On this day in Hip-Hop history, Wu-Tang Clan’s Ol’ Dirty Bastard released his debut solo LP, Return of the 36 Chambers: The Dirty Version. Released by Elektra Records, Return of the 36 Chambers was only the second solo LP by any Wu-Tang member. Largely produced by fellow Wu-Tang emcee RZA, the album had a mostly positive commercial reception.
Peaking at number seven on the Billboard 200 and number two on the Top R&B/Hip Hop chart, Return of the 36 Chambers sold 81,000 albums in its first week and was certified gold later that year. The album was also nominated for “Best Rap Album” at the 1996 Grammy Awards.
Coming off such a successful group debut, there were little critics could say to discount the record. The Source, Rolling Stone and Allmusic have all given the project four out of five stars. In 1998, The Source selected the album to be a part of its 100 Best Rap Albums list.
Following Return of the 36 chambers: The Dirty Version, ODB went on to release one more solo album, Nigga Please, before his untimely demise in 2004. Ol’ Dirty will forever be remembered as one of the most talented and unique emcees to ever grace the mic.
On this date twenty-seven years ago, Big L dropped his debut and only full-length studio album Lifestylez Ov Da Poor And Dangerous, on Columbia Records.
Aside from, eloquently stated by The Source Magazine at the time, “[coming] with ill animated lyrics, combined with metaphors that stun; a combo sure to have suckas on the run,” Big L also ushered in two emcees that are very prominent in the culture today: a then-unknown Killa Cam and a semi-established Jay-Z.
Produced primarily by the legendary Lord Finesse with Showbiz and Buckwild on the help out, this was a Diggin’ In The Crates album. According to “Funky Technician” Lord Finesse, who had a hand in some of the album’s production, in an interview commemorating the album’s 15th anniversary, he said this about the posse track “8 Iz Enuff”, “With that [song] L just thought he had to do a track with the rappers from his hood. And he definitely wanted to put on [those particular emcees]… We looking like, ‘How you gonna put eight niggas on one track?’ [And he was like], ‘Don’t worry, I got this.’”
He definitely had it too.
Unfortunately, Lifestylez Ov Da Poor And Dangerous would be the only album released by L in his life as he was fatally shot in Harlem in 1999.
Salute to Big L kaka Lamont Coleman(RIP), Lord Finesse, Jay-Z, Cam’ron, Grand Daddy I, U, and everyone else who helped make this album a piece of Hip Hop history!
On this date in 1996, Busta Rhymes did the inevitable and released his highly anticipated solo album The Coming on Elektra Records.
Even though the Leaders Of The New School were a celebrated group within the culture, it was always suggested that Busta drop a solo project minus LONS. With production form the likes of Easy Mo Bee, DJ Scratch and even Busta Buss himself, The Coming served as a introductory project of what was to come from the one of the greatest lyricists in the game.Appearance from the likes of the late Notorious B.I.G., A Tribe Called Quest(who first introduced Busta on “Scenario”), Heave d and The Boyz and Mary J. Blige.
The 13 track full length studio album was chock full of hits including “Everything Remains Raw”, the Zhane-powered “It’s A Party” and the album’s lead single “Woo Hah!! Got You All In Check”. This album also introduces Busta’s own “Flipmode Squad” consisting of Lord Have Mercy, Rampage, Rah Digga and Spliff Star.
Salute to Busta on his premiere project; definitely an important piece of Hip Hop history!
On this date in 2003, Cam’ron’s crew from Harlem, The Diplomats, dropped their debut album Diplomatic Immunity on the Roc A Fella Records/Def Jam imprint during the pivotal time when Dame Dash appointed Cam’ron as the President of Roc-A-Fella Records.
Coming on the heels of the release of Cam’s Come Home With Me LP, Diplomatic Immunity introduced the entire Dipset squad including Juelz Santana, Jim Jones, Freekey Zeekey, Un Kasa, and Hell Rell, who was incarcerated by the time the album was available for purchase. With production from the likes of Heatmakerz, DR Period, and a then virtually unknown Kanye West, the trailblazing sound of old soul samples pushed Dipset to the forefront of the creative curve of Hip Hop, which offered the Blood-affiliated crew from Uptown an almost cult-like following.
The album was saturated with longstanding hits such as “I Really Mean It”, the infectious “Dipset Anthem”, the female-friendly “Hey Ma” and the Master P assisted “Bout It Bout It…Part III”. Commercially, the album was considered average debuting at #8 on the Billboard 200 and selling 92,000 copies in its first week, but the album was certified Gold by the RIAA in 2005.
