s constant drive. Additionally, it sheds light on Pac’s desire to protect people who are wronged, no matter the personal cost. The next Dear Mama Hulu release date for new episodes is April 28th.

Tupac’s aunt and Afeni’s sister, Glo, summarizes this mission by stating in the documentary, “Where did Tupac get the myth-building from? Afeni. And ‘Feni wanted the story told. Correctly. That means blemishes and all, so people can understand that whole thing of what makes a human being.”

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Suge Knight: Pac, Snoop Had “No Trouble” In Death Row

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Suge Knight is dropping some new information about Death Row Records. The hip-hop tycoon had a conversation with TMZ on Wednesday (April 19) while preparing for the upcoming series on BLK Prime that documents his life and professional journey. In the interview, Suge discussed the environment at Death Row. He acknowledges that it was as brutal as it was portrayed. However, he also mentions that both Pac and Snoop were accustomed to it. Still, it would be fair to say Snoop probably wouldn’t agree. In an interview, Snoop revealed how he felt about everything that went down at Death Row. “N*ggas broke my spirit. Thet broke me, man. They broke my spirit. Look, Doggystyle, workin’ on Doggfather, win my murder case, Dre leaves,” Snoop said. “Tupac get killed, Suge going to jail, Death Row want to kill me. That’s all in the same year.” Sounds like a pretty tumultuous relationship.

Death Row Records was a prominent record label founded in 1991 by Suge, Dr. Dre, and The D.O.C. It was known for their focus on West Coast hip-hop. Death Row signed some of the biggest names in the genre, including Dr. Dre, Snoop Dogg, and Tupac Shakur. The label gained a reputation for its aggressive and often controversial lyrics. Furthermore, many of its artists had a strong association with violence. Despite its success in the 1990s, the label faced financial and legal troubles, including the imprisonment of Suge Knight and the death of Tupac Shakur. In 2006, a bankruptcy trustee acquired Death Row Records. This effectively ended its run as a major player in the hip-hop industry. However, Snoop Dogg bought the label recently. It was a move that was praised by many.

Suge Says Death Row’s Toxic Environment Was “Like Sports”

Suge Knight had a lot to say about the work environment at Death Row Records in a new interview. “It is true that stuff was aggressive at Death Row,” he said. “But you had your choices. If you wanna be the best, and be a man and do how you wanna do it – do it. Be about your music, be about your lyrics. You know, everybody understood that. So when it came to ‘Pac, I think ‘Pac understood it more than anybody in the world.” Suge went on to say that Snoop understood how things worked as well. “But at the same time, you can’t take nothing from Snoop either because I knew I could get Snoop to come to New York with me and promote Death Row faster than anybody else would.”

Suge went on to describe specifically what the environment at Death Row was like, comparing it to sports. He said that he made sure it was very competitive. “…If you hear any of the albums I did, they was always competitive. It was competition. Because if a person didn’t have a good verse, somebody else had a better verse,” Suge explained. “Just like sports! We didn’t live in church. We not in heaven, you know? That’s like if you in the jungle, you gotta survive! I named my label Death Row Records.” What do you think about Suge’s explanation for Death Row’s environment? Let us know in the comments!

Snoop Dogg Has Mixed Feelings Towards Biggie & 2Pac AI Album

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Snoop Dogg has never been shy about speaking his mind. While Snoop may be one to experiment with new sounds, he draws the line at a 2pac & Biggie AI (Artificial Intelligence) album. In an interview with Baller Alert, they asked about the proposed joint collaboration between the two late rap legends. Although Tha Doggfather wasn’t fully opposed to a collaboration album. He doesn’t fancy the idea of an AI-generated album featuring his late friend and the original King of New York. However, Uncle Snoop feels it would be best to find old tracks with their vocals and put together a collab tape that way as opposed to the former.

“I don’t really know about that, with the AI,” Snoop said. “Because that’s like computerized voices. You know?” he continued. While Snoop Dogg may have his late friend’s best interest at heart, however, some feel otherwise. Former Outlawz member Napoleon had some choice words regarding Snoop’s comments. He claims Snoop Dogg’s relationship with ‘Pac was steeped in jealousy. According to Napoleon, Snoop was jealous of 2Pac, who took all his shine when he joined Death Row.

