J. Cole Opens Up on How Drake Influenced Artistic Journey

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One of the big 3, J. Cole recently opened up about his first encounter with Drake’s music and how it impacted his own artistic journey. That’s a cool thing to say, albeit many months after all that went down and rocked the Hip Hop landscape.

In a conversation on his audio series Inevitable, co-hosted with Dreamville co-founder Ibrahim Hamad, the 39-year-old rapper recalled discovering Drake’s music on MySpace, long before Drake was the global superstar he is today.

Myspace. Remember, Myspace? Off topic but those were the days. Before all the toxicity on social media. Before the unattainable was force fed onto your feeds. A simpler time.

“It was one dude in particular that I remember seeing on MySpace,” Cole began. “He was this light-skinned R&B-looking nia, but he had raps.” Cole describes how Drake’s sound, which blended neo-soul with rap, immediately stood out to him. He was especially impressed by the smooth, confident tone Drake conveyed in his music. Despite being relatively unknown at the time, Drake’s tracks were getting massive plays—something Cole couldn’t ignore. “I was like, ‘Who is this nia?! How does he have 20,000 plays in a day?!’” Cole recalled.

Get this, the way it was said at this point Cole didn’t yet know that Drake was also an actor from the popular show Degrassi. He was drawn in by songs like “Sooner Than Later” and Drake’s freestyle over Kanye West’s “Say You Will” beat, titled “Say What’s Real.” Cole was particularly struck by Drake’s skill on the track, saying, “He fking destroyed that sht. I was blown away at how much he bodied that fking beat. I was like, ‘Yo, he’s f*king phenomenal.’”

But what’s real was hearing Drake’s music put Cole in a reflective, even conflicted, mental space. “For so long, I felt confident in the fact that I was the only one occupying that space, the only one with that perspective and that sharp of a pen,” Cole explained. “I was like, ‘That’s gonna be my thing, that’s what’s gonna separate me from the pack.’” But when he heard Drake’s music, he realized there was someone else out there who was thinking the same way and working just as hard. “I was like, ‘There was someone else out there the whole time that was working maybe just as hard as I was,’” Cole said.

The realization changed his approach to his own work. Cole shifted his mindset going into the production of his 2009 mixtape The Warm Up. “I’m not even anybody yet. And this ni*a’s off to the races with hits, like cultural-shifting sht,” Cole said, reflecting on how Drake was already making waves. At that point, Cole had to rethink his initial vision for The Warm Up, which he had originally planned to be a mixtape full of freestyles, much like Kobe Bryant’s relentless dedication to his craft in basketball.

Drake has often spoken highly of J. Cole, calling him a “GOAT” and even mentioning that Cole would be involved in his wedding. The two have since collaborated on several tracks, including “In the Morning,” “Jodeci Freestyle,” and more recently, “First Person Shooter” and “Evil Ways.” They also toured together in late 2023 and early 2024, before their respective feuds with Kendrick Lamar became a topic of conversation.

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Top Dawg Entertainment Celebrates 20th Anniversary with Annual Holiday Concert and Community Giveback

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Top Dawg Entertainment (TDE) celebrates 20 years of success with its 11th annual holiday charity event at Nickerson Gardens in Watts, Los Angeles. Founded by Anthony “Top Dawg” Tiffith, TDE has built a legacy as a hip-hop powerhouse and a champion for giving back to underserved communities.

Presented by TDE’s charity, Top Dawg Love the Kids, this two-day event kicks off Thursday, December 12, with a charitable holiday concert. Featuring TDE’s roster of artists—including SZA, ScHoolboy Q, Jay Rock, Isaiah Rashad, and others—alongside special guests, attendees can gain entry by donating unwrapped toys, new clothes, or other charitable items. Gates open at 11 a.m. PST.

The festivities continue on Friday, December 13, with a Community Giveback day. Highlights include a toy giveaway, youth sports programming, barbering services, and a holiday photo opportunity. The event also offers a job fair focusing on reentry pathways for ex-offenders.

