There’s an electrifying way in which Big Boi raps, whether he’s vividly portraying his cool as the equivalent of “Freddie Jackson drinkin’ a milkshake in a snowstorm” or describing Papa John’s “ooey gooey, crispy, crunchy, mouthwaterin’” pizza. The Outkast member has thrived since the group went on an indefinite hiatus following their groundbreaking musical, Idlewild. He’s gone on to release three solo studio albums that maintained Outkast’s futuristic approach to crafting potently groovy raps. That talent extends into the corporate world, however, as evidenced by Papa John’s latest campaign, “Better Get You Some.” Accompanied by a trailer of brain-melting visuals, Big Boi pens mind-bending bars that will undoubtedly leave you craving a slice of their “ooey-gooey, extra chewy mouth-watering” pizza, topped with their newly unveiled NY Style Crispy Cuppy ‘Roni.
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Watch Papa John’s “Better Get You Some” Ad With Big Boi
The partnership began as a result of Big Boi’s hometown ties to Papa John’s, whose corporate office is located in Georgia. “They called and said they had a new campaign,” the Atlanta native explained shortly after receiving a Shiatsu Massage. “And they wanted a Jedi, you know what I’m saying? A heavy-hitter.”
Needless to say, Papa John’s couldn’t find a better partner to help execute this campaign. Big Boi and the Outkast brand became synonymous with a high level of prestige earned through their consistent execution with each project in their catalog. At the root of their creative success is an organic synergy, one that Big Boi said extends to the “Better Get You Some” campaign.
“Anytime I participate, it got to be organic, and it can never be forced,” he says of Papa John’s new commercial. “I first got the clip with the visuals to it, and then, the commercial was just crazy, you know what I mean, I loved it. I was like, Okay, this is dope. It’s hypnotizing in a way the way where it just captures your attention. And when you look at it, you go and call Papa John. I mean, it gets the point across so just to be descriptive, and you know, just make it fun”
An Ode To The Dungeon
But, more importantly, there’s a personal connection to Papa John’s that goes beyond the pizza franchise’s headquarters in Georgia and well into his formative years. Big Boi revealed that Papa John’s had been a fixture during his late-night recording sessions. “That Papa John’s been on the menu for years and years, man,” he said. A typical order, he says, would include a cheese pizza (for the non-meat eaters) and a few large pizzas with bell peppers and onions. “I try to trick myself into eating vegetables,” he says jokingly, though that combination actually speaks to his memories of being in his grandmother’s kitchen. “When she’s cooking, I can eat raw bell peppers and onions all day long,” he says. “It doesn’t even have to be cooked. But when you slap it on top of that cheese, you got a nice snack.”
Naturally, you can imagine that all those nights of White Owls and Martell struck up an appetite as tracks were being laid down in the Dungeon. In the 30 years since the release of Outkast’s seminal debut album, Southernplayalisticadillacmuzik, Big Boi and Andre 3000 have undoubtedly proven that rap is far from a young man’s sport. Sure, Andre seems more enthusiastic about flexing his musicianship than stepping in front of a mic (though when he does, it’s never a lackluster effort) but for Big Boi, that passion that drove classic bodies of work throughout Outkast’s tenure remains as palpable today. His collaboration with Papa John’s, for example, became another opportunity for him to flex his lyrical muscles.
Longevity In Rap
“To be able to surpass certain limits and be in this game for, you know — next month will be 30 years for the anniversary of our album Southernplayalisticadillicmuzik — you have to live life,” he explains. This Jedi-like wisdom has undoubtedly served as the foundation for Big Boi’s artistry, though the true gem lies in how he absorbs and retains inspiration for his solo endeavors. “You live and you experience things, expand your vocabulary,” he continues. “And anytime you make good music, it’s like, you got to paint, you paint a picture with words, you know what I’m saying? And the people go back and they might not catch everything on the first listen. So you got to drop little nuggets in there so they can kind of try to decode your messages. And I do that with everything.”
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