Salute to Cam, Juelz on the inside, Jim Jones, Freekey and Hell Rell for this classic piece of Hip Hop history!
A quarter century ago today in Hip-Hop history, Notorious B.I.G. released his second album, Life After Death. The double LP was released posthumously by Bad Boy Records. Biggie, who was killed two weeks prior to its release, was nominated for three Grammy’s for this project: Best Rap Album, Best Rap Solo Performance for “Hypnotize” and Best Rap Performance by a Duo or Group for “Mo Money Mo Problems.”
Featuring artists like 112, Jay-Z, Lil’ Kim, Ma$e, Bone Thugs-n-Harmony, Too $hort and R. Kelly, along with tracks like “Kick In The Door,” “What’s Beef,” “Notorious Thugs,” “Ten Crack Commandments” and “Sky’s The Limit,” it can be said that Life After Death is one of the greatest rap albums of all time. The album hit #1 on the Billboard 200 chart and the US Top R&B/Hip Hop chart. It went diamond (that’s 10,000,000 copies sold) in the United States alone, double platinum in Canada, and platinum in the UK. Life After Death has also made appearances on top music charts across the globe. The album has been ranked by countless publications as one of the top rap and Hip-Hop albums of all time (The Source ranked it as #8 in 2005).
Salute to Diddy and the rest of the Bad Bot family for this timeless piece of Hip Hop history!
Three decades ago today, Chi Ali released his first and only album The Fabulous Chi-Ali. Chi-Ali first appeared on De La Soul’s single “Say No Go” and on Black Sheep’s debut album, A Wolf In Sheep’s Clothing featured on “Pass the 40”. Chi Ali at the time was a core member of Native Tongues, a New York City-based hip-hop collective, and also had connections with the Legion family, along with Showbiz and A.G.
In 1992, Chi-Ali released his first solo single, “Age Ain’t Nothing But a #”, which was a moderate hit and reached #6 in the US Hot Rap Singles chart. The song was popular on urban radio stations, and the music video received good rotation on Yo! MTV Raps and Rap City. The album in which the song was featured was released shortly thereafter, which yielded two other singles; “Roadrunner” and “Funky Lemonade,” which were both remixed and re-recorded.
In the late 1990s, Chi-Ali appeared on Dres’s solo album, Sure Shot Redemption, and began featuring with other artists. His most recent collabo was with Jadakiss on a song entitled “G-Check”.
On January 14, 2000, Chi-Ali shot and killed a man during an argument in The Bronx. He was later arrested in 2001 for the death of his girlfriend’s brother, Sean Raymond, after spending a year evading police and even appeared on an episode of America’s Most Wanted. Chi-Ali hid in numerous East Coast cities until he was apprehended on March 5, 2001, in New York City and was subsequently convicted of the killing and served a 12-year bid at Sing Sing Correctional Facility.
On this day in Hip-Hop history, Death Row Records in conglomeration with Interscope Records released the soundtrack to the popular film, Above the Rim. Winning the 1995 Source Award for Soundtrack of the Year, this album featured so many hits that it could have stood alone from the movie as a compilation album.
Acting as executive producers of the project, Suge Knight and Dr. Dre curated one of the most popular movie soundtracks of all time. This album featured work from artists 2Pac, Warren G, SWV, Snoop Dogg, Nate Dogg, The Lady of Rage, and more. Due to the popularity of the artists and the success of the movie, the soundtrack sold 2,000,000 copies in the year of its release and peaked at #2 on the Billboard 200 chart. Although it fell short on the mainstream chart, the album was able to grab hold of that #1 spot on the Billboard Top R&B/Hip Hop Albums chart. Here are some videos from the famed soundtrack to help jog your memory of its greatness.
On this day in Hip-Hop history, super producer and generational sound shaper DJ Premier was born in 1966. As a producer, DJ Premier has worked with Big L, Big Daddy Kane, Bun B, Common, D’Angelo, Dr. Dre, The Game, Joey Bada$$, KRS-One, Ludacris, Mos Def, Nas, Snoop Dogg, The Notorious B.I.G, Jay-Z, Kanye West, Immortal Technique and Busta Rhymes. As a founding member of Gang Starr, Premier along with emcee Guru helped get the New York boom-bap movement get national acclaim and rise to be the standard of Hip Hop throughout the 90s.
