Jay-Z And Damon Dash May Settle In Their ‘Reasonable Doubt’ NFT Lawsuit

Last summer, Roc-A-Fella Records filed a lawsuit against Damon Dash after the label’s cofounder announced plans to auction a portion of Jay-Z’s debut album, Reasonable Doubt as an NFT. The label argued that the album is owned by the company, and not by its individual partners.

The lawsuit is ongoing, however, Jay and Dash are reportedly in talks to reach a settlement deal.

Jay-Z’s attorney Alex Spiro said in a filing earlier this week Dash and Jay were “in the process of meeting and conferring to determine whether they can reach a settlement agreement that would resolve this case.”

If Jay and Dash are unable to settle the case, Spiro and Jay plan to file a motion seeking full victory in the case.

Dash currently owns one-third of Roc-A-Fella, however, Spiro and Jay argue that Dash’s stake in the label doesn’t give him the right to sell any portion of the esteemed album.

“The sale of this irreplaceable asset must be stopped before it is too late, and Dash must be held accountable for his theft,” read the lawsuit filed against Dash last June. “The bottom line is simple: Dash can’t sell what he doesn’t own.” A judge immediately blocked the album’s sale as an NFT.

Dash and Jay must reach a settlement deal by April 1, according to the letter.

The Essential Hip-Hop Podcasts To Listen To Right Now

Better known as Combat Jack, Reggie Ossé died in December of 2017. As the host of The Combat Jack Show, the former Def Jam attorney and once Managing Editor of The Source pioneered the hip-hop podcast format, turning his show into a hub for hip-hop conversation, interviews, culture, and knowledge. He co-founded the Loud Speakers Network and then in the last year of his life, hosted the first season of Gimlet’s Mogul podcast, helping to usher in the storytelling format for hip-hop podcasts that was similar to NPR-style radio segments. In so many ways, hip-hop podcasting today is indebted to Ossé and the shaping of this medium for celebrating the culture on the internets and beyond.

The hip-hop podcast landscape is no doubt saturated in its sheer number of shows, but there are only a few that can be deemed “Essential.” For every excellent interview-based or storytelling hip-hop podcast out there, there’s over a handful of fly-by-night shows trying to operate on a soapbox like the influential The Joe Budden Podcast, often screaming into the void to stir the pot. We’ll leave those aside, cause this is about the hip-hop podcasts that you need to be listening to. These are shows that are pushing the greater conversations in hip-hop forward, illuminating untold stories, giving shine to cult-ish lifers, and praising the undisputed greats.

What Had Happened Was

Hosted by Open Mike Eagle, What Had Happened Was is now in its third season. Each has focused on a different figure in hip-hop who is a legend in their own regard. Together with Mike Eagle, they spend each episode discussing a specific era or album in their career. Season’s one peak pandemic drop with Prince Paul jumped from the producer’s work with De La Soul, Chis Rock, Gravediggaz, and more. Season two featured El-P and saw the gregarious rapper/producer telling the behind-the-scenes stories of his discography from Company Flow to Run The Jewels. Now with season three, hip-hop OG A&R man Dante Ross has been documenting the history of hip-hop’s early days that he bared witness to with acts like the Beastie Boys, Queen Latifah, Brand Nubian, and then some.

While Ross isn’t necessarily as immediately likable as El-P, or as flat out funny and weird as Prince Paul, he’s as real as they come and Mike Eagle has proven himself to be an adaptable host with each subject. Mike Eagle really strikes a balance between confirming that he’s worthy to be moderating these conversations and always keeping his subject front and center. Oftentimes, podcast hosts have trouble relinquishing the limelight, but Mike Eagle does whatever it takes to serve the conversation and get the most out of Ross, who was the proverbial “guy in the room” for so many momentous hip-hop moments in his time with Def Jam and Tommy Boy.