Snoop Dogg Sounds Off On AI-Generated Albums

Napoleon believes that Snoop is trying to take the shine away from 2Pac, and that’s why he said what he said during the interview with Baller Alert. In the interview with The Art of Dialogue he spoke on where the jealousy came from. “Imagine you’re the biggest star on Death Row and ‘Pac take all your shine, you understand?” he said. “And 25 years later, ‘Pac died and every time you do an interview that name is brought up,” he concluded. However, Napoleon didn’t stop there. He slammed the Doggystyle rapper for his remarks towards 2Pac’s infamous “Hit ‘Em Up” record after his passing, recommending the now grandfather remember his friend in a more positive light.

Although Snoop is open to a collaboration between the two Hip Hop icons, he’s still skeptical about AI-generated albums. Nothing wrong with appreciating authentic artistry. However, with AI infiltrating every industry, this won’t be the last time we see a proposed AI-generated album. Do you think an AI-generated Biggie and 2pac album would be fire? Let us know in the comments below!

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Snoop Dogg Mad That Tupac “Took His Shine,” Outlawz Rapper Napoleon Claims

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Since his untimely death in 1996, many rappers close to Tupac Shakur continue to preserve and defend his legacy. Among those industry ties is fellow Death Row Records rapper Snoop Dogg, who carries Pac’s memory with stride and continually honors him. However, according to MC Napoleon of the Outlawz, the Long Beach native was actually jealous of the Harlem-born star. In a recent interview with The Art Of Dialogue, he spoke on how Snoop has to navigate Tupac’s death in almost every media conversation he has.

“Maybe some of the things he couldn’t tell Pac face-to-face, you know, he can do it in these interviews,” Napoleon said about Snoop Dogg. “It’s sad. And one of the reasons why I always try to correct this is because him and Pac were friends. I already know why he doin’ that, bro. Imagine if you’re the biggest star on Death Row, and Pac come and take all your shine, you understand? And 25 years later, Pac died, and every time you do an interview, that name is brought up. So maybe he’s just trying to take that shine from Pac. You know what I mean?”

Snoop Dogg Was Jealous Of Tupac’s Success, Napoleon Claims In New Interview

Also, Napoleon said that the “What’s My Name?” MC was wrong to express his dislike of Pac’s diss track “Hit ‘Em Up” and should only focus on the positive side of him. “Man, I’d say a week before he died, we was best of friends,” Snoop Dogg told Big Boy on Untold Stories. “Two days before he died, I don’t think he liked me. Because we was in New York and s**t had happened. New York n***as had shot at me and did all kinds of s**t to me, just the worst s**t you could think of, and I forgave ’em. Then I went and did an interview and was asked how did I feel about Puffy and Biggie. I was like, ‘I like them n***as, I wanna do some music with ’em.’

“And that just rubbed cuz the wrong way, like, ‘N***a, f**k them n***as, them n***as tried to kill me,’” Snoop continued. “‘N***as shot at you, and you talking about you wanna do a song with them n***as?’ Even when he played the video for me to ‘Hit ‘Em Up,’ even when he played ‘Hit ‘Em Up,’ the song, I didn’t like the song. I didn’t like it. I didn’t like the s**t. It wasn’t the s**t to me. Like, you buying more problems, cuh. You buying problems. Gangstas is everywhere. They make ’em everywhere.” Regardless of your take on this, come back to HNHH for the latest on Snoop Dogg and Tupac Shakur.

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2Pac Biography Set To Release Late 2023

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Tupac Amaru Shakur, better known as 2Pac, was a hugely successful and famous American rapper. Along with rapper, he had a talent for acting and had a strong sense of social justice. His social activism is one of the reasons he stands out from his competitors. 2Pac’s music is known for its emotional intensity, and he is still regarded as one of the most influential rappers of all time. Since his passing in 1996 , people still have a hard time getting over the loss.

Recently, the late rapper’s estate revealed that an autobiography is on the way. The title of the autobiography is Tupac Shakur: The Authorized Autobiography. The book is written by a longtime friend of 2Pac, a woman by the name of Staci Robinson. While many others have written about the musician’s life, no other book has been approved by the estate like Robinson’s has. As a result, this particular biography is being promoted by Tupac’s own estate.

2Pac Lives On Through His Childhood Friend

2Pac lived a very memorable life, even outside of his rap career. The biography will allow fans to read and experience the details of his life, and what made him who he was. However, the details in the upcoming biography will be a lot more intimate than previous recounts of his life. Because of Staci’s closeness to the rapper, she has access to a lot of information others can’t get. As a result, people are much more excited about the release of her book than they have been for others in the past.

