Rick Ross is a professional troll. Of all the rappers involved in the Drake battle, Rozay was the one who seemed like he was having the most fun. The Game tried to capitalize on Ross’ propensity for beef by dropping a diss song, but the MMG honcho laughed it off. He refused to engage The Game on record, forcing the beef to come to an end before it even started. Or so we thought. The Game ran into some severe legal troubles on July 10, and Ross couldn’t resist but throw a few digs his opponent’s way.
The Game was sued for sexual battery by Priscilla Rainey in 2016. The rapper refused to show up in court, however, which led to him losing said lawsuit. Rainey then filed a second lawsuit against Game, claiming he’d been using shell companies to avoid making payments. She won that one too. The losses have been so significant that Rainey plans to seize The Game’s house as part of judgment she’s owed. AllHipHop broke the news, and Rick Ross posted the article on his Instagram Story. He then posted a screenshot in which he dropped the article in The Game’s DMs.
Needless to say, The Game didn’t appreciate the roasting. He responded to Ross by going after the rapper’s weight. “Even if I lost my house, which I’m not,” The Game wrote. “You still gonna be a fat b*tch n**ga! That Ozempic gone kill you before the twinkies do h*e a*s n**ga.” In typical Rick Ross fashion, he laughed the response off. He posted the interaction on his IG stories with the caption: “Since we @ n**gas, here you go b*tch!”
This is the first time that Rick Ross has been the aggressor in The Game situation. The MMG stalwart didn’t bat an eye when The Game dropped “Freeway’s Revenge,” or when The Game posted an AI photo of Ross in a CO uniform. Unfortunately, the interaction continues a tough streak for the Compton rapper. His relationship with Kendrick Lamar has been questioned amidst the Drake battle, and his absence from the “Pop Out” show led to him getting on IG Live and defending his stance. He claimed things were good between him and Lamar, but fans remain dubious.
Few names in hip hop carry the weight of The Game. In the early 2000s, Jayceon Terrell Taylor, better known as The Game, was born and raised in Compton, California. He kicked off his career with a bang by bringing an uncut perspective on street life when he released his first album, The Documentary, in 2005. It shook up the industry because it had tough lyrics matched with high-profile features. This wasn’t just any bunch of songs, though — this work marked not only where he stood within rap but also served notice about what kind of person would make such music: someone who has always shown himself to be strong despite any setbacks or criticisms.
Throughout his musical journey so far, there are many legends that Game has worked alongside. These include none other than Dr Dre, 50 Cent, Lil Wayne & Drake, amongst others. They’re all very big names indeed when it comes down to them being pioneers within their lanes. Meanwhile, Game’s music often tells stories from growing up around violent areas in Compton, where poverty breeds crime. He also hopes for change through hard work and dedication, which is something he has always been passionate about. Each of the five tracks we will delve into represents different sides of Game’s artistry. They show growth and an impact on broader hip-hop culture.
1. “How We Do” (Featuring 50 Cent) (2005)
“How We Do” is a quintessential track from The Game’s debut album, The Documentary, released in 2005. This song, featuring 50 Cent, was a commercial and critical success, firmly establishing The Game in hip hop. Produced by Dr. Dre and Mike Elizondo, the track’s infectious beat and memorable hook made it an instant hit. “How We Do” climbed the Billboard Hot 100 charts, peaking at No. 4. It also became a staple in clubs and radio stations nationwide.
The collaboration with 50 Cent was significant, highlighting the chemistry between the two artists. Their back-and-forth verses provided a dynamic energy that resonated with fans. The track’s success was instrumental in boosting The Documentary to multi-platinum status, cementing The Game’s position as a major player in hip hop. “How We Do” remains one of The Game’s most iconic tracks.
2. “Hate It Or Love It” (Featuring 50 Cent) (2005)
“Hate It or Love It,” also from The Documentary, is another monumental track in The Game’s career. This one also featured a collaboration with 50 Cent. Released in 2005, this single became one of the defining songs of mid-2000s hip hop. The song’s soulful production, produced by Cool & Dre struck a chord with a wide audience. The track peaked at No. 2 on the Billboard Hot 100 and received two Grammy nominations, underlining its critical and commercial success.
Further, the chemistry between The Game and 50 Cent on “Hate It or Love It” is undeniable. Both artists reflected on their rise from hardship to success. The lyrics explore themes of perseverance and overcoming obstacles, resounding with fans who relate to their struggles. “Hate It or Love It” is pivotal in The Game’s career, reinforcing his place in hip-hop and his ability to produce timeless hits.