With roots in Nickerson Gardens, where Tiffith and Jay Rock grew up, TDE remains committed to supporting marginalized communities. The annual event has become a holiday tradition, drawing thousands and emphasizing the label’s dedication to music and social impact.

For event details, visit 11251 Compton Ave, Los Angeles. Rideshare is strongly encouraged.

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A Boogie Wit Da Hoodie and Sei Less Co-Owner Host Thanksgiving Dinner for NYC Youth

A Boogie x Dara Mirjahangiry Credit Shareif Ziyadat

A Boogie x Dara Mirjahangiry Credit Shareif Ziyadat

Bronx-born hip-hop star A Boogie Wit Da Hoodie and Dara Mirjahangiry, co-owner of Sei Less restaurant, partnered last night to host a heartwarming Thanksgiving dinner for 50 teenagers from Children of Promise, NYC. The event at Sei Less brought holiday cheer to youth from families affected by the criminal justice system.

Children of Promise, NYC, is a nonprofit dedicated to empowering young people and addressing the stigma of incarceration in Black and Brown communities. The dinner aligned with the organization’s mission, offering the teens a night of support, celebration, and connection.

A Boogie made a surprise appearance, joining the teens for dinner, posing for photos, and sharing words of encouragement. Alongside Mirjahangiry, the duo fostered an uplifting environment of community and hope.

Guests enjoyed Sei Less’ signature dishes, including chicken satay, vegetable lo mein, and Beijing chicken, with the care and attention reserved for the restaurant’s celebrity clientele. The evening stood as a testament to the power of unity and giving back during the holiday season.

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Jay-Z’s Team Roc Files Lawsuit Against Kansas City PD Over Alleged Misconduct, Lack of Transparency

Jay Z posing 1392x884

Jay Z posing 1392x884

Jay-Z’s social justice arm, Team Roc, has taken legal action against the Kansas City, Kansas Police Department (KCKPD) and the city’s government, accusing them of obstructing efforts to investigate claims of wrongful convictions and police misconduct.

The lawsuit, filed on Tuesday (November 19), alleges that the KCKPD has failed to comply with a public records request made under the Kansas Open Records Act (KORA) in November 2023. According to Team Roc, despite paying $2,200 in fees, the department has withheld crucial documents related to allegations of officer abuse and misconduct. The 225 documents provided, the group claims, were mostly irrelevant, consisting of personnel and training records instead of the requested information.

“Kansas City residents have suffered enormously as a result of KCKPD abuses,” the lawsuit states. “Some have been framed for crimes they did not commit; some have been coerced into providing false testimony; some have been sexually assaulted; some have endured brutal beatings; and some have even been killed. Rather than promoting a culture of transparency and accountability, the KCKPD has a long history of turning a blind eye to, at best, and even covering up, if not worse, abusive and/or corrupt conduct by its officers.”

Team Roc has been actively seeking transparency from KCKPD since 2021, previously filing lawsuits to obtain records detailing complaints against officers, as well as documents on the training and oversight of the department’s investigative division. The current lawsuit highlights a systemic pattern of alleged misconduct within the department, including framing individuals, coercing false testimony, sexual violence, excessive force, and even fatal incidents.

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“When good faith efforts are met with bad faith tactics, the fight for transparency continues in court. Truth deserves no less. The people of Kansas City, Kansas, deserve no less,” Team Roc wrote in an Instagram post announcing the lawsuit.

Attorney Alex Spiro, representing Team Roc, emphasized that the organization has a right under KORA to access the requested records, which could shed light on the alleged abuses. However, the government’s resistance has made legal action necessary.

The government has attempted to block our access to those files, and so we’re suing to see what they don’t want us to see,” Spiro explained.

Team Roc’s lawsuit seeks to compel the release of the withheld documents and to hold the department accountable for its alleged failures in transparency and accountability. This latest legal move underscores their commitment to uncovering the truth and advocating for justice in Kansas City.