2Pac’s biography is set to release in October of 2023. Along with the release date, there has also been an announcement of the documentary. The documentary, titled Dear Mama: The Saga of Afeni and Tupac Shakur, will come out in April 2023. The year 2023 will bring a lot of new content regarding 2Pac and his former career, as well as inside looks at his mind and musical talent. It is safe to assume that neither the biography nor the documentary will be exploitative. To stay updated on more 2Pac content, make sure to check back in periodically.

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Omar Epps & Marlon Wayans Reminisce Over 2Pac’s Out Of Pocket “Juice” Prank

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On The Daily Show, Omar Epps and guest host Marlon Wayans talked about 2Pac and recalled a prank that the rapper had performed during the filming of Juice. It had made Epps super mad at the time, but he now laughs back at it. They spent most of the segment talking about their history together as friends, and a little bit about Epps’ new book. Epps and Wayans were friends since childhood. At first, they did not like each other. However, after they fought each other and learned that they had the same fighting style, they became best friends.

Juice was Tupac’s second movie. The first was Dan Akyroid’s 1991 Nothing But Trouble. However, he was only a background character in that movie, so it does not really count. People had high hopes for Tupac’s acting career, with some even saying that he was a better actor than he was an actor. He would continue on to appear in five more movies and two tv episodes, before his passing in 1996, something that J. Prince believes could have been prevented.

2Pac’s Jokester Ways

Wayans explains that Tupac had a penchant for pranking the cast members. One time, Epps had fallen asleep with his mouth open, so Tupac pulled out his testicles and put them near his mouth. Epps admits he was very mad about it at the time, but he now finds it funny. He even admits that it would have gone viral if the internet was as massive back then as it is today. He also tells Wayans that he would be upset too if he woke up to find somebody’s testicles near his mouth.

2Pac was a big jokester. It does not matter when or where he was. He was always willing to play jokes on people. DJ Quik had this to say about him during a recent interview. “Outside of the studio, he was a jokester – bagging on n-ggas, joking, fun. We toured a little bit. He got in my ass one time too. We were about to get into a fight because he thought I was stealing his stage show — like when he would rap and jump up on the speakers.”

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Tupac Painting From “Baby Boy” That John Singleton Owned Worth $75K

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A painting of Tupac Shakur from the 2001 film Baby Boy costs $75,000, which the late John Singleton left behind. Moreover, Radar Online obtained court documents from his estate on Wednesday (February 1) with an updated list of his assets. If you recall, the director passed away in 2019. However, that Tupac painting isn’t all the film memorabilia in his collection you may recognize. In fact, his estate valued his slew of items and collections at an estimated $156,700.

LOS ANGELES – FEBRUARY 1991: Director John Singleton poses for a portrait in Los Angeles, California. (Photo by Aaron Rapoport/Corbis/Getty Images)

Furthermore, Singleton also owned Baby Boy‘s iconic lowrider bike, worth around $50,000. Also, the estate, run by his mother Sheila Ward, listed an original Boyz n The Hood poster worth $700. In addition, Singleton had 13 director script binders valued at $6,500. Moreover, these include scripts for classics like Poetic Justice, Shaft, Black Snake Moan, and Hustle & Flow. Overall, these items all contribute to the estate’s heft value. However, the collection also includes heaps of classic comic books and seven personal journals. According to the estate, he wrote in these journals during his time producing various movies.

When they valued them at $3,500, the filing indicated the reasoning and history behind that price tag. “[John was] a famous movie director, who had a major impact on the movie industry and movie history,” the filing read. Singleton passed unexpectedly at age 51 in April of 2019 after he suffered numerous strokes. Not only was he the first African-American nominee for Best Director at the Academy Awards, but he was also the youngest. Moreover, the Oscars nominated him for Boyz n The Hood when he was just 24 years old.

“There is not enough that can be said about John Singleton and the profound impact he made in his 51 years of life,” Los Angeles City Council President Herb J. Wesson Jr. stated in a press release. “In a time and in an industry where all the odds were stacked against him, John overcame and became the best at his craft. And more than maybe anyone, he opened people’s eyes to a reality and an experience of South Los Angeles that had been overlooked by society.”

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