What Had Happened Was is part of Open Mike Eagle’s Stony Island Audio network, which now as of season 3, has partnered with the much larger and prominent eclectic Talkhouse Podcast Network. It’s a testament to what Mike Eagle has built and his hustle as an independent podcast maestro is one that Combat Jack would most certainly be proud of.

Louder Than A Riot

There’s a point near the conclusion of NPR Music’s Louder Than A Riot’s episode “The Day The Mixtape Died: DJ Drama,” where co-host Rodney Carmichael says, “The reason hip-hop runs counter to America’s systems of power, is because hip hop is a product of the inequality built into these systems.” It’s a masterful summation of the tenuous relationship between hip-hop, Black America, law enforcement, and mass incarceration in America, and it speaks to the central thesis of this 12 episode series.

While Louder Than A Riot concluded in early 2021, it’s the type of show you can pick up at any time because the material is basically relevant forever (last time I checked, cops don’t appear to be on the verge of not disproportionately targeting Black people anytime soon.) Hosted and co-written by NPR Music journalists Sidney Madden and Rodney Carmichael, the podcast takes a nuanced look at the criminal justice system through the lens of hip-hop artists. There’s an excellent episode on Nipsey Hussle, and how his potentially being labeled as a gang member in the LAPD’s racist “CalGang” database, might very well have led to his death. A three-part episode on Bobby Shmurda’s ascent amid a murder case is likewise fantastically reported. What sets Louder Than A Riot apart is the obvious considerable amount of time and resources that went into making it and the resulting high-quality product that renders it among the best storytelling podcasts out there, hip-hop or not.

Breaking Atoms: The Hip Hop Podcast

A British hip-hop podcast with two hosts who know what’s up on both sides of the Atlantic, Breaking Atoms is primarily an interview-based show. Hosts Sumit Sharma and Chris Mitchell are two self-proclaimed hip-hop stans who unapologetically curate their guests, digging through the proverbial crates of hip-hop like in recent episodes with Wu-Tang Clan’s Raekwon, Justus League producer Khrysis, and surging Vallejo rapper LaRussell. Sharma and Mitchell have a knack for asking open-ended questions that elicit drawn-out, insightful remarks from their subjects and it’s the mark of a fluent podcast host.

But it’s the recent multi-episode storytelling series on Jay-Z that has really made Breaking Atoms stand out. There’s both a four-part episode called “The Making Of The Blueprint by Jay-Z” that came out in concert with the album’s 20th Anniversary, as well as a five-parter on Reasonable Doubt, to celebrate its 25th Anniversary. The episodes welcomed a range of diverse guests as they report on the early days in Brooklyn for Shawn Carter, as well as the creation, critical reception, marketing, and timing of these historic hip-hop albums. You’ll hear from artists in the Jay-Z orbit like Just Blaze, Young Guru, and DJ Clark Kent, as well as hip-hop thinkers like Kathy Iandoli and Oliver Wang. It all comes together in a comprehensive and well-produced podcast package.

The Big Hit Show: To Pimp A Butterfly

It’s crazy to think that an official Kendrick Lamar biography hasn’t been written yet. Marcus J. Moore’s The Butterfly Effect was a page-turning unofficial work that featured just about everyone in Kendrick’s circle except the man himself. But now with the new season of Spotify’s The Big Hit Show, we get an even closer look at the making of one of the most important albums of the 21st century. Hosted by Alex Pappademas, Spotify has clearly sunk a ton of money into ensuring that this sounds spectacular and it does it ever.

Not only do we get insight from people who worked on To Pimp A Butterfly like the outspoken Terrace Martin, timeless George Clinton, TDE’s President Terrence “Punch” Henderson, rapper Rapsody, saxophonist Kamasi Washington and more, we also hear from Kendrick himself and Barack freakin’ Obama. We get inner circle stories about the time Kendrick went to Minnesota to record with Prince, or when Kanye West gave Kendrick a second tour bus with a recording studio in it so he could keep working on new music and simultaneously open for West on the Yeezus tour. While Pappademas sounds a bit strangely academic at first, the format is produced incredibly well and the awkwardness slowly fades away while the subjects bring depth and backstories to the making of the jazz and hip-hop fusion masterpiece of an album. This is a must-listen new podcast with new episodes released weekly.