3. “One Blood” (Featuring Junior Reid) (2006)
In 2006, “One Blood” was released as the lead single from Doctor’s Advocate, The Game’s second album. This is an important moment in his career. When he left G-Unit with 50 Cent, it was necessary for The Game to show he could do well on his own, and this track did exactly that. Further, the song’s chorus features Junior Reid’s sample from his classic “One Blood.” With its hard-hitting production, the song reflects The Games’ style, making this track unforgettable. Moreover, the success achieved by “One Blood” clearly indicated how strong and self-sustaining The Game really is. It took No. 71 on the Billboard Hot 100 chart, but still, its performance on the streets where fans rule was amazing. On top of everything else, it changed people’s minds about blending West Coast rap and reggae.
4. “My Life” (Featuring Lil Wayne) (2008)
“My Life” is the title of a song in LAX, The Game’s third studio album, which dropped in 2008. The rapper delves into his personal battles with depression and fame on this haunting track featuring Lil Wayne. It’s got a chilling hook from Weezy combined with The Game’s hard-hitting bars that tell an intense story. The beat, produced by Cool & Dre, is melancholic, perfectly matching the lyrics, making it one of the most emotional songs by The Game.
People loved “My Life” for its honesty and depth, and critics praised it, too. On the Billboard Hot 100, it peaked at No. 23, proving that even heavy-themed songs can still be commercially successful. The collaboration with Lil Wayne added a significant layer of depth, as both artists shared their experiences with life’s hardships, making the song relatable and moving. “My Life” highlighted The Game’s ability to address serious subjects in his music, solidifying his reputation as a multifaceted artist with a profound impact on hip-hop.
5. “100” (Featuring Drake) (2015)
As for “100,” released in 2015, it is a key track from The Game’s album The Documentary 2. This song features a notable collaboration with Drake, combining The Game’s classic West Coast style with Drake’s contemporary, mainstream sound. The production by Cardo and Johnny Juliano delivers a California vibe that allows both artists to shine. The lyrics revolve around authenticity and staying true to oneself in an industry often filled with pretenders and opportunists.
The song received critical acclaim and enjoyed commercial success, peaking at No. 82 on the Billboard Hot 100. Further, “100” stands out for its production and seamless collaboration between the two rappers. Their verses complement each other well, creating a track that resonates with fans of both artists. This song underscores The Game’s versatility and ability to remain relevant by collaborating with diverse artists. Overall, “100” is a testament to The Game’s enduring influence and adaptability in the hip-hop scene, ensuring his continued presence and impact on the genre.
The Game had a lot to get off his chest on June 20. The rapper was tired of the rumors that he was beefing with Kendrick Lamar. He was also annoyed by those same rumors serving as the reason why he didn’t attend Lamar’s “Pop Out” show on Juneteenth. The Game got on Instagram Live to clear the air. He also clarified where he stood with Kendrick Lamar and Drake, which has been a controversial topic over the last few months. The claim that The Game supported Drake over a Compton rapper isn’t true. Well, mostly not true.
The rapper made a point of giving Kendrick Lamar his flowers. He dubbed the “Pop Out” show an “amazing” feat, and praised Lamar for being “big-hearted” and sharing the spotlight. The Game also made it clear that he hasn’t turned his back on Drake. He considers the rapper to be a friend, no matter what happens between him and Kendrick Lamar. “As far as my relationship with Drake,” he said. “Drake is my n**ga, I f*ck with Drake.” He went on to compliment the 6 God for being there when he’s needed, and for providing things for Game’s family whenever he can. “My loyalty is with muthaf**kas that’s loyal to me,” he added. “Drizzy, he know what the f*ck it is when he see me.”
The Game also praised Drake for his handling of the Kendrick Lamar battle. He doesn’t make a ruling on who won, but he felt both men delivered. “I think what [Kendrick] doing is amazing,” he asserted. “What Drake doing is amazing. I think them n**gas just came out of one of the biggest hip-hop beefs ever and survived. Tupac and Biggie didn’t.” Fans may be surprised to see The Game play a centrist role in such a volatile beef, but he’s always done this with Lamar and Drake. He had both artists featured on 2011’s The R.E.D. Album. He linked back up with Drizzy for the 2015 album The Documentary 2, and made a point of getting a Lamar verse as well. The Game has never tipped his hand one way or the other.
The Game is famous for picking fights with other rappers. He recently dropped a diss track on Rick Ross out of the blue. Things have evidently changed. The rapper told his IG followers that he doesn’t want to get involved in a situation that he isn’t already part of. “As far as the Kendrick and Drake sh*t,” he stated. “That’s Kendrick and Drake sh*t. That sh*t ain’t for me man. I had to navigate myself through this sh*t. I been in this sh*t since 2003 being a solid a*s n**ga to everybody.” It’s hard to imagine a time when The Game isn’t beefing, but we’ll take him at his word.
