Jay Park Net Worth 2023: What Is The Rapper Worth?

From the gray skies of Seattle to the neon glow of Seoul, Jay Park’s odyssey isn’t just about crossing geographical boundaries—it’s about shattering glass ceilings. Born on April 25, 1987, in the Pacific Northwest, Jay’s artistic inclinations propelled him into the whirlwind world of Korean pop music. But calling Jay a mere K-pop artist is akin to saying the Pacific is just a pond. His artistry, drive, and business acumen have intertwined to create a legacy far beyond music. It’s no surprise that, by 2023, his monetary achievements, as reported by Allfamousbirthday, amount to an impressive net worth of $10 million.

Defying Expectations: Musical Mastery & Beyond

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KUALA LUMPUR, MALAYSIA – JULY 14: Korean R&B artist Jay Park performs on-stage at the MTV World Stage Live. On July 14, 2012 in Kualr Lumpur, Malaysia. The event was staged at the Surf Beach at Sunway Lagoon. With a line-up featuring global superstar Justin Bieber, multi-award winning Korean pop sensations Jay Park and Kara. And Malaysian singer-songwriter Mizz Nina. More than 15,000 attended MTV Asia’s annual free concert event ‘MTV World Stage Live.’ The show airs on MTV in Asia on July 28 and worldwide on all MTV channels later this year. (Photo by Kristian Dowling./Getty Images)

While K-pop idols often adhere to a meticulously curated image, Jay Park’s rise to prominence had its fair share of stumbles, including public controversies and parting ways with a major label. Yet, his music—infused with genuine R&B vibes and punctuated with hip-hop punches—found an audience that spanned continents. Collaborative endeavors with artists like Ugly Duck, Hoody, and international figures such as Charli XCX, magnify his adaptability and global resonance.

Intimate Strains: Behind The Limelight

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CHIBA, JAPAN – MAY 12: Jay Park performs on stage during the EDC Japan on May 12, 2019 in Chiba, Japan. (Photo by Matthew Sperzel/Getty Images)

On the surface, Jay Park’s tattoos, chiseled physique, and infectious energy portray confidence. However, delving into his lyrical content reveals a vulnerable side, addressing personal battles, identity crises, and the duality of East-West cultural navigation. He’s not just selling records. He’s sharing stories etched in ink on his skin and in the lyrics of his ballads. Further, after parting ways with JYP Entertainment, many predicted a swift downfall for Jay. Enter AOMG, a defiant, game-changing retort. Not merely a music label, AOMG embodied Jay’s vision for a more liberated, authentic representation of music and artistry in South Korea. It wasn’t long before H1GHR MUSIC followed, further solidifying Jay’s credentials as a music mogul.

Trailblazing The Future: The Jay Park Legacy

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SEOUL, SOUTH KOREA – NOVEMBER 27: (EDITORIAL USE ONLY). In this handout image provided by Red Bull, Jay Park, American/South Korean singer, dancer, rapper, b-boy, music producer. Songwriter, model, choreographer and actor stands on stage. At Jamsil Arena in preparation to MC this weekend’s Red Bull BC One World Final on November 27, 2013 at Seoul, South Korea. (Photo by Dean Treml/Red Bull via Getty Images)

Today, Jay Park isn’t just remembered for his chart-topping hits or sizzling dance moves. He stands tall as an emblem of perseverance, a beacon for aspiring artists, and a bridge connecting disparate worlds. Through tumultuous waves and calm seas, Jay’s voyage remains a testament to the sheer force of will, talent, and entrepreneurial spirit.

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Jay Park Sings His Favorite Tupac Song & Launches Won Suju In The US

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Jay Park made history when he partnered with Roc Nation back in 2017, serving as the first Asian artist to sign to the imprint. 

Born in Seattle, Washington, Jay Park fell in love with Hip-Hop at a very early age, getting his start writing raps and breakdancing in high school. In 2004, Jay’s mom had him try out for an audition with South Korean’s JYP Entertainment, eventually selected to become a member of a Korean boy band as an idol. There, he’d train to become the superstar he is today.

