The Weeknd Hints At Even More To Come In The ‘After Hours’ Era

It’s been a tremendously long album cycle for The Weeknd’s After Hours. The album’s journey began when “Heartless” and “Blinding Lights” were released as singles in late November 2019, and after performing at this year’s Super Bowl, it appears The Weeknd isn’t done with After Hours just yet.

Over the weekend, The Weeknd took to Twitter to declare that he is getting in on the NFT craze with a release of his own, tweeting, “new song living in NFT space. coming soon.” Hours later, he suggested that there’s more to come in regards to After Hours, tweeting, “p.s. this chapter isn’t quite done yet …” He then added, “still tying some loose ends.”

That said, if The Weeknd was done pushing After Hours now, he will have left behind a prosperous era of which he can be proud. “Blinding Lights,” “Save Your Tears,” and “Heartless” achieved respective Billboard Hot 100 chart peaks of Nos. 1, 2, and 3, while “In Your Eyes” managed to top out at No. 13. “Blinding Lights” was the best-selling song of 2020 and it recently became the first song to ever spend a full year in the top 10 of the Hot 100; On the current chart, it sits at No. 6.

Revisit our review of After Hours here.

The Weeknd Is Boycotting The Grammys And Will No Longer Submit His Music For Consideration

The Weeknd has been abundantly clear and forthcoming about his displeasure with the Grammy Awards and the Recording Academy after his critical and commercial hit After Hours and its popular singles somehow earned no nominations for the 2021 awards. Now it looks like anything else The Weeknd makes won’t be up for consideration at future Grammy ceremonies either, but this time, it’s his choice: The Weeknd has declared that he is boycotting the Grammys.

In a statement made to The New York Times, The Weeknd said, “Because of the secret committees, I will no longer allow my label to submit my music to the Grammys.”

In response to The Weeknd’s statement, interim Recording Academy president/CEO Harvey Mason Jr. told the publication, “We’re all disappointed when anyone is upset. But I will say that we are constantly evolving. And this year, as in past years, we are going to take a hard look at how to improve our awards process, including the nomination review committees.”

In an email interview with the publication, The Weeknd’s manager, Wassim Slaiby, said he was unclear why his client didn’t earn any nominations and noted, “We were many weeks and dozens of calls in with the Grammy team around Abel’s performance right up to the day of nominations being announced. We were scratching our heads in confusion and wanted answers.”

He also said, “The Grammys should handle their legacy and clean it up to raise the bar to a level where everyone could be proud to hold up that award. This is Harvey’s chance to step up and have his legacy be the guy who got the Grammys finally right.”

Read the full New York Times feature here.

The Weeknd Isn’t Up For Any Grammys This Year, But He Just Got A Bunch Of Juno Award Nominations

The Weeknd was somehow not nominated for any Grammy Awards this year, a fact from which he says he’s moved on. So while The Weeknd won’t get any wins this weekend, the ceremony was preceded by some good news for the Canadian artist: The Juno Awards, Canada’s biggest music awards ceremony, revealed their list of 2021 nominees today. Unlike the Grammys, The Weeknd leads the pack with six nominations.

The Weeknd and his work are up for Juno Fan Choice, Single Of The Year, Album Of The Year, Artist Of The Year, Songwriter Of The Year, and Contemporary R&B Recording Of The Year. Other artists to score big include Justin Bieber, Jessie Reyez, and JP Saxe, who each have five nominations.

The ceremony is set to take place on May 16. In the meantime, check out the nominees in the major categories below and find the full list of nominees here.

Juno Fan Choice
Ali Gatie
Curtis Waters
JP Saxe
Justin Bieber
Lennon Stella
Les Cowboys Fringants
Nav
Shawn Mendes
Tate McRae
The Weeknd

Single Of The Year
“Drink About Me” — Brett Kissel
“If The World Was Ending” Feat. Julia Michaels — JP Saxe
“Intentions” Feat. Quavo — Justin Bieber
“Kissing Other People” — Lennon Stella
“Blinding Lights” — The Weeknd

Album Of The Year
You — Ali Gatie
Courage — Céline Dion
Changes — Justin Bieber
Thanks For The Dance — Leonard Cohen
After Hours — The Weeknd

Artist Of The Year
Ali Gatie
Celine Dion
Jessie Reyez
Justin Bieber
The Weeknd

Group Of The Year
Arkells
Half Moon Run
Loud Luxury
The Glorious Sons
The Reklaws

