Bakar Is The Moment

It’s hard to nail Bakar down — in terms of genre, style, and, in his early days, even by a name. With each of the London-bred singer’s songs, he wants the listener to cherish the moment in which they are hearing and feeling it. On Bakar’s debut album, February’s Nobody’s Home, each track unfolds like the pages of a book, detailing his most cherished moments, lining in Hampstead, Camden, and Chalk Hill.

We get a glimpse of Bakar’s day-to-day life in the video for “NW3,” the title of which refers to the postal code of London’s Hampstead district. Whether he’s alone on a rooftop, enjoying a meal with friends, or smoking in his flat, Bakar finds solace in each moment, often getting lost in time, dancing throughout.

But before Bakar, born Abubakar Baker Shariff-Farr, “found the answer” in “NW,” he released much of his music on Soundcloud beginning in 2015, anonymously. Oftentimes, he would upload vocal freestyles over samples of King Krule and Bombay Bicycle Club, many of his raw, unfiltered lyrics opening windows to his soul. One of these tracks is 2016’s “Sharing Is Caring,” on which, he reels over a love lost.

“Hope that you believe like how I believe / Gave you my love, you sold it back to me / Play with love too much, you might lose it / Smoked my last Camel but we can twos it,” Bakar sings, as adlibbed hums and coos give the song a forlorn and haunting element.

The influence of Kid Cudi and Dev Hynes is present in Bakar’s work, the latter of which Bakar has been a fan of since Hynes’ Lightspeed Champion days. Hynes released his most recent album as Lightspeed Champion in 2010, and Bakar says Hynes and Bloc Party’s Kele Okereke were among his favorite artists during his adolescence. As Bakar is wont to live in the moment, these are probably the closest hints we’ll ever get in regards to his actual age. In a 2018 interview with Wonderland, following the release of his debut mixtape, Badkid Bakar said his age was “infinity.”

A year after that interview, Bakar would release an EP called Will You Be My Yellow?, which contained the breakthrough hit, “Hell N Back.” Like Bakar himself, his music is ageless, as he remarks on a tumultuous relationship over jazzy horns and subtle drum patterns.

“Could you tell where my head was at when you found me? Me and you went to hell and back just to find peace,” he sings, delivering soft, silky vocals, with his soulful, British accent still audible throughout.

“Hell N Back” became a sleeper hit in the United States, reaching the top of the Adult Alternative Charts 27 weeks after its release, breaking the record for the longest climb to No. 1. Bakar had actually begun the process of writing Nobody’s Home before he wrote Will You Be My Yellow?, but the timing of the ideas he had conceived and the work he wanted to put out just wasn’t right.

“Will You be My Yellow? started picking up — you know, that song ‘Hell N Back’ started going crazy,” Bakar said in an interview with Document Journal. “It bought me some time, basically, to figure out the record. A couple songs [from my first try] were really potent. They stood the test of time. When I came back to Nobody’s Home in 2020, I was ready, long story short. I was so ready — the way the world was, all the topics, Palestine, this, that.”

On his proper debut, Bakar offers a collection of tracks that are both timely and timeless. He shares anecdotes of love and heartbreak, both romantic and familial. On a particular track, “Youthenasia,” he explores the dark parts of fame, and how his status has affected his role in his family.

“It’s like lately feel the pressure, I’ve been feelin’ nauseous / Lately like my mama has become my daughter / I wouldn’t change it for the world, man, this sh*t is awesome / I ain’t seen my dad in fifteen years, who would’ve thought it?,” he rap-sings over a thumping drum loop.

As the son of an immigrant mother from Tanzania, Bakar examines racial injustice on the track “The Mission,” while expressing a desire to create wealth for the generations of his family after him.

“All I ever hear is people talking about how bad nepotism is,” Bakar says in the song. “Do you know how badly I want some nepotism in my life?”

Since his breakthrough, Bakar has found fans in collaborators Dominic Fike, Kenny Beats, and Benee, as well as the late Virgil Abloh, the artistic creative director of Louis Vuitton’s menswear collection. Abloh even designed a special edition cover for Bakar’s Nobody’s Home. Though Bakar’s rise in the US may seem less rapid compared to that of the TikTok hitmakers of our time, his music, both old and new, still sounds fresh and timely, whether you were to have your first listen today, or months from now.

Kehlani Defends Harry Styles From Noel Gallagher’s Snide Remarks: ‘Whoever That Is Can Kiss My Ass’

Noel Gallagher is pretty well-known for being one of rock’s grumpiest grumpy old men, often making condescending remarks about everyone from Jay-Z to his own brother and former Oasis bandmate, Liam Gallagher. Most recently, he directed his disdain toward Harry Styles, calling the pop star’s music “worthless” and positing that he doesn’t write his own songs — an opinion likely born from Styles’ origins as a member of X Factor-launched boy band, One Direction.

Normally, given Noel’s crotchety reputation, the majority of music’s stars dismiss or ignore him (although Jay-Z got in an awesome, subtle shot in 2008 at Glastonbury, pretending to play a guitar and covering “Wonderwall”), but one self-declared Harry Styles fan decided to stand up for him in a recent interview. Appearing on NME’s latest cover, Kehlani addressed the situation in the accompanying feature promoting their new album, Blue Water Road.