But throughout his career, Jay Park has never forgotten his love for Hip-Hop. In 2013, he launched his own hip-hop label called AOMG, based in Seoul, Korea. 

Now, he continues to break down boundaries — this time, launching his soju brand, Won Soju, into the United States. Boasting 2.8 million followers on Instagram alone, Jay Park even changed his IG handle to @moresojuplease. A+ for marketing!

The Source had the pleasure of attending Jay Park’s Won Soju release party at Intercrew in Los Angeles. 

How excited are you to have Won Soju hit the US market?

I’m very excited. The goal in the beginning was to have it next to vodka and tequila. Because everybody knows sake, but not a lot of people know soju. And the people who do know soju, all think that the green bottles only at pochas and stuff like that. I wanted to let people know that there is a more higher quality premium soju that wanted to introduce to people.

What’s the meaning behind Won Soju?

Obviously, it’s the currency won. The Korean currency’s won. In English and in Korean, there’s a bunch of different meanings like one. Or won is circle in Korean, or won like victory won. So it translates very well globally. 

How much soju you are you drinking in a day?

In a day? Oh Lord. A week, maybe three or four bottles a week.

Favorite food to have with Won Soju?

To be honest, I like to just have fruits. You know, I gotta watch my weight. 

I see those abs!

That’s what I’m saying, it’s because I eat it with fruit. The Korean pear, the bae. I love that.

Favorite thing to do when drinking soju?

To be honest, I don’t really like going to clubs anymore. I just like to have conversations with homies. I have a lot of Won Soju with my employees, so we talk about work. Stuff we want to do. Try to stay motivated, inspired.

I heard soju in Korea usually sells for $1. What was your reasoning behind the higher pricing?

Well, it’s made completely different. For Won Soju, first of all the ingredients are more expensive, because we’re using real rice from Wonju-si. Also it’s like Hwayo Soju or Andong Soju, where it’s traditional distilled soju. There’s no preservatives. There’s no sweeteners. There’s no MSG. It’s not made from a huge factory. You can’t mass produce it. 

Hip-Hop celebrates 50 years this year. What was the moment you fell in love with Hip-Hop?

Second grade: Warren G, “Regulate.” Regulators. My cousin had it in his Walkman. I heard that, that’s when I was like “Yo, what is this?!” I immediately fell in love with it.

Last question, favorite Tupac song?

How many brothers fell victim to the streets? Rest in peace young homie, there’s a heaven for G. Be a lie if I told you that I never thought of death. My homie, we the last ones left. But life goes on! [sings Tupac]

The post Jay Park Sings His Favorite Tupac Song & Launches Won Suju In The US first appeared on The Source.

The post Jay Park Sings His Favorite Tupac Song & Launches Won Suju In The US appeared first on The Source.

Every Festival Should Adopt 88rising’s Head In The Clouds Hybrid Streaming Model

One of the benefits of all the advancements in technology we’ve seen over the years is that nearly everything has become more convenient. Even music festivals have seen the benefit of adopting a hybrid streaming option, because not everyone can always make it out in person. While my experience in this respect is limited – usually, I’m either there or I’m not, as watching a stream on TV just doesn’t appeal to me as much – I got the chance to compare the live and streaming experiences side-by-side over the weekend thanks to 88rising’s annual Head In The Clouds festival.

Held at the Rose Bowl in Pasadena this year (moving from Los Angeles State Historic Park), you’d think this would make the festival extremely convenient for me as I headed over after watching the Drew League playoffs in Torrance. But that’s only because you don’t know those LA County logistics (Angelenos read “Pasadena” and “Torrance” in the same sentence and involuntarily cringed on the inside). It wasn’t that bad of a drive, though! It took less than an hour to actually get to the Rose Bowl and I was excited to catch acts that I’d only heard peripherally like Jay Park or that I’ve nurtured a burgeoning affection for like Audrey Nuna, who was billed for a joint set with Deb Never (a clever combination that I secretly pulled for, for like a year before they teamed up).

