DJ Premier and Snoop Dogg really do not need introductions at this point in their respective careers. Both have defined the West Coast and Southern hip-hop sounds for decades, delivering classics on classics. Even better, these two are still consistently pumping out new material as well. The last time we spoke about new Snoop was for the 30th anniversary of his legendary debut Doggystyle. He has also been active with the singles and features, with his assist on Benny The Butcher’s Everybody Can’t Go a standout.
For Mr. Premier he has put out some records with “Work This Out” being his most recent. That is, until DJ Premier and Snoop Dogg linked for “Can U Dig That?” This is not the first time these two greats have hit the booth together though. Funny enough, their most recent collaboration was actually on a Russ track “Free” which landed on CHOMP 2.”
Listen To “Can U Dig That?” By DJ Premier & Snoop Dogg
Premier brings his trademarked disc scratches to the table and Snoop delivers his signature laid back delivery. It is a smooth and relaxing summer jam that delivers all the vibes. The rapper hyped up the record on his Instagram hours ago, saying, “Can u dig that?? Out everywhere now. Good lookn @djpremier.” Good looking indeed! Be sure to check out the track above.
What are your thoughts on this brand-new single “Can U Dig That?” by Snoop Dogg and DJ Premier? Is this one of DJ’s better releases as of late, why or why not? Do you think a new album is on the way from the producer? What was your favorite element of the track and why? We would like to hear what you have to say, so be sure to leave your takes in the comments section. Additionally, always keep it locked in with HNHH for all of the latest news surrounding Snoop Dogg and DJ Premier. Finally, stay with us for the most informative song posts throughout the week.
Quotable Lyrics:
Dice games and dominoes Presidential Obama flows (Flows) Rivers drip with tadpoles (What?) Night clubs with bad h**s (Ooh) Neighborhoods with liquor stores And foes and baggy clothes
ScHoolboy Q is in his Pablo era. He says as much on the Freddie Gibbs-assisted, “oHio” from his latest album, Blue Lips. “Lookin’ at my life, think he Pablo/ Y’all poor,” he raps on the hook. Pablo Escobar might be a played-out reference at this point, especially as a hyperbolic benchmark of power and wealth. But ScHoolboy Q has a way of skewing the norm into a distinct portrayal of his growth and by extension, how the world around him has evolved. In this particular instance, it’s less to do with the accumulation of wealth but rather, what it’s afforded him: a sense of tranquility. As a result, ScHoolBoy Q delivers one of his strongest bodies of work with Blue Lips.
The 18-song album contains everything that CrasH Talklacked – personality, depth, and a sense of purpose. At a time when the music industry was in a major overhaul as streaming continued dominating and platforms like Triller and TikTok directed the algorithm, ScHoolboy Q found himself trying to figure how where he fit into the puzzle. He explained to Zane Lowe that CrasH Talk captured his life after the success. In a lot of ways, it felt like a long-delayed sophomore slump in his career.
Blue Lips often feels like a volatile journey with unexpected twists and turns, thanks to the excellent sequencing. Beat switches and song transitions can often feel abrupt but the abrasiveness accentuates each moment. Through this, Q’s range takes heed uninterrupted. “THank God 4 Me,” produced by Kal Banx and initially teased during the producer’s Boiler Room set, opens up with a warm, tranquil flute, accented by gentle guitar strings before switching gears entirely into an abrasive banger that surrounds self-love in a way that only Q could deliver. It’s a commonality across the album that initially feels like jumbled concepts thrown into a blender. There’s a method to the chaos that lets the cohesion unfold organically, especially in ScHoolboy’s delivery. Q compartmentalizes each flow into concentrated moments across the album. It makes each sonic shift, each flow hit harder than the last.
“Love Birds,” for instance, finds Lance Skiiwalker reflecting on the shortcomings of a relationship but Q bursts through with debaucherous brags about a “house full of whores.” Then, there are songs like “Foux” with Ab-Soul. Over fevered jazz percussion, the two deliver another successor to the “Druggies Wit Hoes” series that deviates further from the hedonistic drug-fueled sexcapades that he and Ab-Soul once indulged in. Instead, “Foux” focuses on a void in their lives that can’t be fixed by copious amounts of substances, even with strides in their personal and professional careers.