Dad Bod Rap Pod

Every hip-hop head has a couple of hip-hop soul siblings. You know, that one homie or two you came up with listening to the same albums and arguing about which MC was nicer? That’s exactly what Dad Bod Rap Pod hosts David Ma, Nate LeBlanc and Demone “Dem One” Carter come across as. They’re the friends you argued about hip-hop with getting blunted into the night and then laughed about it before starting the cycle again the next day. All three hosts are based out of the San Jose, CA area, and they each have backgrounds in different disciplines within hip-hop: Ma is a journalist and academic, Carter is a lifelong MC, and LeBlanc is a record collector and a certified authority in hip-hop geekery.

They’ve hosted over 200 insightful interviews to date with rappers like Too Short and Casual of Hieroglyphics, to scribes like The Ringer’s Shea Serrano, and recent J-Dilla biographer Dan Charnas, to figures who thrives in hip-hop’s margins like producer/social media savant Blockhead and Mumbles, who famously produced Aceyalone’s A Book Of Human Language and then seemingly disappeared. There’s a connection between the three hosts as they banter among themselves ahead of each episode’s interviews that afford you as the listener the ability to often disagree with what one of them says, only for the other to swoop in and prove your point for you. This is a podcast for folks who take hip-hop way too seriously, have spent a lifetime worshipping underground culture, and have come out of it all grateful for a never-ending trove of rap nostalgia.

Complex Subject: Pop Smoke

Released last year, this binge-worthy six-part saga on the life, meteoric rise, and tragic death of Pop Smoke, provides a definitive look on the Brooklyn drill rapper. Produced jointly by Spotify and Complex, the podcast is hosted by DJ Pvnch, written by Complex’s Shawn Setaro (who formerly hosted the erstwhile and likewise essential The Cipher Podcast), and you’ll blow through these 30-minute episodes in no time. Like Pop Smoke, Pvnch is also from Canarsie and he brings instant authenticity to the riveting storytelling. We learn about the young rapper growing up in “The Flossy” (Canarsie), and then getting discovered by Pusha T Manager and GOOD Music COO Steven Victor, who quickly signed Pop Smoke to his Victor Victor Records label.

The stories about Pop Smoke’s phenomenal ascent as a teenager are brought to light, as we also learn about the relationship between UK and Brooklyn drill. There was really no way to predict just how much Pop’s unique sound would catch on and you root for him as a star, before the rug gets pulled out from under us with the senseless circumstances surrounding his death. The voices brought in to speak on Pop — from family, friends, and collaborators — are well-curated, and considering his death was only in 2020, this is a monumental production for how succinctly and epically it paints the fine brush strokes in the life is this once-in-a-lifetime rapper.

Questlove Supreme

What feels more like a really sophisticated hip-hop radio show, iHeart’s Questlove Supreme is well….the supreme interview and pop culture conversation style podcast. Questlove is joined by his Team Supreme co-hosts, Laiya St.Clair, Phonte Coleman, “Unpaid” Bill Sherman, and “Suga” Steve Mandel, to talk to legit the biggest names in hip-hop culture and beyond.

Questlove might as well be the most refreshing, well-liked, and visible hip-hop geek in the world and there’s an unbelievable moment in just about every episode — Will Smith popped in recently and talked about doing ayahuasca. Not every guest on the show fits into the hip-hop mold (take recent convos with Bonnie Raitt and Carlos Santana for example), but Questlove Supreme is definitely presented through a hip-hop lens. In the end, it’s a reminder that perhaps the greatest modern form of artistic expression, is indeed hip-hop.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Conway The Machine Says He Didn’t Read His Griselda Records Contract And Now Wants A ‘Redo’

Let’s hope that the next generation of up-and-coming rappers is learning from the mistakes of their predecessors and reading those contracts (let’s be real, they probably aren’t). With the rise of social media and music blogs, more and more artists’ struggles with their record labels are coming to light lately; Meek Mill, Megan Thee Stallion, and Rowdy Rebel have all had widely publicized falling outs with their respective labels and they’re all far from the only ones.