However, after running into a snag with parking, which was at least partially my fault, my girlfriend and I wound up running behind. Fortunately, this was the first time that the hybrid experience came in handy. While sorting out our passes, we were able to watch Audrey Nuna and Deb Never’s energetic set from my phone even as we could sort of hear their stage’s sound from just outside the Bowl. Watching them bounce around and trade sarcastic bars in their matching skate punk outfits on the stream, we still felt included, and the experience only amplified the excitement of getting in.

Once we were inside, we quick-marched to the 88rising stage to catch Jay Park. Park’s a name I’ve seen a bunch, but I’ve rarely had the opportunity to check him out and since I knew I was coming to see him in his element, so to speak, I decided it’d be fun to go in fresh. The eclecticism he exudes is genuinely fascinating to me as someone who grew up with hip-hop in the musically stratified ‘90s. My brain is wired to separate genres like rap and rock and pop into separate categories; it’s incredibly interesting to me to see how folks who grew up experiencing pop culture through a different lens synthesize those experiences and styles as if the differences were nonexistent. Park, who grew up B-boying in Seattle and spent a significant chunk of his adulthood as a K-pop trainee, has a completely different musical perspective that took me a minute to adjust to but was very enjoyable.

A fun aspect of going to festivals live is checking out all the food options. Here, because the target audience’s palates are a bit more diverse than usual, it appeared (to me, at least) that there were more interesting options than the usual pizza and fries. And while most festivals will have maybe a KBBQ bowl place or a Sweetfin pop-up, I’ve never seen squid skewers at a festival before. We opted for kalbi skewers and bulgogi bowls due to our orthodontic needs and snacked while listening to Filipino crooner Yeek from a distance. Next up was Mxmtoon, who I found charming. She reminded me of the sort of twee pop stuff that had a moment in the 2000s and 2010s, but with a bit more bite. It probably helps that her upbeat, infectiously sweet anthems are backed by chunky, four-on-the-floor, honest-to-goodness get-down beats.

The in-person drawbacks reared their heads as we left, though. Because the parking was set up on the massive golf course next to the Rose Bowl and there were few markers left to help guide attendees back to their cars in the dark, many of those heading home could be seen wandering the endless-seeming rows of vehicles with bewildered faces, doubling back, and even walking in circles trying to figure out where they parked. There weren’t too many parking attendants either, making the process to exit much more chaotic than it has been at comparable festivals like Camp Flog Gnaw.

That was something that we took into consideration on Sunday as the Drew League Championship Game wrapped up. Did we want to risk getting stuck in another situation like the one from Saturday night? Another consideration that I hate to bring up but must was the security check as we entered. You’d think that after multiple highly publicized incidents at festivals – including a fatal one less than a year ago only a 20-minute drive down the same freeway that goes to Pasadena – festival security companies would be hypervigilant about what all attendees are carrying into the fest. Considering that we were waved in without so much as a cursory glance in our bags on Saturday, I didn’t like what that assumed about the crowds or about the potential safety situation.

Which is why I loved that we could simply put the festival on via Prime Video and catch the remaining sets that we wanted to see, including Rich Brian, Raveena, and Teriyaki Boyz. Of course, we missed out on the excellent food and the shared sense of community that comes from being in the crowd rubbing shoulders with fellow fans. Experiencing it both ways, though, allowed that perspective to come through. Usually, by day two, I’m grousing about the dirt and dead foliage filling up my shoes and getting a little sunburnt from being outside all day. This time, I was able to miss the feeling of being outdoors and among crowds of like-minded individuals all looking to have a good time.

It turns out that there are pros and cons to the streaming experience, just like everything in life. Head In The Clouds is definitely a festival I’d want to visit again, but if I don’t, I know exactly what I’ll be missing out on – and what I won’t. Considering it’s still a relatively young festival, perhaps the kinks that kept me on the couch Sunday will be worked out enough to warrant hanging out in person for both days.