Finding Hope
The concept of embracing change appears across the album, largely in juxtaposition with pivotal life moments that shaped him. However, the ultimate takeaway is that his worth was never rooted in material possessions but rather, the purity of his intentions. Even the moments where he’s bragging about Presidential Rolexes or foreign cars aren’t necessarily flexes. They are reminders of where it all began and the strides he’s made. It’s a noticeable shift from his mindset on his early albums which felt clouded by despondence.
But on Blue Lips, an album that arrives a decade after his major label debut Oxymoron, ScHoolboy Q finds a sense of hope that only came as he became more removed from the streets. Songs like “Blue Slides” and “Cooties,” specifically, allow a heightened sense of introspection to thrive within questions of existentialism. The former finds Q ruminating on the inevitable outcome of the streets but also, how the pressures of fame manifest in tragedy, whether it be the loss of Mac Miller or the public’s attitude towards mental health, specifically in the case of Ye.
“Cooties” encompasses the other side of the coin — Q is awestruck at marijuana-scented mansions in the Hills and his growth from “being trapped from all the things that you build” – yet he’s still affected by the same anxieties that the average American face. Though he’s never been one to be overtly political, Blue Lips does shed light on his outlook on governmental bodies, including Kamala Harris’ criminal justice record, and the dire threats to the next generation. “Mass shootings, when will they stop it? Hmm another kid gone for unlimited profits,” he raps on “Cooties.” “Rather keep my kid home, before you fuck up the process.”
This consciousness of purpose and self-awareness makes ScHoolboy Q’s latest album such a refreshing entry in his catalog. Sure, the nihilism of gangster rap is pervasive on stand-outs like the hardcore-influenced “Pop” ft. Rico Nasty captures the rugged West Coast skater culture or the militant aggression of “Lost Times” and “Pig feet.” However, there’s a levity to his voice, writing, and attitude toward the world, even when he’s tapped into his most ruthless form.
While albums like Setbacks and Habits & Contradictions captured the numerous adversities he faced with an aloof tone, Blue Lips looks back at those moments as learning curves. The latter half of the project starts unraveling this album’s theme with more clarity. Songs like “germany ‘86” find Q returning to his birthplace. Through this, he details his mother’s return to Hoover after serving her country, only to be thrown to the wolves. It’s here where Q acknowledges that, despite how the women in his life tried to deter him from the streets, it was an inevitable outcome. The environment in which he grew up, regardless of whether he jumped off the porch, would’ve forced him to grow up far too quickly.
Conclusion
There’s a reason why an artist like ScHoolboy Q could wait five years before releasing another album. It’s a luxury that very few artists are afforded, no matter the medium. Blue Lips stands as ScHoolboy Q’s most ambitious album to date, one that pushes the boundaries that he set for himself. With a bit of clarity and ambition, the follow-up to CrasH Talk is a much more gratifying listen that encompasses a level of depth that we haven’t heard from ScHoolboy Q in the past. He’s at peace with himself but more importantly, comfortable in the mental space that he currently occupies.
In the ever-evolving landscape of hip-hop, emerging artists are constantly stepping into the spotlight. One such rising star who’s been making waves is K2icyy. His latest release, “In Line” featuring Zoe Osama, is solidifying his place in the industry and showcases his growth as an artist. The single was initially released as part of K2icyy’s 2023 EP Talk To Me. And now, due to the surging popularity of the song, he has recruited South Central‘s Zoe Osama for the remix and video. It’s inevitable that K2icyy creates music that resonates with the masses. “In Line” for example is not just a catchy tune. It serves a testament to K2icyy’s innate talent and his ability to connect with his audience on a new level.
The track has already gained substantial traction across social media platforms, with fans and influencers alike praising the infectious beats and clever lyricism. K2icyy has been grinding for a few years now, starting his music journey while in high school. Specifically, he mentions that it was during the Covid-19 pandemic and isolation where he got a chance to delve into his passion for music. Through his music, he learned to channel his emotions and experiences into creating something meaningful.
Moreover, K2icyy’s ability to transform adversity into art is a testament to his resilience and dedication to his craft. The pandemic, which disrupted lives globally, became a catalyst for K2icyy to invest time and effort into honing his skills. This dedication not only allowed him to elevate his own artistry but also served as a source of inspiration for his peers navigating through difficult times. However, he’s definitely in his own lane and is proving to be someone to watch this year.