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SEE IT: Latest Diddy Accusation Alleges He’s Using Kids BDays on Socials to Influence Future Jury

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Guess buddy can’t post his kids born day while awaiting trial without being accused of nefarious intentions. Probably what happens when there’s a line of accusers piling up.

Here’s what we know … Diddy is facing fresh accusations from federal prosecutors, who claim the music mogul is using social media to manipulate public opinion and sway potential jurors in his upcoming trial. The charges against Diddy, which include racketeering, sex trafficking, and transporting individuals for prostitution, have already placed him under intense scrutiny. Now, prosecutors are accusing him of orchestrating a media campaign from behind bars in an attempt to obstruct justice.

According to court documents obtained by our friends at TMZ, prosecutors point to a video posted on Instagram earlier this month by Diddy’s seven children as evidence of his calculated media efforts. The video shows his youngest child, Love, singing “Happy Birthday” to him, accompanied by the caption: “Happy Birthday Pops, we love you!”

While the post initially appears to be a touching family tribute, prosecutors argue it was a staged effort to manipulate public perception. From his jail cell at the Metropolitan Detention Center in Brooklyn, Diddy allegedly coordinated with his family to ensure the video gained widespread attention and elicited an emotional response from viewers—particularly potential jurors. Prosecutors claim Diddy closely monitored the engagement on the video, even discussing its impact on jury sentiment with his family.

This, they argue, is part of a larger, ongoing campaign by Diddy to influence the legal proceedings against him. Prosecutors accuse the rapper of using his platform to undermine the integrity of the judicial process and sway public opinion in his favor.

The allegations are particularly serious as Diddy is facing a range of charges that could result in significant jail time. Prosecutors argue that his social media actions are just one example of why he should remain in custody while awaiting trial. They also highlight concerns over his financial resources, which they argue make him a flight risk. Furthermore, they point to his alleged history of violence and attempts to contact potential witnesses and victims, accusing him of witness tampering in an effort to weaken the case against him.

Despite these claims, Diddy is making another attempt to secure his release on bond. This is his third attempt to secure a $50 million bond after two previous requests were denied. His legal team is pushing for his freedom, but prosecutors are firm in their opposition, arguing that his release would pose a danger to the public and jeopardize the integrity of the trial.

As the legal proceedings continue, Diddy’s efforts to influence the public and jury pool through his social media presence are adding another layer of complexity to his already high-profile case. Whether his latest attempt for release will succeed or if the court sides with prosecutors remains to be seen.

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U.S. District Judge in Diddy Fed Case Orders Prosecutors “To Get Rid of” Notes Found in Cell

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Here’s breaking-ish news in Diddy’s epic legal case.

In a significant development, a judge has ordered prosecutors to destroy copies of the rapper’s handwritten notes that reportedly were seized during a recent raid on his jail cell at the notorious federal lockup he’s being held awaiting trial.

Get this, the notes, which Combs’ defense team argues are protected by attorney-client privilege, were obtained during an October 28 search of his cell at Brooklyn’s Metropolitan Detention Center.

Now, that’s usually a no-no.

But when a Manhattan federal court hearing went down on Tuesday, U.S. District Judge Arun Subramanian gave clear instructions to prosecutors that they had to “get rid of them” while he considers the defense’s argument that the notes are confidential communications between Combs and his legal team.

What’s more, Judge Subramanian clarified that a separate team within the U.S. Attorney’s Office, responsible for screening documents for privilege, could keep a copy of the notes for review. That’s interesting. There’s nuance to all of this chaos.

As expected, Combs’ legal team had previously raised alarms about the raid, arguing that it violated his constitutional rights. A hard argument to prove but who knows.

Check it, they described the search as “outrageous,” claiming it infringed on Combs’ right to a fair trial and protections against self-incrimination. Attorney Marc Agnifilo referred to the incident as a “complete institutional failure” and stressed that the seizure of Combs’ legal notes was an unlawful breach of his rights.

