The PlayStation 5 is easily one of the most sought-after pieces of technology in recent memory, to the point where there are many who still have yet to secure a console months after the big release. The perceived supply issues haven’t done anything to halt the PS5’s momentum, however, as a recent report from late April claims that Sony has already sold 7.8 million consoles. And with such a sturdy baseline of consumers eager for more, Sony has deemed it time to let the fun begin with an anticipated new development.
Sony confirms that two new DualSense controller color options, Cosmic Red and Midnight Black, will be arriving in June, with release dates varying by region. Drawing inspiration from stargazing and the universe at large, the two new controllers are currently available for pre-order in the United States with a listed launch date of June 11th. As far as price, Cosmic Red is listed at $74.99, while Midnight Black is a little less at $69.99.
While it’s unclear as to whether we’ll ever see different color PS5s, designer Leo Cardoso spoke about how these new color options were inspired by the console’s design. We designed the colors around the theme of ‘galaxy’ as it felt like a natural progression from the original PS5 and accessories designs,” he states, opening the door for further intergalactic options.
Given how excited gamers have been about new DualSense colorways, don’t be surprised to see these new variants selling out quite quickly once they hit the market. It also goes without saying that Sony will continue to release new color options throughout the year, following in the footsteps of the PS4. Check out the upcoming Midnight Black and Cosmic Red PS5 controllers now, and sound off if you plan on copping one when they’re released.
New York rapper Nicki Minaj is just hours away from unloading some new music and is doing the most to get everyone’s attention. The rap game’s most popular Barbie hits up her social media pages with a jaw-dropping look at herself topless and teasing a midnight drop. Nicki Minaj goes topless in newest tease The […]
This is one of those shoes that sneakerheads have been clamoring to have back and in 2021, they are getting their wish. In the official images below, you can see the new “Lightning” retro which is covered in some nice yellow suede all while the midsole is white and grey. These shades also appear on the tongue, all while a black Jumpman logo is placed on the back heel.
Overall, it’s yet another great Air Jordan 4 that will certainly excite some longtime sneakerheads. As for the release date, these were originally planned for August 7th although now, they have been delayed three weeks until August 28th. Let us know what you think of this release, in the comments below.
Comedians Chris Rock and Chris Farley were great friends in the 90’s having worked together for seven years on “Saturday Night Live.” In a new interview for Esquire’s “Explain This,” Rock recalled the last time he saw his friend, and admitted that he knew he didn’t have long to live.
Rock went on to tell the story behind an old photo of himself, Adam Sandler, Farley, and David Spade at Rock’s “Bring The Pain” comedy tour. They were in Los Angeles and Rock said it was one of the last times he saw Farley alive.
“This looks like one of the last times I saw Chris alive,” Rock said. “I would see him one more time when I did a gig in Chicago. We tried to hang out afterwards, but… I don’t know if you’ve ever really hung out with an addict. Towards the end, anything that isn’t the drug is a chore.”
He said their last night together was at Farley’s apartment, and when he was leaving he knew it was probably the last time he was going to see him. “He was showing me his apartment. I leave, I see him out the window, and I was like, ‘That’s probably the last time I’m going to see him.’ I knew,” he said.
Following years of drug and alcohol addiction, Farley died of a morphine and cocaine overdose in December of 1997.
Chris Rock, Adam Sandler and David Spade remain close friends to this day. “We’re friends to this day. I love those guys,” Rock added.
In a recent interview with Sky Sports, boxing promoter Eddie Heard claimed that this fight is actually going to take place on August 14th and it will go down in Saudi Arabia. Perhaps the craziest part of all of this is that a stadium is going to be built specifically for the event, which is certainly going to make an impression on fans.
Tristan Fewings/Getty Images for JD
“They want to build a new stadium,” Hearn said. “They have indoors options. In August at 11pm it will be about 23 degrees. They want to create something very, very special. Last time they built a stadium for the Andy Ruiz Jr fight in just seven weeks and it held 18,000. “This will be a similar set-up.”
There has been a lot of back and forth between Fury and Joshua over the last year, and fans have been eager to see what these two will do. With this in mind, give us your fight predictions, in the comments below.
Less than two full months later, Internet Money’s next single has finally arrived, and the highly anticipated “His & Hers” comes stacked with huge features from Don Toliver, Lil Uzi Vert, and Gunna.
The melodic single features Don Toliver, Gunna, and Lil Uzi Vert flexing their wealth, drugs, and guns, and Don’s earworm of a hook is easily the most recognizable early highlight. Check out Internet Money’s new single “His & Hers” below, and stay on the lookout for its forthcoming Cole Bennett-directed music video.