“That person – whoever that is – can kiss my ass,” they said. “They might as well call me inauthentic and I’m about as authentic as it gets. [Styles] worked his ass off to make people fall in love with him on national TV and be lumped in with a group of boys and still had to stand out from an entire group of people. That’s as authentic as it gets! I’m a Harry Styles fan, clearly, but watching the transformation that he’s taken to find his own songs and his own voice, own persona, own fluidity and image – I think he’s been brave and epic. He’s f*cking tight.”

We’re sure Gallagher will be just delighted someone finally responded back to him, but if nothing else, let’s all hope we get a ripping Harry Styles/Kehlani collaboration out of this.

Post Malone Shared A Teaser Of His Collaboration With Robin Pecknold, ‘A Love/Hate Letter To Alcohol’

Anticipation around Post Malone’s next album is building, especially because the rapper finally confirmed a release date for the project earlier today. 12 Carat Toothache is slated to drop on 6/3, which is a little bit later than Post’s manager initially teased it would, but close enough to be in the general ballpark. Post also took to Instagram Live to let fans hear a bit of what he’s been working on, and true to form he has several collaborations in the works for the project. The most notable for indie fans, however, might be some harmonies from Robin Pecknold that show up on a song called “A Love/Hate Letter To Alcohol.”

Firstly, that’s one of the most relatable song titles I’ve ever encountered in my life, and secondly, Posty and Robin have already expressed a mutual admiration for each other over the years, so while it seems like a slightly strange pairing, it actually makes quite a lot of sense. Don’t forget that Post Malone has a country/folk streak within his own songwriting, and Pecknold, on the other hand, seems to be a pretty straight-ahead poptimist when it comes to melodies — and no matter what you think about Malone’s music, he’s got those done.

Check out the clip here, or clever fans who captured the whole thing on Youtube, above, and sped it up to double time to avoid copyright infringement takedowns. You can work around that work around by playing the Youtube video at half speed. For easier access, check out the shorter clip below.

@postmalone

Twelve Carat Toothache. June 3rd 🫀

♬ original sound – Post Malone

Post teased some of the song in an earlier post, which includes more of his verse and the harmonies are less clear, but it doesn’t seem like Robin contributes anything aside from the harmonies.

Watch Japanese Breakfast Bring The ‘Jubilee’ Standout ‘Be Sweet’ To ‘The Kelly Clarkson Show’

One of the best things about TV singing shows is the way different contestants have second and third lives after their initial appearances. One such former TV singing contestant who is now entering a new iteration is Kelly Clarkson, the very first winner of American Idol, who has become a bonafide pop star. And recently, since her days of releasing albums and touring have petered out a bit, the singer has pivoted to something we all knew she was great at — being on TV.

Hosting The Kelly Clarkson Show, this diva with the pipes to pull off all kinds of “Kellyoke” covers is also having other musicians on the show to perform from time to time. This week, she hosted Michelle Zauner, aka Japanese Breakfast, who is not only an award-winning musician and still touring behind her excellent 2021 album, Jubilee, but also a New York Times best-selling author for her memoir, Crying In H Mart. For her appearance on Kelly’s show, Japanese Breakfast was in full form as a performer, giving a rendition of “Be Sweet” that might just be the reminder you need to return to Jubilee for a few more listens. Check out her performance on the show up top, and a brief interview with Kelly below.

Kanye West’s King Crimson Sample On ‘Power’ Sparks A Lawsuit

Lawsuits over samples in music seem to be filed all the time. Usually, though, the reason for them tends to be related to the sampled work not being properly credited. However, that’s not the case with the latest lawsuit Kanye West faces, from Declan Colgan Music Ltd (DCM). The suit is regarding West’s sample of King Crimson’s “21st Century Schizoid Man” on his 2010 song “Power.”

Variety reports DCM (which owns the mechanical rights to the King Crimson song, is suing Universal Music Group (UMG) due to payment issues with West’s “Power.” The suit claims the label has been underpaying on streaming royalties. DCM is seeking all sums due along with interest.

After Ye sampled the song without a license, DCM and UMG came to an agreement, allowing West to sample the song in exchange for a 5.33-percent royalty on each copy of “Power” that was sold or “otherwise exploited.” Per the agreement, UMG had to pay a royalty on the same terms West receives royalties from the track.

The lawsuit claims UMG “has failed, and continues to fail, to comply with its royalty accounting obligations in respect of one mode of exploitation, namely the making available of the Power [r]ecording to consumers through so-called ‘streaming’ services.”

So, DCM argues UMG should be paying streaming royalties based on what the sums would be if those streams had instead been physical CD sales, per the royalty agreement. Instead, DCM alleges UMG has been paying a lower amount, being the percentage of what they actually receive per stream.