The so-called search itself was part of a broader “safety and security initiative” at the detention center, which had been scheduled before Combs’ September arrest. Sounds like a smoke screen but we really do not know.

Prosecutors claim the search resulted in the discovery of several personal items, including a manila folder labeled “legal,” a notebook, and an address book. While some materials were submitted for review, prosecutors assert that the notes, which touched on business matters and family concerns, do not fall under the category of privileged legal communications.

Diving in, prosecutors also allege that Combs’ notes include references to paying off potential witnesses and gathering damaging information about them, actions that could amount to obstruction of justice. This claim further complicates the defense’s argument for attorney-client privilege.

Bringing you fully up to speed, a hearing on Combs’ bail request is scheduled for Friday, and the legal battle over the notes continues as the court decides whether they will be used in the preparation for his trial. Meanwhile, the judge has ruled that the notes should not be used by prosecutors to determine whether Combs should be granted bail. Makes sense. Let’s see how it all unfolds.

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Influencers Reportedly Targeted by Private Investigators Over Content Connected to Diddy

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Now TikTok has entered the toxic Diddy chat. Several so called TikTok influencers have reported they received surprising visits from private investigators. Okay. The revelation sparked speculation about a larger investigation connected to music mogul Sean “Diddy” Combs. Well, duh.

Get this, TikToker Samson Crouppen (@samsoncrouppen1) posted a video on Monday showing two investigators arriving at his Los Angeles home. According to Crouppen, the investigators questioned him about whether he had been paid to create content related to Diddy. He denied any such arrangement and expressed confusion over their inquiry. What’s more, the investigators reportedly pressed him further, repeatedly asking if financial incentives had influenced his posts about the music mogul. Wow. So now if you post content related to someone under fire, then you might get pulled up on by private investigators? What world is this?

Check it, in response to the incident, Crouppen filed a harassment complaint with the Los Angeles Police Department (LAPD), further drawing attention to the unusual nature of the visit.

It did not stop there, another influencer, Amala Ekpunobi (@amalaekpunobi), shared her own similar experience. Ekpunobi claimed that the same investigators approached her and offered money in exchange for information about anyone allegedly paying her to create content related to Diddy. Ekpunobi, who has posted multiple stories discussing the rapper, also denied any payments and revealed that the investigators mentioned targeting at least ten other influencers as part of their probe.

As you can expect, the legal battles surrounding Diddy continue to attract public attention. Influencers have found themselves unexpectedly caught up in the controversy, but if they don’t want the smoke then maybe they should find something else to post. Now private investigators are probing their social media activity for possible connections to the music mogul’s ongoing legal issues.

Wild times.

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Iconic Flows: Jadakiss’ Bars – “Why” feat. Anthony Hamilton

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Here’s an Iconic Flow that resonates today. When Yonkers legend Jadakiss released Why feat. Anthony Hamilton, in 2004, the theme in his lyrics were purely – thought-provoking. When you think about what’s going on today in age of social media overload where people question everything, it’s fair to say Jada was ahead of his time. Questioning life, without a search engine guiding your every move but in rap format that we can all understand and align with was nothing short of art. Let’s be real if there were handing out Pulitzer Prizes to rappers back then, Jadakiss should have been on top of that list.

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Get this, Jadakiss posed questions that began with a Why to the likes of:

“Why is a brother up north better than Jordan, That ain’t get that break?”

“Why you don’t stack instead of trying to be fly?, Why is ratting at an all time high?”

“Why are you even alive?”

Obviously the content of the song is clear but it’s Jadakiss’ signature raspy by effortless delivery that keeps us locked all the way in. From the harsh realities of life to industry specific situations, Why is one of them ones that’s etched into our minds as an Iconic Flow. 

Here are the full lyrics below and we even included the link to the original visual … Jada, Jada (Swizz voice), ha!

Jadakiss – Why feat. Anthony Hamilton – Lyrics

Yo, why is Jadakiss as hard as it gets?