Collaborating with Zoe Osama on “In Line” adds another layer of dynamism to the track. Zoe Osama, a rising talent hailing from South Los Angeles, has already made a mark in the industry with his song “Underrated.” The remix of the track features heavyweights like E-40, Snoop Dogg, and Moneysign Suede, showcasing Zoe Osama’s ability to attract established names to his orbit. “In Line” seamlessly blends the raw energy of K2icyy with the established presence of Zoe Osama, creating a synergy that resonates with listeners across diverse musical tastes. The collaboration is a testament to the genre’s ability to transcend boundaries. Let us know what you think of the track on HNHH!
It’s been 31 years since Dr. Dre dropped the project that was The Chronic, a groundbreaking album that not only marked the inception of the G-Funk era. But also propelled the careers of hip-hop legends like Snoop Dogg, Lady of Rage, Daz Dillinger, Nate Dogg, Kurupt, and more. As fans around the world celebrated the album’s anniversary on December 15, one voice rose above the nostalgic cheers with a tone of discontent. Daz Dillinger, a significant contributor to The Chronic with his work on tracks such as “B***es Ain’t S***,” “The Day The N***** Took Over,” “The Roach (Outro),” and “Deeez Nuuuts,” took to Instagram to air his grievances against Dr. Dre and Interscope Records. In a fiery post, Daz Dillinger called out the iconic producer and the record label, accusing them of withholding rightful payments.
The West Coast rap scene, characterized by its gritty narratives and unfiltered authenticity, is no stranger to controversies. Daz Dillinger’s public outcry adds another layer to the complex history of Death Row Records, a label that itself has been marred with financial disputes and legal battles. In an IG post, he wrote, “HAPPY 31st C DAY TO THE CHRONIC @drdre BUT WHEN CAN WE RECEIVE OUR ROYALITIES ARE YOU OR @interscope GONE ROBB US LIKE @deathrowrecords 2024. & THE N***** FROM THE PAST WHO RAN IT str8 B**chez FUCEM REMEMBER DAZ COPYRIGHT REVERSIONS LAW IZ FILED I WANT % not points SO YALL ON A TIME LIMIT 4MORE YRS TIL IT REVERTS BAC THEN ITS REALLY LIKE FU**EM I AINT CLEARING S*** up IM COMIN.”
In the Instagram post, Daz didn’t mince words, questioning Dr. Dre’s business practices. And he drew parallels to the notorious Death Row Records era. He raised the specter of financial exploitation, asking if Dr. Dre intended to replicate the same alleged mistreatment that artists endured during the tumultuous Death Row days. “The Chronic” not only solidified Dr. Dre’s status as a hip-hop maestro but also laid the foundation for the entire West Coast hip-hop movement. It’s disheartening to witness one of the key contributors expressing dissatisfaction over compensation. Especially on an occasion meant for celebration.
The allegations pose questions about the intricate web of royalty distribution and financial dealings within the music industry. Daz Dillinger, known for his unapologetic lyrics and bold personality, has ignited a conversation. He sparked discussion about the treatment of artists, their creative contributions, and the compensation they receive in return. As fans, we find ourselves at a crossroads between nostalgia for the golden era of West Coast hip-hop and the harsh realities of the music business. Only time will reveal the true extent of the grievances voiced by Daz Dillinger, and whether his public call-out sparks a larger dialogue about the often opaque world of artist compensation in the rap game.
In the fast-paced realm of hip-hop, one name has been making waves and turning heads: 310babii. The LA-based rapper, whose meteoric rise began this summer with the viral hit “Soak City,” has become a force to be reckoned with. He sat down with HotNewHipHop to give an inside look into his journey, dreams, and the whirlwind of experiences that have defined his career so far. Moreover, all while still attending his high school classes.
As a high school senior, 310babii is living the dream he always wanted—to be a rapper. What started as a personal aspiration has quickly evolved into a full-fledged musical journey. His friends are riding shotgun as his biggest supporters. The excitement around 310babii is magnetic, and it’s not hard to see why. Drawing inspiration from heavyweights like Lil Yachty, Chief Keef, Gucci, and Drake, 310babii’s music is still uniquely his own. The dream collaboration? None other than Lil Yachty himself. In this exclusive interview, he opens up about the influences that have shaped his distinctive sound and teases what fans can expect from his upcoming releases, including a highly-anticipated album.