Known for his smooth soul samples and steady drums, DJ Premier either worked with or influenced a majority of the more prominent and most respected names in Hip Hop. As Gang Starr, DJ Premier and Guru put out six studio albums; No More Mr. Nice Guy, Step in Arena, Daily Operation, Hard to Earn, Moment of Truth, and The Ownerz. Although the group never got any official critical acclaim or win any music awards, their influence can be heard almost anywhere Hip Hop is found.
DJ Premier is responsible for some of the most critically acclaimed tracks throughout Hip-Hop history. In honor of his born day, below are some of his most popular songs that helped to define his career as a beatmaker.
Gang Starr – Mass Appeal
Notorious B.I.G. – Kick in the Door
Nas – Nas Is Like
Big L – Platinum Plus
KRS- One – MC’s Act Like They Don’t Know
From everyone at The Source Magazine, Happy Born Day DJ Premier. Thank you for all that you’ve done for this culture that we all love.
31 years ago, Eazy muthaf**kin’ E made his debut on the White House lawn.
While other rappers of the time were totally against President George Bush and his staunch law and order policies, Eazy-E, along with his manager Jerry Heller, spent $1250 a plate to attend the Republicans Inner Circle dinner.
This private, members-only dinner may have cost Eazy a whopping $2500 for two plates, but that type of publicity couldn’t be bought. Speculation has it that Eazy and Jerry’s attendance at the White House during the Bush administration kept the FBI off of N.W.A’s backs after the controversy over their “Fuck The Police” single.
During the time when Hip-Hop was being passed off as a fad that wouldn’t last beyond “Rapper’s Delight”, a vivid reenactment of the introduction of this artistic culture to the world was made. Wild Style is arguably the very first movie and definitely one of the very few that shows the true essence of what Hip Hop is about. On this date in 1983, film director and cultural artist Charlie Ahearn premiered the flick in Times Square, breaking records by selling out at all screenings for the three weeks it played.
Ahearn, a member of the artist collective group Collaborative Projects, was originally exposed to Hip Hop in the late 70s through graffiti when he went to film the youth in the projects in Manhattan’s Lower East Side that studied martial arts. He was soon approached by Fred “Fab 5 Freddy” Braithwaite about making a movie encompassing all elements of Hip-Hop (emceeing, DJing, breakdancing, and graffiti). Fab 5 Freddy brought legendary graff artist Lee Quinones to meet Ahearn to further discuss the approach of filming graffiti and introducing it as a legitimate art form. Ahearn found out that Lee was the same graf king whose work he admired while filming in LES. With Ahearn as producer and director, the three began embarking on a journey to gather the individuals who would be the faces of this landmark film.
Developing its name from an abstract letter design made popular in the graffiti world by graff king Tracy 168, Wild Style featured some of the most prolific pioneers from all aspects of Hip-Hop. The Cold Crush Brothers, Rock Steady Crew, and Grandmaster Flash were just a few of Hip-Hop’s trailblazers that made their debut on the silver screen in Wild Style. The Furious Five could not appear alongside Flash and had to be cut from the film because of prior obligations to another more mainstream motion picture depicting the development of Hip Hop that came out later called Beat Street. This is why Afrika Bambaataa, the New York City Breakers, The Treacherous Three, or female pioneer MC Sha Rock were not seen in the film. Other notable legends included Busy Bee Starski, graf legends Dondi, Zephyr, and Revolt, who all designed the Wild Style logo, and the Fantastic Freaks.
Lee Quinones played the main character “Zoro”, the anonymous graf phenom that is introduced to the art world by his pal and fellow graffiti writer “Faze” who is played by Fab 5 Freddy. Faze introduces Zoro to Virginia, a journalist portrayed by cultural icon Patti Astor, who later shows Zoro to art’s world stage of galleries and museums. The story is an accurate historical account of how Hip-Hop, in general, was introduced to mainstream America and later, the rest of the world. It also showed the poverty and despair that existed in the South Bronx out of which the culture of Hip Hop emerged.
Over 30 years later, Wild Style is still an icon of American pop culture. The players that participated and performed in the movie have made themselves legends in their own right, however, most will recognize their appearance in the film as the catapult of their career. The movie has been sampled on various classic Hip Hop albums including ATCQ’s Midnight Marauders, Common’s Ressurection, and the Five Mic classic, Nas’ Illmatic. Wild Style was voted as one of the top ten rock n’ roll movies of all time by the Rock N’ Roll Hall Of Fame and VH1’s Hip Hop Honors acknowledged the film’s influence in Hip Hop with a tribute in 2007.