Machine Gun Kelly Says He’s Pivoting Back To Rap And Explains Why

A few years ago, Machine Gun Kelly decided to give pop-punk music a try, shying away from the rap that made him famous. On a commercial level, that turned out to be a terrific idea, as MGK’s two rock albums, 2020’s Tickets To My Downfall and last year’s Mainstream Sellout, where his first ones to go No. 1 in the US. He’s apparently not done with rap yet, though, as he’s now saying he wants to get back to making that type of music.

In a new Audacy Music interview (as Rap-Up points out), Kelly said of what’s next for him:

“I’m going to make a rap album for myself, for no other reason, no point to prove, no chip on my shoulder. If I keep doing things to prove things to people, I’m going to one: drive myself crazy, and two: not make a good product. I made Tickets and Mainstream Sellout because I wanted to make them. I need to now also make people miss that sound. […] I’m going to do this tour and I’m gonna step into where I left Hotel Diablo and expand on my storytelling as a rapper and find a new innovative sound for the hip-hop Machine Gun Kelly. That’s where my excitement is and where me as a music archaeologist wants to explore.”

While pop-punk has brought Kelly his biggest commercial success, he wasn’t exactly slouching in his early rap days: All of his albums were top-5 on the charts, save for 2017’s Bloom, which peaked at a respectable No. 8. Bloom, however, yielded Kelly’s biggest hit song, as the Camila Cabello collaboration “Bad Things” peaked at No. 4 on the Billboard Hot 100, making it his only top-5 (or even top-10) single.

Watch the interview above.

Sky Ferreira Signed With A New Music Publisher For Her Highly-Anticipated Sophomore Album

Recent teasers led fans to believe that Sky Ferreira was finally going to release the follow-up to her debut album, Night Time, My Time, and she even seemed to share a clip of a new song called “Don’t Forget.” Don’t worry Sky, we haven’t! In the meantime, Sky seems to be making moves behind closed doors, too. According to a report from Variety, she signed with a “global independent music publisher” called Third Side Music.

It’s been about nine years since her first album came out, she’s been slowly but surely releasing new music, like 2019’s “Downhill Lullaby,” and collaborating with artists like Charli XCX on left-field pop tunes. According to Variety Third Side Music’s Creative VP/Director of A&R, Brontë Jane, was the one to sign Sky. So far, the company’s roster also includes artists like Courtney Barnett, Future Islands, and Kurt Vile. Sky is listed on the website as one of the publisher’s clients, and in their “recently additions” section.

“Sky is an unparalleled career artist who has proven to be a true visionary with her craft time and time again,” Jane told Variety. “I’m honored to welcome someone so incredibly singular to the TSM family.” If this means more music is definitely on the way, then it’s good news in my book.

VInyl Me, Please is Building A Gigantic Record Pressing Plant In Denver

It’s no industry secret that there is still a shortage of vinyl pressing plants today. While independent artists and labels carried along the vinyl industry for the past decade or two, it wasn’t until in recent years when major labels jumped on the increase of vinyl record sales and began securing pressing contracts en masse. While artists like Taylor Swift and Adele have seen their vinyl sales skyrocket, independent artists have had to deal with months-long waits to get their records pressed. Jack White, who famously owns Detroit’s Third Man Records pressing plant, recently issued a call to action to all major labels to strongly consider building their own production facilities in order to counteract this economic effect. And while they’re not doing that yet, monthly record subscription service Vinyl Me, Please is.

The Boulder, Colorado-based company has begun construction on a massive 14,000-square-foot facility in Denver that is, according to Billboard, an “audiophile-grade” plant that is set to “open by year end for production, tours, and special events.” For context, Third Man Records in Detroit is a 10,000-square-foot warehouse, so VMP’s location is considerably larger.

Billboard reported last year that VMP had 80,000 subscribers, a figure that was steadily growing. It’s unclear whether the facility will be manufacturing records that won’t be sold exclusively to VMP customers, but a press release indicated that it will be an “experiential space” that lets visitors see the process of how records are made; almost like an open kitchen, but instead of food, they’ll be cooking vinyl.

Angel Olsen Covered Harry Styles Yet-To-Be-Released Song ‘Boyfriends’

Just last week Harry Styles debuted not one but two new songs during his Friday night Coachella set. Both “Boyfriends” and “Late Night Talking” are likely singles off his upcoming album, Harry’s House, but for now, “Boyfriends” is definitely the crowd favorite. So much so that indie rocker Angel Olsen has done her own cover of the track, though it hasn’t even been officially released yet. Gearing up to release a new album of her own, Big Time, on June 3, Olsen uploaded her spare rendition of Harry’s tune to her TikTok channel.

@angelolsentok

This new Harry song is a beauty (debuted at Coachella) #harrystyles #bigtime #fyp

♬ original sound – Angel Olsen

“This new Harry song is a beauty (debuted at Coachella) #harrystyles #bigtime #fyp,” Olsen captioned the video.

Here’s a snippet of the Harry version:

Does this mean a slew of “Boyfriends” covers will be unleashed in the coming days and weeks? Too soon to tell, but if there’s one thing this man seems to understand, it’s just how frustrating men can be. For his set during last night’s second weekend, Harry brought out Lizzo to do some One Direction classics, which is probably not comparable to the iconic appearance of Shania during the first weekend, but at least he mixed it up so fans got something different.