However, 310babii’s journey took an unexpected turn when his breakout hit “Soak City” caught fire, catapulting him into the spotlight. The track’s remix, featuring heavy-hitters Blueface, Tyga, Mustard, OhGeesy, and BlueBucksClan, and further solidified his position as someone to watch. The collaboration with these prominent West Coast rappers is a testament to 310babii’s rapid ascent and undeniable talent. With an album in the works and surprises up his sleeve, 310babii is set to disrupt the hip-hop scene in ways unimaginable just months ago.
Read the full interview below as 310babii shares his reflections on a reality that has transformed from distant dreams into a whole new dimension. Moreover, with a show scheduled at The Roxy on December 30th (also happens to coincide with his 18th birthday), this LA prodigy is gearing up to deliver an unforgettable experience for fans and cement his status as the next big thing in hip-hop.
This interview has been edited and condensed for clarity.
HNHH: For those who are just getting familiar with 310babii, how would you describe and introduce yourself?
310babii: I would say I’m a young new artist, but I’m different and unique. I’m a breath of fresh air. I’m bringing a new flavor to the rap game that hasn’t been showcased. It’s never been any light shed on my type of style or sound. Bringing something different to the game.
I love that perspective. You obviously have a single right now that’s getting a lot of attention and there’s light being shed on it. What was your reaction to “Soak City,” making noise?
It was so much all at one time it didn’t feel real. After a while it was just exciting for what’s to come. TikTok!
That’s definitely exciting! How do you balance all of this being a senior in highschool and did you know you wanted to pursue music?
Yeah. That wasn’t the only thing I wanted to do, but I knew that was a step in it.
What’s been the reaction from your friends and family?
Friends are excited for me. And there hasn’t been any changes. But now I’m showing kids who are the same age as me that it’s possible. It’s possible to make some type of noise from where we come from.
Where does your inspiration come from?
I watch other artists. And I know I can do it too. I pull things from some of my favorite artists and see what I can come up with. Like a good plan.
Who are some of those artists?
Lil Yachty, Chief Keef, Gucci, and Drake. Lil Yachty is my dream collab.
What’s in the works for you right now? What can we be on the lookout for?
More singles! And definitely an album coming soon.
Anyone special on the album that can possibly be a feature?
Yeah I do. But I wanna roll it out the right way and surprise everybody.
Who are some people in LA who have supported you? Any West Coast artists who have showed love?
Tyga, OhGeesy, and BlueBucksClan. It was a little game they gave me. They just told me just being myself and staying true to myself. The whole city rootin’ behind me.
You linked up with Luh Tyler for a song together called “Walk,” and got a chance to perform it at Complex Con! How was that? And what’s the vibe like in the studio together?
It was fun and crazy. My manager knew his manager. I’d work with him again. We haven’t been in the actual studio together yet.
What’s some of your goals for the new year? And how do you plan on ending off the year?
Honestly, I just wanna keep working. I don’t have any specific goals. Just keep working and staying hungry. I’m focused on dropping my album and all I’m looking forward to. I’m in a whole different reality with music. Things that used to be problems for me aren’t problems anymore. Now I got like, champagne problems. Certain things that I would think about 4 months ago, I don’t even care about no more. It’s like I’m in a whole different reality. The industry is like a whole different dimension. I’m living life, and having fun. Everything is music. And it’s lit.
Moneybagg Yo has been dealing with a tumultuous tour this year. He set sail this summer for his solo album, Hard To Love. One of the first hiccups the hitmaker had to deal with was the canceled shows due to low ticket sales. People were obviously frustrated, but some were also criticizing him and dishing out some humble pie. One person on Twitter ranted, “These street rappers got no substance in they music. nobody tryn see them walk back and forth in stage for an hour.”
If that was not enough, one of Moneybagg’s shows was shut down. This time it was out of his control as fire marshals stepped in before the concert could get underway. Due to overcapacity within a closed-in environment, safety came first. While it was disappointing for both Moneybagg and the fans, it may have been the right decision. People have been poking fun at the rapper for this rough outing. This time though, his Denver tour stop was over early due to a health scare.
According to HipHopDX, the medical emergency is still unspecified at this point. Denver was another city that was dealing with a lot of alterations. It was rescheduled from August 29 to yesterday. Then, the rapper was an hour late. Then, because of this health concern, Moneybagg only was onstage for a half hour. He took to his Instagram to clear it up as there was a photo of him connected to wires. Additionally, he had this to say to his fans, “Denver I apologize dat I had to shorten the show. Y’all just don’t kno wat I went through to make it happen tonight.” Hopefully, we hear what it was soon. We are wishing him a speedy recovery. He is slated to perform in Los Angeles, but there is no word if he will make it there tonight.