Quotable Lyrics
I was born up in the nineties (Ayy), swag came from the eighties (Yeah, Lil Uzi) I was sweatin’ (Ayy), she on fire, we hot like it’s Haiti (Ayy) And you know I stay with bands on me like my name Katie (What?) So much smoke coming out my blunt, it looked like I was vaping (Yeah)
Over the years, Jay-Z’s Roc Nation has branched out into a number of industries outside the expected range of an ostensible rap label. There’s a school of entertainment management, book publishing arm, and a social justice initiative already, but Roc Nation isn’t stopping there. The latest move is a bit of a surprising one; Roc Nation announced today that it is partnering with American Greetings to release its own line of greeting cards.
The line will include traditional paper cards and digital e-cards featuring personalized messages and custom lyrics from artists like Dolly Parton, Donny Osmond, Michael Bolton, Shaq, and Smokey Robinson. It will also include “SmashUps,” although details on what those entail are scant for the moment.
Roc Nation president of business operations Brett Yormark told Billboard about the collaboration, explaining, “When we were introduced to the leaders at American Greetings and began discussing the idea of customized greetings, both on behalf of Roc Nation and its artists, we felt like it was a natural fit. It is an unexpected category that in many respects, given the breadth and depth of our talent, gave us a [different] way to reach new audiences.”
The partnership will begin with digital cards and eventually expand into physical cards in stores.
In 1997, the world was introduced to Missy Elliott by way of her dynamite debut, Supa Dupa Fly. This energetic inauguration was bolstered by the title track’s music video plus several more popular songs and clips, all of which cemented a now well-known brand of refreshingly off-kilter energy. When everyone zigged, Missy zagged, and this change of pace made her a bona fide star. However, her second studio album, 1999’s Da Real World, seemingly fell by the wayside. Though it was not without hit singles like “She’s A Bitch” and “Hot Boyz,” Missy believed that her sophomore effort “could have done a lot better.” (The lukewarm reaction could possibly be due to the shift of mainstream attention to other female rappers at the time, as Foxy Brown and Eve both released chart-topping albums that same year.) So with her next offering, Missy went to work, making sure she was seen, heard, and felt like never before. Enter here, Miss E… So Addictive.
Released May 15, 2001, the 16-track effort solidified the Virginia-reppin’ artist as an artistic force to be reckoned with. The multi-hyphenate once again teamed up with fellow VA native Timbaland for the platinum-selling LP, which implements the best of many musical worlds. As she declares on the “So Addictive (Intro),” “Me and Timbaland gonna give ya shit ya never heard before,” and they don’t disappoint. Miss E shows Misdemeanor’s across-the-board influences and Tim’s arsenal of universally attractive sounds, proving why the talented twosome led the front of rap’s experimental wave.
Tim ditches the robo-heavy rhythms found on Missy’s first two albums for a new palette of internationally alluring sonics, like bedroom-ready R&B (the Ginuwine collab “Take Away”) and Caribbean-spiced vibes (“Watcha Gonna Do”). Far East inspiration catapults the one-two punch of “Lick Shots” and the bhangra-inspired “Get Ur Freak On” to new heights, while the funky, Method Man and Redman-assisted “Dog In Heat” and skating rink-ready “Old School Joint” blend throwback stylings with new school flavor, resulting in influential, turn-of-the-century hip-hop that few producer-artist teams have emulated or surpassed.
Aside from impressively crafted instrumentals, Miss E harps heavily on themes of reciprocal sex and female pleasure, subjects Missy hasn’t dodged in the decades since. (Moment of appreciation for the “elephant trunk” reference in “Work It” and the choral coital coos of “Pass That Dutch.”) For one of the first times on wax, Missy’s animated side takes a slight backseat during Miss E in order to showcase her human side’s physical wants and needs.
From teasing a euphoric, romance-filled evening in the R&B jam “X-Tasy” to affirming her role in a hot and heavy night during the Grammy-winning “Scream AKA Itchin’” (“Lay on the bed he follow, bone him until to-morrah, Make him sing high sopran-ah”), Missy uses her sexuality as empowerment. The project’s features also show the dichotomy of how female MCs, in particular, wield their sensuality; while her verse is not in the album version of “One Minute Man,” Trina’s deliciously raunchy rhymes in its music video further display women’s craving for physical intimacy, and how the vocality and visibility of those desires are equal parts authoritative and arousing. (Additionally, Missy’s alliances with Eve, Da Brat, and Missy proteges Lil Mo and Tweet on Miss E continue her career’s crusade towards stronger camaraderie and tolerance between women in music, an effort which culminated in the 2001 Grammy-winning revamp of “Lady Marmalade,” which Missy produced and co-wrote.)