The Game is a legendary West Coast rapper. He was the biggest star in Compton during the 2000s, and served as a mentor for the stars who came up under him. He was also absent from the biggest L.A. show in recent memory. Kendrick Lamar brought down the house with his “Pop Out” show on Juneteenth, and fans were quick to point out that Game was one of the few CPT legends who did not get a shout-out or a reference. This led many to theorize that Lamar and Game were on the outs. The latter decided to hop on Instagram Live the day after the show to clear the air.
The Game made it clear that he was a fan of the “Pop Out” show. “Kendrick did his sh*t, and what he did last night was amazing for the West Coast,” he told his followers. “I sat back and I watched it. I ain’t have to be there to think that the muthaf**king sh*t was cool. It’s a dub for the coast.” He assured fans that he has no problem with Lamar or TDE as a label. The rapper actually claimed that he was given the chance to invest in TDE when the label was starting out. “[Anthony] Top Dawg [Tiffith] wanted to give me half of Top Dawg,” The Game stated. “I didn’t want nothing from n**gas. I just wanted to push n**gas in the right direction.”
The “Hate It or Love It” noted that he doesn’t live to engage in gossip. Still, he was annoyed by what he saw on social media during and after the “Pop Out.” “Stop speculating and doing all that goofy sh*t,” he demanded. “Muthaf**kas in my DM, all these blog sites talking about ‘the West Coast ain’t f**king with you and you ain’t this and you ain’t that. I be in my own lane, chilling. Taking care of my kids.” The Game also felt the need to assert the role he played in helping people like Dot and Nipsey Hussle break through to the mainstream. “That n**ga learned that sh*t on the way up,” he said. “Snoop looked out for me like that, I looked out for Kendrick.”
The rapper does have evidence to support his claim. The Game tapped Kendrick Lamar to appear on his 2011 song “The City,” and reunited with him on 2015’s “On Me.” Lamar, meanwhile, dedicated a verse to The Game on the 2012 song “Black Boy Fly.” The song, which uses Game’s real name, Jayceon Taylor, details the jealously that Lamar felt when the former released his classic debut, The Documentary. The respect has always been mutual between the two rappers, even if the friendliness hasn’t been.
The Game always takes pride in being a caring and loving father. However, some people are not seeing that one bit somehow. Not too long ago, the California rapper is a father of three shared some cute family pics with everyone wearing an all-baby blue color scheme. He captioned the collage, “Being a father is definitely what I’m best at.” The first photo sees the rapper, along with one of his sons and his daughter, California. However, it is the two that follow that are creating chatter. The debate here is that The Game is getting too intimate with his daughter.
As you can see below, California is sitting in his lap, with two different actions. In the first one, The Game lays a smooch on the cheek. The subsequent image shows him resting his forehead on her shoulder. Seeing upset people in the comments section of the 44-year-old’s posts is nothing new. In fact, just about a week ago, the Atlanta Black Star News reported that The Game deleted a ton of photos from his IG, including a touching post showing how proud he was of California for graduating from the 8th grade.
The people who are having issues with how the lyricist shows loves to his kids are making the argument that he is too inappropriate and intimate with them. Some of the remarks under the post above include: “Guess what? Us girls with no daddy issues and active dad’s can still find this weird. They look like a couple”. “I’m not gonna lie I thought this was his woman before I read the comments. My Father was in my life and very affectionate but not like this. #strangefruit”. However, there are a lot of other users combating these wild assertions. “A lot of y’all didn’t have good relationships with your fathers and it shows. Let that man love on his daughter. She only gets one father and he’s not always gonna be here. I wish I had my daddy to drape my legs across and bother the heck out of. I miss him and wish I had more time”.
What are your thoughts on The Game’s photos with his daughter? What side of the argument do you agree with and why? Do you think some people’s accusations are getting out of hand? We would like to hear what you have to say, so leave your thoughts in the comments. Additionally, always keep it locked in with HNHH for all of the latest news surrounding The Game. Finally, stay with us for everything else going on in the music world.
With The Game being in the game (pun intended) for so long, he has seen quite a bit throughout his career. To be exact, his career spans over 21 years and his catalog may be in contention for the most expansive out of any rapper. In that two-decade long span, the 44-year-old has worked with many artists as you may expect. Instead of just grabbing features for his albums, he has gone out and released compilation records, too. One that hardcore Game fans might know is his 2003 tape, QB 2 Compton Ringtones. That saw cuts from Nas, and one from San Quinn. Fast forward to June 7 and The Game is adding another project of that vein with Time.
This mixtape follows his January 1 release with Hit-Boy and Big Hit, Paisley Dreams. Hit is a veteran and also roughly from the same area, so working with him made a lot of sense. This time though, The Game is teaming up with the younger generation of MCs. Those include Woodboy Gee, C Stunna, Stunna 4 Vegas, and CHLLER. Vegas and Gee are STB (Secure The Bag Entertainment) signees, which Time was released through. The Game does not appear until track six, “I Feel Like A Dope Boy”, but the other cast members keep the energy high with accessible trap bangers. In addition to providing vocals, he also is credited as an executive producer alongside CEO of STB, Ryan Kane.