What are your initial thoughts on Moneybagg Yo canceling the Denver tour stop last night due to health concerns? Do you think he will reschedule the show once more, or will he refund the fans? Has this been one of the more disastrous tours in the last couple of years? We would like to hear what you have to say about all of this. With that in mind, be sure to leave all of your hottest takes in the comments section below. Additionally, always keep it locked in with HNHH for all of the latest breaking news around Moneybagg Yo. Furthermore, stay with us for everything else going on around the music world.
West Coast veteran MC, Kamaiyah is always bringing some bouncy and enjoyable grooves. Honestly, it is quite surprising that that the Oakland, California native has only been in the game for about seven years now. That is probably because she has a lot of projects out for everyone’s listening pleasure. In fact, she is up to double digits now with her latest album.
Kamaiyah is back with her second project of the year with Another Summer Night. Her first output came as a collaborative LP. She teamed up with underground talent Jay Worthy and producing legend Harry Fraud. Jay also makes another appearance with Kamaiyah on the opening track, “Raining Game in California.”
He is not the only other artist that lands on this tape. Kamayah also recruits 03 Greedo (twice) and Hott Boy Zay. It is a 17-track effort that lasts over 41 minutes. You can stream the record on your favorite DSPs, like Spotify and Apple Music. Check out the links above.
What are your initial thoughts on this brand-new album from Kamaiyah, Another Summer Night? Where does this album rank among the rest of her discography? Which songs are you liking the most so far from it? We would like to hear what you have to say about all of this. With that in mind, be sure to leave all of your hottest takes in the comments section below. Additionally, always keep it locked in with HNHH for all of the latest breaking news around Kamaiyah, as well as all of the best album drops.
In a resounding testament to his lyrical abilities and commitment to shedding light on pressing issues, Mozzy has recently dropped a new track titled “Free Juju,” accompanied by a visually stunning music video. The release comes at a time when the Sacramento-based rapper continues to cement his status as one of the most influential voices in the rap game, known for his raw storytelling and unapologetic authenticity. “Free Juju” is definitely a banger, and advocates for the release of his brother.
“Free Juju” arrives as a poignant commentary on the challenges faced by those ensnared in the criminal justice system, addressing the struggles of a close friend, Juju. The track serves as both a tribute to resilience and a call for justice, with Mozzy’s signature gritty delivery amplifying the urgency of the message. “Free Lil Ju, that’s on the Woop, I wish they gave him bail I would’ve been grabbed him,” Mozzy raps on the track.
The accompanying music video elevates the impact of “Free Juju” by providing a vivid visual narrative. Directed with precision, the video takes viewers on a cinematic journey, immersing them in the harsh realities depicted in Mozzy’s lyrics. “How you blow up and ain’t check on the hood? That could never be me Blew the Interscope check on the hood,” Mozzy raps on the beat. Moreover, through compelling storytelling and powerful imagery, the video captures the essence of the song, enhancing the listener’s experience and deepening their connection to the narrative.
Furthermore, Mozzy’s commitment to addressing social issues through his music is nothing new, as he consistently uses his platform to shed light on systemic problems and advocate for change. “Free Juju” follows in the footsteps of his previous socially conscious releases, further solidifying Mozzy’s reputation as an artist unafraid to tackle the tough subjects that resonate with his audience. As fans and critics alike embrace “Free Juju,” Mozzy once again proves that he is not only a master storyteller but also a cultural force who uses his art to effect change.
Quotable Lyrics:
Ain’t going back to that cell Still winning when I add up these L’s To the neck ’cause I won’t rat on myself It was days I was hurting, but my pride wouldn’t let me ask you for help High-speeding, do the dash in a dell That wasn’t even our load Since you know me, name a time when I froze
Oct. 15th, 2023 marked the 10th anniversary of Dom Kennedy’s second studio album, Get Home Safely via The Other Peoples Money Company. The Futuristiks and DrewByrd served as the album’s primary producers, along with DJ Mustard, DJ Khalil, and more. It followed Kennedy’s 2011 debut, From the Westside With Love II, which established him as a major name within the LA rap scene.