What else is “so addictive” about Miss E? It’s that it’s undeniably Missy. She takes permanent ink to the project and its corresponding content and definitively underlines her individuality and multidimensionality. “One Minute Man” is as bold and slinky as it is colorful, while the unconventional approach to crafting “Get Ur Freak On” both sonically and visually allowed Missy to let her freak flag fly high, ultimately changing the cultural tides. She also sings in pockets of the LP; while she’s no Mariah, she’s no one-trick pony either, and tying in her love of hip-hop and R&B adds another hint of je ne sais quoi to her recipe.
Missy told VIBE shortly before the release of the album, “I just wanted to cross the border with [Miss E… So Addictive]… I wanted to do what everybody else is scared to do.” That goal was hit, as Keith Harris wrote for Blender that “Missy’s inner bitch is back, but she has grown into her lusty swagger,” and The Guardian’s Alexis Petridis said the “brilliantly realized” project “is further evidence of Elliott’s… desire to change the rules entirely. It’s an album that sets its own agenda and sounds like nothing else in hip-hop: an incomparable achievement.”
Thanks to declarations of her unabashed, untouchable originality, energetic displays of sexual prowess and femininity, and game-changing beats supplied by her go-to guy Timothy Mosley, Miss E… So Addictive finds Missy Elliott taking ownership of herself and the differences she brought to the table. Instead of staying in the lines, she honed in on her knack for coloring outside of them. Through all aspects of her work, she shows the importance of being comfortable in the skin you’re in, and this album in particular proves that Missy Elliott is perfectly fine with being crazy, kooky, mysterious, spooky, and eons ahead of her time.
Missy Elliott is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
With the recent rise of NFTs in the music industry and interest in cryptocurrency, an international festival looking to join the trend. Serbia’s Exit Music Festival is returning this summer, and fans now have the option to buy their passes with Bitcoin.
The process of purchasing a ticket with Bitcoin is fairly similar to paying with a credit card. Once festivalgoers select the items they want to purchase on Exit’s website, they will see an option to “Pay with Bitcoin.” They’ll get a QR code to scan their Bitcoin App and will receive their tickets once the payment has been transferred and confirmed on the Bitcoin network.
Exit is currently slated to be one of the first large-scale international music festivals to return this year. It takes place from July 8-11 at the Petrovaradin Fortress in Novi Sad, Serbia and it’s lineup includes artists and DJs like David Guetta, DJ Snake, Tyga, Nina Kraviz, Sheck Wes, and more.
In a statement about the decision to begin accepting Bitcoin, Exit festival CEO and founder Dusan Kovacevic said they want to be at the cutting-edge of technology. “The potential of blockchain, digital exchange and currency is exciting and we wanted to make sure we are at the forefront and are utilizing new technologies and able to engage with our tech savvy audience as technology evolves and changes.”
Tickets to Exit Festival are on sale now. Get them here.
DMX’s death continues to weigh heavy on the hearts of many of his fans and collaborators, including Swizz Beatz, who was heavily involved in the creation of X’s posthumous Exodus album. With the anticipated project due for release on May 28th, complete with guest appearances from Lil Wayne, Conway The Machine, Westside Gunn, Benny The Butcher, Snoop Dogg, and Bono, Swizz Beatz took a moment to reflect on one of the final songs he worked on with his longtime creative partner.
Speaking with Rap-Up, Swizzy opened up about the creation of “Been To War,” the French Montana-assisted anthem from the Godfather Of Harlem season 2 soundtrack. “I actually made that record for X, and wanted that record for X, but then we was coming with the show,” he explains. “And so it was like, ‘you know what, it’s perfect. Yeah, that might’ve been the last one.”
Johnny Nunez/Getty Images
“He sent it to me and he was just so excited to be included in Godfather of Harlem again, beyond the theme song,” continues Swizz, alluding to DMX’s . “And he just was like, I’m going to get it. Cause he was taking a little long to finish the verse because he was traveling. And then he called me and he was just like, ‘I’m on it. I’m going to the studio and I’ll have it to you by tomorrow.'”
“He had it to me the next day,” says Swizz. “And I thought it was super fresh and he just was super appreciative, ’cause he was a big fan of Forest [Whitaker]. Big fan of Godfather and it’s something he actually had fun doing.”
Though it’s likely that Swizz will have contributed to Exodus, it would appear that “Been To War” was, at least chronologically speaking, their final collaboration. Should you be interested in hearing that one, you can check it out right here. For more from Swizz Beatz, check out his conversation with Rap-Up right here. Are you excited to hear the album that X was working on prior to his death?