Breakthrough Artist Of The Year
Curtis Waters
JP Saxe
Powfu
Ryland James
Tate McRae

Breakthrough Group Of The Year
2Freres
Crown Lands
Manila Grey
Peach Pit
Young Bombs

Songwriter Of The Year
Alanis Morissette — “Ablaze,” “Reasons I Drink,” “Smiling”
Alessia Cara — “Hell and High Water
Jessie Reyez — “Coffin,” “Before Love Came To Kill Us,”
“Far Away,” “No One’s In The Room”
JP Saxe — “A Little Bit Yours” “Golf On TV,” “If The World Was Ending”
The Weeknd — “After Hours,” “Blinding Lights,” “Save Your Tears”

French Language Album Of The Year
A tous les vents — 2Freres
Notre-Dame-des-Sept-Douleurs — Klo Pelgag
Les antipodes — Les Cowboys Fringants
Quand la nuit tombe — Louis-Jean Cormier
Pour dejouer l’ennui — Pierre Lapointe

Rap Recording Of The Year
New Mania — 88GLAM
Baby Gravy — 2 Bbno$ & Yung Gravy Baby
Cold World — Eric Reprid
Good Intentions — Nav
Elements Vol. 1 — Tobi

Indigenous Artist Or Group Of The Year
Kîyânaw
The Ridge
North Star Calling
Nunarjua Isulinginniani

Contemporary R&B Recording Of The Year
“Before Love Came To Kill Us” — Jessie Reyez
“Where You Are” — Savannah Ré
“After Hours” — The Weeknd
“Holiday” — Tobi

Producer Of The Year
Akeel Henry
Jordon Manswell
Kaytranada
Murda Beatz
WondaGurl

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

The Weeknd’s ‘Blinding Lights’ Is The First Song To Spend A Full Year In The Top 10 Of The Hot 100

As it stands now, it seems to be Olivia Rodrigo’s world: It was just revealed that “Drivers License” is the No. 1 song on the Billboard Hot 100 chart for an eight consecutive week. Looking at the charts a different way, though, the world may actually belong to The Weeknd, as he just pulled off a spectacular feat that has never been done before.

“Blinding Lights” (which, as a reminder, was released as a single way back in November 2019), is No. 3 on the latest Hot 100, dated March 13. This is the song’s 52nd week in the top 10 of the chart, making it the first tune to ever spend a full year in the top 10. If the track can somehow remain in the top 5 spots for another 9 weeks (which doesn’t seem outlandish at this point), it’ll become the first song to spend a year in the top 5 as well. As of now, it has 43 top-5 weeks (which is a record), 52 weeks in the top 10, 58 weeks in the top 20 (which is second all-time), 61 weeks in the top 40 (tied for third all-time), and 65 weeks on the chart overall (tied for seventh-most all-time.)

Simply put, no song has ever dominated the Hot 100 quite like “Blinding Lights” has. On a bafflingly unrelated note, the 63rd Annual Grammy Awards ceremony is this weekend, where The Weeknd managed to secure exactly 0 nominations.

The Weeknd Makes More History As ‘Blinding Lights’ Crosses A Rare Streaming Milestone

The Weeknd released “Blinding Lights” as a single back in late 2019. Remarkably, it hasn’t really left the top of the charts: On the latest Hot 100 revealed on Monday, it’s still at No. 4. The song just keeps on making history and now it has passed another impressive milestone: Chart Data reports that “Blinding Lights” has eclipsed 2 billion streams on Spotify and it did so faster than any other song ever has.

As of now, only three other songs have more Spotify streams that “Blinding Lights,” and they are Ed Sheeran’s “Shape Of You” (about 2.72 billion), Post Malone and 21 Savage’s “Rockstar” (2.12 billion), and Tones And I’s “Dance Monkey” (2.1 billion). Meanwhile, The Weeknd has a handful of other songs in the list of Spotify’s 100 most streamed songs: His Daft Punk collaboration “Starboy” is 19th with 1.52 billion streams, “The Hills” is No. 75 with 1.6 billion, and “Can’t Feel My Face” is No. 91 with 1.11 billion.

Speaking of Daft Punk, The Weeknd talked about the recently disbanded duo in a newly resurfaced interview quote, saying, “Oh my God — that’s different. Those guys are one of the reasons I make music, so I can’t even compare them to other people. Their branding and how seriously they take their craft and image and everything — they’re almost not even real. But seriously, they’re very strategic, they’re very smart, and they don’t attach themselves to anything they feel isn’t right.”

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.