Why is the industry designed to keep the artist in debt?

And why them dudes ain’t riding if they part of your set?

And why they never get it popping but they party to death?

Yea, and why they gonna give you life for a murder?

Turn around only give you eight months for a burner? It’s going down

Why they selling niggas CD’s for under a dime?

And if it’s all love, daddy, why you come with your 9?

Why my niggas ain’t get that cake?

Why is a brother up north better than Jordan

That ain’t get that break?

Why you don’t stack instead of trying to be fly?

Why is ratting at an all time high?

Why are you even alive?

Why they kill 2pac n’ Chris?

Why, at the bar, you ain’t take straight shots instead of poppin Cris?

Why them bullets have to hit that door?

Why did Kobe have to hit that raw?

Why’d he kiss that whore?

Why?

All that I’ve been given

Is this pain that I’ve been living

They got me in the system

Why they gotta do me like that?

Tried to make it my way

But got sent up on the highway

Why? Oh why

Why they gotta do me like that?

Why do niggas push pounds and powder?

Why did Bush knock down the towers?

Why you around them cowards?

Why Aaliyah have to take that flight?

Why my nigga D ain’t pull out his Ferrari

Why he take that bike?

Why they gotta open your package and read your mail?

Why they stop letting niggas get degrees in jail?

Why you gotta do 85% of your time?

And why do niggas lie in 85% of they rhymes?

Why a nigga always want what he can’t have?

Why I can’t come through in the pecan Jag?

Why did crack have to hit so hard?

Even though it’s almost over

Why niggas can’t get no jobs?

Why they come up with the witness protection?

Why they let the Terminator win the election?

Come on, pay attention!

Why I sell in the stores what you could sell in the streets?

Why I say the hottest shit but we sellin’ the least?

All that I’ve been given

Is this pain that I’ve been living

They got me in the system

Why they gotta do me like that?

Tried to make it my way

But got sent up on the highway

Why? Oh why

Why they gotta do me like that?

Why Halle have to let a white man pop her to get a Oscar?

Why Denzel have to be crooked before he took it?

Why they didn’t make the CL6 with a clutch?

And if you don’t smoke why the hell you reaching for my dutch?!

Why rap? Cause I need air time

Why be on the curb with a “Why lie? I need a beer” sign?

Why all the young niggas is dying?

Cause they moms at work, they pops is gone, they living with iron

Why they ain’t give us a cure for AIDS?

Why my diesel have fiends in the spot on the floor for days?

Why you screaming like it’s a slug? It’s only the hawk

Why my buzz in L.A. Ain’t like it is in New York?

Why they forcing you to be hard?

Why ain’t you a thug by choice?

Why the whole world love my voice?

Why? Try to tell ’em that it’s the flow son

And you know why they made the new twenties?

Cause I got all the old ones

That’s why

All that I’ve been given

Is this pain that I’ve been living

They got me in the system

Why they gotta do me like that?

Tried to make it my way

But got sent on up the highway

Why? Oh why

They gotta do me like that?

Why

Oh why

Oh

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Hip Hop History Month: When ‘Bodak Yellow’ Shifted Female Rap Forever

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November is Hip Hop History Month, a time for us to reflect on the pivotal moments that have shaped the Hip Hop genre and culture at large. 

One of those pivotal moments that will probably stand out forever is the release of Cardi B’s classic banger, Bodak Yellow. 

Make no mistake, Bodak Yellow not only skyrocketed Cardi’s career but let’s just say it how it is, this heater shifted the landscape of female rap, forever. 

We broke down Bodak Yellow and Cardi’s journey as it applies to the track into a few sub categories so let’s break it down …

Cardi on the come up:

Before Bodak Yellow, Cardi B was on her way to being the biggest name since Nicki Minaj pretty much restarted and redefined what it meant to be a female rapper. Cardi was coming up in a different time, already a popular figure on social media, known for her well, unapologetic and candid persona. She became a larger-than-life presence. Cardi had already built a following on the Gram and gained notoriety as a star on the reality TV show Love & Hip Hop: New York. Then Cardi dropped Bodak Yellow in June 2017 that her career took a dramatic turn toward superstardom. Talk about a moment.