Lest anyone think that it’s only major label artists who can find themselves in unfavorable contracts, Conway The Machine recently revealed that even his deal with indie label Griselda Records — which was founded by his blood brother Westside Gunn — was tilted more toward Griselda’s benefit than his own. During his recent appearance on The Breakfast Club to promote God Don’t Make Mistakes, Conway stressed the importance of thoroughly reviewing all the terms of a label deal.

“I’mma keep it a buck,” he admitted. “I didn’t even read that contract, bro. I didn’t read that shi*t. I just signed that sh*t and moved on. Unfortunately, the contract wasn’t in my favor. So now, going forward, it’s time to redo all that. I gotta make sure it’s in my favor now.”

While he didn’t elaborate on which terms he took issue with, he did say that while he feels he “didn’t get no money” after signing the deal with Griselda, Interscope, and Shady Records, he intends to work something out with Gunn. Now that he’s turned in his third and final album under the deal he said he’s contractually finished with both Griselda​​​​​​​​​​​​​​ and Shady Records. “It’s free agency right now,” he declared. “I need that supermax. I need that Giannis bag.” If I have anything to add, it’s that I hope he’s got a good lawyer and a better understanding of how most recording contracts work because it’d be a shame if he didn’t get a better deal the next time around — or better yet, stay independent.

You can watch Conway’s full interview above.

Kanye West Thinks Pete Davidson Will Get Kim Kardashian ‘Hooked On Drugs’

Up until now, Kanye West’s feud with Pete Davidson has appeared to be motivated purely by West’s childish inability to let his ex-wife Kim Kardashian move on with her life now that the couple is legally separated. However, it now seems that Kanye has a legitimate concern that Pete will get Kim [checks notes] “hooked on drugs.”

Oh, no, never mind. He’s still just acting like a jilted middle schooler mad his crush went to the formal with the class clown. The above excuse is really one that he gave in his latest spate of Instagram tantrums, which saw him assert that Pete is “in rehab every 2 months” while cosigning a stan’s comment that the comedian is “sneak dissing” Kim somehow.

Kanye also appears to be super concerned by a headline asserting that Pete “enraged” an audience with a joke about having sex with a baby, saying, “Yet another reason why SKETE gotta stay away from my children.” Kanye failed to note that he had defended himself from backlash over his own crude, Pete-bashing “Eazy” video by saying “Art is not a proxy for any ill or harm.” He did not, however, fail to remove credit for the headline, which was initially posted on notorious right-wing propaganda site Breitbart, which is hardly a trustworthy source of legitimate news (of course, Kanye reads Breitbart). Kanye probably doesn’t care though, because however yellow the journalism, if it supports his narrative, he’s all for it.

Snoop Dogg Will Appear As ‘Supercuzz’ In A New NFT Comic Book Series

In the latest NFT news from Snoop Dogg, the rapping multihyphenate will appear on a series of NFT comic book covers. The Death Row records owner will grace five different covers of “Supercuzz,” a comic book series by crypto marketplace MakersPlace.

“Supercuzz” will see Snoop play the titular character—a superhero saving the day in the fictional “Angel City.”

“Snoop Dogg and BossLogic are two iconic forces in their respective crafts and are both pioneers in the NFT space,” said MakersPlace CEO Craig Palmer in a statement. “We’re honored to host the release of ‘Supercuzz’ collection on MakersPlace and give art enthusiasts accessibility in purchasing NFT’s from their favorite creators.”