While it serves as his most celebrated release to date, Get Home Safely marked a significant milestone in a thriving West Coast scene during the 2010s. It also signified a shift in a post-blog-era world where rappers could flourish independently. Today, we revisit Dom Kennedy’s Get Home Safely for its 10th anniversary.
Get Home Safely is arguably Dom Kennedy’s magnum opus. Not only does the music speak for itself, but the album’s critical and commercial success attests to its legacy. It debuted at No. 3 on the Billboard US Rap chart and it is also Kennedy’s highest selling album. Dom moved over 10,000 copies in the album’s first week.
Get Home Safely painted a vivid portrait of LA culture from the perspective of Dom Kenned. His cool, calm, and collected flow encapsulates the unfiltered everyday life in the City of Angels like in “Let’s Be Friends” and “After School.” Then, there are records like “Black Bentleys” that capture Dom tapping into his full songwriting potential as he reflects on the humble beginnings that shaped his career. It’s the honesty, authenticity, and pensiveness across this album that defined Kennedy’s legacy.
Ahead of its release, Dom Kennedy expressed to HipHopDX that Get Home Safely was the album he always wanted to make. He had gone on his first global tour and aspired towards “leaving a real legacy.” Ten years later, it appears that Get Home Safely did just that.
By 2013, the West Coast was experiencing a renaissance of rising talent. Los Angeles bloomed with collectives like Odd Future, TDE, and Pac Div. Meanwhile, artists like Casey Veggies, Vince Staples, and YG also helped usher in a new era for the West Coast. Like many of these emerging acts, Dom Kennedy was in his own lane, carving out his own niche while championing the West Coast. More importantly, Kennedy waved the flag for independence with The Other Peoples Money Company while many of his peers began signing with the majors.
Features on From the Westside With Love II came from all over America, but Get Home Safely was strictly a West Coast affair. Respected legends like Krondon of Strong Arm Steady appeared on the album, but it also spotlighted the wave of buzzing artists in LA’s hip-hop scene. Nipsey Hussle and Ty Dolla $ign featured on Get Home Safely; both of whom eventually became stars in their own right. Additionally, rappers Skeme and TeeFLii contributed verses, making the album a glimpse into LA rap’s bright future. On his second studio album, Dom Kennedy was at the helm of introducing the next generation of west coast hip hop. Simultaneously, he was setting an example for independent success.
Tyga and YG, the beloved West Coast duo, are inching closer to the highly anticipated release of their collaborative project. To the delight of fans, they dropped a surprise on social media today by unveiling the tracklist for Hit Me When U Leave The Klub: The Playlist. This tracklist boasts a total of 14 songs, creating excitement and anticipation among their dedicated fanbase. What makes this project even more thrilling is the lineup of impressive guest appearances from heavy-hitters, intensifying the anticipation surrounding its release.
Among these featured heavyweights are none other than Lil Wayne, Busta Rhymes, and the exceptionally talented Blxst. This upcoming offering promises a star-studded experience. Tyga and YG have been teasing this project for a while now, starting the year with previous collaboratinos. Some of the music they’ve put out together this year includes the upbeat hit “West Coast Weekend” featuring Blxst. Just a week later, they followed it up with the catchy track “PLATINUM.” Their third collaboration of the year, “PARTy T1M3,” just dropped last month, further showcasing their versatility.
Although the new project is due this week, fans couldn’t help but mention their disappointment over their tour being cancelled. Initially, the duo had multiple tour dates lined up for their Str8 to the Klub Tour alongside Saweetie. It was set to span from September 21 to November 22, with stops planned in California, Washington, Colorado, Oregon, and Nevada. However, it’s apparent the tour is no longer taking place, as the ticket links for each event indicate that the show has either been canceled or rescheduled.
The fans’ disappointment was expressed via IG comments. “LOVE IT ! Buttttt can we get an explanation as to why the tour is canceled,” one user wrote underneath the tracklist announcment post. “We are ready!!!! Wish we could have seen yall on tour!!” another said. Nevertheless, despite the setback of the tour, their dedicated supporters are still eagerly counting down the days to the release of Hit Me When U Leave The Klub: The Playlist. “Hopefully after this collab project is out of the way we can get a new solo Tyga project!! But this project should hold us over until then,” someone commented. “This n***a be dropping bangers from back in da dayzz till now,” another wrote. Stay tuned on HNHH for the project dropping this week, Sept. 29.