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Bodak Yellow’s production:

The record was produced by Laquan Green and J. White Did It, the Florida-based producer who crafted what will always be seen as a hard-hitting, trap-influenced track that would carry Cardi B’s memorably bars to the top of the charts. The production was minimalistic but highly effective—pounding bass, sharp hi-hats, and a hypnotic piano loop. Get this, these elements all set the stage for Cardi’s confident, brash almost defiant delivery. The track’s hook, was a catchy AF chant, that had EVERYBODY rapping along.

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Bodak Yellow on the charts:

Bodak Yellow was nothing short of a major breakthrough on the charts. In September 2017, the song reached #1 on the Billboard Hot 100. Like think about that. Cardi was literary from the projects and made her way to fairly big reality show then dropped a number one song. The made Cardi B the FIRST solo female rapper in history to top the chart. Unreal and flowers for days. The achievement was insanely monumental —not just for Cardi, but for the entire genre and growing sub genre of female rap that only Nicki had elevated in recent memory. Yes, flowers to Nicki, again but this is Card’s moment. But check this, prior to Bodak Yellow, no female rapper had reached #1 with a solo single since Lauryn Hill’s “Doo Wop (That Thing)” in 1998. And respectfully Ms. Lauren can not be defined as only a rapper, she so much more. But

The song stayed at #1 for three weeks, but its success continued for months, staying on the Hot 100 for over 50 weeks. Sheesh. Cardi’s chart performance made history in several ways: Bodak Yellow became one of the longest-charting rap songs by a female artist and set the stage for the broader acceptance of female rappers in mainstream hip hop. Cardi had crossed over from reality TV fame to bona fide hip hop royalty. Cardi B’s success was a clear signal that the rap world was ready for a new wave of female talent—and she was leading the charge. Like we said, undeniable.

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Cardi B’s trajectory after Bodak Yellow:

The success of Bodak Yellow launched Cardi B into the global spotlight. Before the song’s release, she was already a rising star, but Bodak Yellow cemented her status as one of the most dominant figures in hip hop. Cardi quickly became a force—releasing her debut album, Invasion of Privacy, in 2018, which went on to win the Grammy Award for Best Rap Album, making her the first woman to win that category solo. 

Bodak Yellow also opened the door for more mainstream collaborations with artists like Bruno Mars (Finesse Remix), Migos (Motorsport), and Drake (Girls Like You). Then after, more women in rap, such as Megan Thee Stallion, and Doja Cat, have since build upon Cardi’s trailblazing success in their own rites and in many ways bigger than Cardi, if we’re being honest. 

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Influence on the rap and the rise of female empowerment within the culture:

What made Bodak Yellow so groundbreaking wasn’t merely its chart success; it also signified a shift in how female rappers were perceived in the larger rap culture. Cardi used her platform that kicked in door after door, to push against traditional gender norms, celebrating her sexuality and independence without fear of judgment. That part. 

Bodak Yellow became an anthem of sheer female empowerment in a vibe that traditionally was only reserved for men. The song showed that women in rap didn’t need to conform to anyone’s expectations but their own. It was a declaration of ambition, and confidence— see all these traits resonated with fans, especially young women, who felt seen and heard in a genre that often sidelined them. That part, again!

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Lasting legacy of Bodak Yellow:

In the years since its release, because damn it’s been a few years, Bodak Yellow is affirmed as one of the most iconic rap songs of the late 2010s. It has been certified Diamond by the RIAA, signifying over 10 million units sold in the U.S. alone. Not only did the track help redefine female representation in hip hop, but it also paved the way for a more diverse, inclusive, and varied sound in the genre. What’s more, Cardi’s success proved that rap wasn’t just for one type of artist—it could be for anyone with the talent, the drive, because she certainly has that and the vision to make a lasting impact.