In social media, vulnerability can often be misconstrued or even criticized. However, when Justin Bieber recently shared a heartfelt and tearful post on his Instagram account, it sparked a wave of support and understanding from fans and celebrities alike. Among those rallying behind the pop sensation is fellow musician The Game, who has come forward to defend Bieber’s emotional display, urging people to embrace and support him in his moments of vulnerability.
In his Instagram post, Bieber shared a series of photos and videos along with a caption expressing his struggles with fame and the toll it has taken on his mental health. His message’s raw honesty and emotion resonated deeply with many of his followers, prompting an outpouring of empathy and encouragement.
The Game, known for his candid demeanor and outspoken nature, took to social media to voice his support for Bieber. In a series of tweets and Instagram stories, he commended the singer for his bravery in opening up about his inner struggles and urged others to show compassion and understanding.
“Justin Bieber is a human being, just like the rest of us,” The Game tweeted. “He has feelings, he experiences pain, and he deserves our support. Let’s not judge him for being vulnerable – let’s applaud him for his courage.”
The rapper’s words echo a growing sentiment in society that emphasizes the importance of destigmatizing mental health issues and encouraging open dialogue. In a world where celebrities are often placed on pedestals and expected to maintain a facade of perfection, Bieber’s willingness to show his vulnerability serves as a potent reminder that no one is immune to the challenges of mental health.
Moreover, The Game’s defense of Bieber highlights the importance of empathy and compassion in our interactions with others, especially in the age of social media where negativity and criticism can easily overshadow genuine expressions of emotion.
As Bieber continues navigating the complexities of fame and personal struggles, fans and the public need to rally behind him with love and support. By embracing his vulnerability, Bieber is not only advocating for his well-being but also paving the way for others to feel comfortable seeking help and opening up about their mental health challenges.
In a world that often glorifies strength and resilience while shunning vulnerability, Bieber’s willingness to show his emotional side is a courageous act that deserves commendation. And with allies like The Game standing in his corner, Bieber can find solace in knowing he is not alone in his journey towards healing and self-discovery.
In conclusion, The Game’s defense of Justin Bieber’s teary social media post serves as a poignant reminder of the importance of empathy, compassion, and understanding, particularly regarding mental health struggles. Rather than criticizing or judging, let us rally behind those who dare to be vulnerable and support them toward healing and self-acceptance.
On this date in 2005, Compton emcee The Game released his debut album, The Documentary, on Aftermath/G-Unit/Interscope records.
The Game was the first G-Unit representative from outside of NYC to be a part of the then-dominating roster consisting of Tony Yayo, Lloyd Banks, and its general, 50 Cent. The album was initially called “Nigga Witta Attitude Vol.1,” but Eazy-E’s wife, Tomica Woods-Wright, legally blocked that N.W.A. title reference from being used.
The album received commercial and critical success, reaching gold status in its first week and 2X platinum within the first two months. The singles that received the most acclaim were 50 Cent-assisted, which many felt was the primary reason for the project’s success. “Hate It Or Love It,” “Westside Story,” and This Is How We Do” allowed The Game to see the same degree of fame as his Queens boss but left many critics to wonder if this feat was capable with no guest appearances. The album’s production was a Hip-Hop producers’ Hall of Fame, with the likes of Kanye West. Scott Storch, Just Blaze, Timbaland, and Dr. Dre are behind the boards. These fundamental elements make The Documentary The Game’s most notable and successful album to date.
Salute to Dre, 50, Em, The Game, the entire G-Unit, and everyone involved in one of the most pivotal Hip-Hop projects of the new millennium.
On December 29, Rainey argued that The Game has been imploring sneaky business tactics to avoid paying out his $7 million judgment. In the paperwork, Rainey alleged that The Game transferred several high-value assets, including his California mansion (estimated at $2.8 million), trademarks, and even cash funds to shell companies (JTT Holdings, Inc, F12 & Associates, 5th Amendment Entertainment, and Pass Go 2 Win LLC) then his manager Wack 100, to avoid being seized by the courts on Rainey’s behalf via a lien.
Even though Wack 100 testified that he received these items due to debts The Game previously owed him, the judge ruled in Rainey’s favor, urging The Game to resume payment towards the remaining balance. Rainey stated in court that The Game has only paid $500,000 toward the massive seven-figure total so far.
The Game maintains that he did not sexually assault Rainey during the filming of his then-reality show, She Got Game, which aired in 2015.
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Brittany Eady Allegedly Threatened Kenya Moore With A Gun During “Real Housewives Of Atlanta” Filming