Over the past year, Snoop has become a force in the realm of NFTs. Last year, he revealed himself to be the owner of @CozomoMedici, a popular NFT Twitter account. In February, he purchased Death Row Records, the former of the “Gin And Juice” rapper, Dr. Dre, and Tupac, and announced plans to turn it into an “NFT Label.

Weeks after the announcement, fans noticed that some of the label’s iconic albums, including Snoop’s Doggystyle, and Dr. Dre’s The Chronic went missing from streaming services.

In addition to his recent NFT projects, Snoop also joined FaZe Clan as a member of the esports brand’s board of directors and talent. With this new partnership, he plans to launch a community outreach program.

Lil Durk Pops Out With Future To Perform ‘Petty Too’ And ‘Ahhh Ha’ On ‘The Tonight Show’

Lil Durk’s 7220 rollout continued last night with a chilled performance of album standouts “Ahhh Ha” and “Petty Too” with Future on The Tonight Show Starring Jimmy Fallon. Durk utilized a stripped-down stage setup and plenty of smoke effects to accentuate the verbal gymnastics the two rappers share on their joint song, while Future surprised fans popping out to perform his verse on “Petty Too” to the crowd’s delight.

Durk’s new album, which also features his surprising collaboration with Morgan Wallen, “Broadway Girls,” and the singles “Golden Child” and “Barbarian,” is projected for a No. 1 debut on the Billboard 200 — the first of Durk’s decade-long career. Of his questionable “Broadway Girls” collaborator, Durk was gracious despite the country star’s racial slur controversy, saying, “Nah, he ain’t no racist. That’s my boy… we had [a talk] behind closed doors, and I’ll vouch for him and he good.”

Meanwhile, Durk’s tenure on Alamo has been so successful — his numbers have trended skyward with each new release, to the point he’s considered a genuine superstar within rap — that he was recently able to boast that the label “gave” him $40 million to re-sign.

Watch Lil Durk perform “Ahhh Ha” and “Petty Too” with Future on The Tonight Show above.

7220 is out now on Alamo / Only The Family. Get it here.

Jack Harlow’s New Album Is Dropping In May And ‘Nail Tech’ Is His ‘Least Favorite Song’ On It

Of all the surprise superstars and breakout artists to emerge during the COVID-19 pandemic, perhaps the most unexpected was Jack Harlow. The Kentucky-raised rapper had some buzz before landing his No. 2 single “What’s Poppin” in 2020, but the outsized reaction to that track had many assuming he would just be another hip-hop one-hit-wonder — an expectation that he shattered with his debut album, That’s What They All Say, in 2021. Now, hordes of newly converted fans can’t help wondering when his follow-up is coming, especially after the release of his Drake-esque new single “Nail Tech.”

Harlow answers that question in a new profile in Rolling Stone, revealing that “Nail Tech” isn’t just the beginning but it’s also “probably my least favorite song on the album.” Intriguingly, it appears that Jack revealed the album’s title on Instagram months ago, although no one could have known that at the time. It’s called Come Home The Kids Miss You and it’s projected for a May 6 release date. He says that he prefers his more heartfelt, introspective tracks like “Rendezvous,” promising more on the album.

“My new s*t is much more serious,” he says. “Right now, my message is letting muh’f*ckers know I love hip-hop, and I’m one of the best in my generation. You can’t do that with nonchalant, like, ‘Eeey, I got the bitches,’ in clever ways over and over again. I got to dig deeper this time.”

Ed Sheeran Recalls Smoking Weed With The Game

Contrary to what he says in his 2012 breakout hit “The A-Team,” Ed Sheeran won’t “go mad for a couple grams.” Of weed, that is. During an appearance on Australia’s Fitzy And Wippa radio show, the “Shivers” singer recalled studio sessions with rapper The Game, which went down shortly after “The A-Team” took off.

“We were in the studio,” Sheeran said, “and we probably made like 13, 14 songs. And towards the end of the session, his boys come in and… it starts being a bit of a party… I took a tiny, tiny, tiny puff on something and I was out, I had to go home. I don’t really do that at all.”