In celebrating Hip Hop History Month, it’s clear that Bodak Yellow marks one of the most transformative moments in the history of rap, and Cardi B’s place in that history is firmly secured. Bodak Yellow through Cardi B, was a game-changer—pushing boundaries, breaking records, and reshaping how we view women in hip hop – forever. 

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Today in Hip-Hop History: Larry Davis Shot 6 Corrupt NYPD Officers And Escaped 38 Years Ago

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amd larry davis portrait jpg

Some say he was 50 Cent before 50 Cent. Some called him “the Robin Hood of The Ghetto”, while the establishment dubbed him “the crack city terminator.” In the hood, his solution is considered the only possible answer to a continuous epidemic of police brutality. Some of your favorite rappers from French Montana to Lloyd Banks to Jay-Z have name-dropped him on their tracks and BET felt he was so important to American culture that their American Gangster series had to open with him, but only an educated few know why the name Larry Davis continues to ring bells almost four decades after that fateful night in November of ’86.

On this date in 1986, a 19-year-old Bronx man by the name of Larry Davis was engaged in a shootout with over 25 NYPD officers who came after him in what appeared to be a murderous hit. For those that don’t know what makes this such a unique story is that Davis not only survived but escaped unharmed long enough to tell his story to the FBI. Larry Davis was acquitted of the police shootings(six officers were critically injured), which was the only time anyone was acquitted for shooting an officer of the law in U.S. history.

READ MORE: The Death Of Larry Davis 10 Years Later: Is This The Only Answer To Police Brutality?

Check out the first-hand account from someone who was with Davis on that cold night in the Bronx at Larry’s sister’s apartment on Webster Avenue.

Words: Shams DaBaron

November 19, 1986 is a night that forever changed the course of my life. It was the height of the crack epidemic on this cold winter night when I was meeting with my partner and best friend Larry Davis. We were discussing the trip we were taking the next day to California to avoid the heat he was experiencing from some corrupt cops he sold drugs for. For weeks he had been laying low knowing they had a bounty on his head. At the time no one could be trusted. The police were rolling up on anyone associated with Larry to find out where he was.

On this night, I sat with him in his sister’s apartment discussing our plans for the trip we were taking and making final arrangements with one of my associates to restructure some of the business dealings in the street. Larry was in the process of extricating himself from out of that lifestyle of dealing drugs and we were going to refocus our energies totally toward dealing in music. The decision was made months ago, but became complicated once Larry made his plans known to others and the corrupt cops caught wind of his decision to step off with their money. They then put a bounty on his head.

READ MORE: The Larry Davis Story: Is This The Solution To Police Brutality?

As he was explaining what was going on in the streets to my associate, the associate became very scared and verbalized his fears to us, while asking Larry if he himself was in fear for his life. Larry’s reply, “Well, no I’m not scared. The only person I fear is God… Don’t get me wrong, I don’t wanna die, but if it’s my time to die, then so be it…” At this point I’m ready to tune him out and dismiss his words as Larry just talking mess… But then he continued, “One thing, though, I will say is… if they come and kill me, I guarantee you that before I go, I’m a take one of those pigs down with me.”

Hearing him use the term “pigs” is what really caught my attention. It showed that even in the most negative of situations – having been a drug dealer for a group of corrupt NYC cops – Larry was still in some way affected by the pro-Black organizations that gave birth to our generation. The seeds of their struggles were planted in us whether we knew it or not. And to me, it seems, that on that fateful night of November 19, 1986, the spirit of those freedom fighters, and the spirit of that movement, guided his thoughts and actions and helped him overcome the overwhelming force that came to assassinate him.

What is even more significant and what we must keep in mind while Remembering Larry Davis is that on that night of November 19, 1986, Larry became what famed lawyer William Kunstler called “A symbol of resistance to police violence.”

Shams DaBaron
Larry’s Childhood Friend

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