Since the debauched studio sessions, Sheeran and The Game have collaborated on the tracks “City Of Sin” and “Roadside,” both of which appear on The Game’s 2019 album Born 2 Rap.

Sheeran’s radio appearance coincides with the announcement of his 2023 Australian stadium tour. He’s set to kick off the first leg of his +-=÷x Tour, also known as The Mathematics Tour, next month in Cork, Ireland, with dates throughout Europe and the UK. Sheeran is expected to announce American tour dates soon.

Ahead of his tour, Sheeran will perform a series of “warm-up shows” kicking off in London next week.

Ed Sheeran is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Kid Cudi’s Music Teacher Mom Gave Him A B- In Her Choir Class

Kid Cudi dropped by Late Night yesterday and had a lot to talk about, like his upcoming movie X, getting his daughter into horror movies, and the time his music teacher mother gave him a B- in her class.

As a seventh grader, Cudi told Seth Meyers that to avoid being in his mother’s class, he took band class and tried playing the trumpet, like his older brother did. However, we was failing the class, so his teacher suggested he switch to his mother’s choir class. He did, and Cudi continued:

“All year long, I’m just like in the back of the class, trying not to get called on. And my mom was always trying to give me solos and sh*t. Sorry, I cursed. So stressed out about that still to this day [laughs]. Report cards came, the end of the year came. I’m thinking, ‘OK, my mom’s gonna give me an A+,’ you know? It’s my mom, right? I get my report card and I got a B-. My mom keeps it so real. She was like, ‘You missed some homework.’ I was like, ‘You keep it so funky.’ I got to respect it.”

Earlier in the interview, it was noted Cudi had become friends with Abbott Elementary star Quinta Brunson, who was the next guest on Late Night after Cudi. Cudi said he wants to be on Abbott Elementary, saying, “That was something that I was kind of just throwing out, talking to [Abbott Elementary’s Tyler James Williams] about.”

Later in the show, Brunson came out and Cudi stayed for the interview. Meyers noted Cudi’s interest in the show and Cudi and Brunson said they’d talk about it while getting dinner together after the show. At the end of the interview, Meyers wrapped up by saying he hopes Cudi finds his way onto Abbott Elementary, to which Brunson responded, “Yeah, I mean, he’s Kid Cudi. It’s pretty easy. I don’t know why he’s like [laughs]… Tyler was like, ‘This guy wants to be on the show.’ I was like, ‘Yeah, he can.’”

Given that Brunson not just stars in Abbott Elementary but is its creator, it would seem Cudi is essentially a lock to be on the show if they can find a good way to work him in.

Watch Cudi’s interview above and Brunson’s below.

Black Thought Adds A Clever Rap Verse To A Classic ‘Frozen’ Song On ‘The Tonight Show’

The musical abilities of The Roots are a core component of The Tonight Show and that was on display yesterday, when the show tasked Black Thought (aka Tariq Trotter) to come up with some new rap verses for non-rap songs. Trotter understood the assignment, as the kids say, and came through with some clever lines.

The “Rap Remix” segment started with a gaffe, as Trotter rapped about St. Patrick’s Day, the upcoming holiday most commonly associated with Ireland, over bagpipes, the instrument most commonly associated with Scotland. While uilleann pipes (listen to an example of them being played here) are a type of bagpipe associated with traditional Irish music, the ones heard on Fallon did not sound to be of that variety. Furthermore, the song being played was “Scotland The Brave.”

From there, Trotter rapped over the ’60s Batman theme song before wrapping up the segment with a take on beloved Frozen cut “Do You Want To Build A Snowman?.” The song was remixed into a more hip-hop-appropriate instrumental and Trotter really closed out the verse strong, concluding, “Up in a cyclone, we’ll build him together / Spring is upon us, I’m sweating, so / if he melts, just say, ‘Oh well’ / ’cause look: You gotta let it go.”

Watch the “Rap Remix” segment above.