The Source Celebrates The Life Of “The Human Orchestra” Biz Markie On His Birthday

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On this day in Hip Hop history, Biz Markie (real name Marcel Theo Hall), one of the most respected and successful artist/DJs in Hip Hop, was born. Born in Harlem, and growing up in Long Island, The Biz has been moving the crowd with his unique style of rhyming since he was 14. From his earliest gig as Roxanne Shante‘s beat boxer to a headliner at Grammy Awards after parties, he’s done it all. Whether it be on screen, on the mic, or on the 1s and 2s, The Biz has remained a consistent brand in entertainment booking, averaging 175 shows a year across the globe.

Over the past four decades, Biz Markie established himself as one of the most prolific rappers/DJs in music. Since his 1988 debut Goin’ Off (which peaked at #90 on the Billboard 200), he has grabbed hold of the hearts and ears of Hip Hop lovers everywhere. His second album, 1989’s The Biz Never Sleeps, contains his timeless hit “Just a Friend,” which has made a permanent impact on pop culture.

During the ’90s, The Biz reached his apex as an icon. His third LP, I Need A Haircut, unintentionally changed the scope of Hip Hop forever. The closing track from the album, “Alone Again,” contains a sample of the song “Alone Again (Naturally)” by Gilbert O’Sullivan, which had not been cleared by Warner Bros. Records. In turn, Warner Bros. sued The Biz for his unlawful use of the sample, causing the courts to rule all samples must be cleared by the owning party before reuse from then on. The lawsuit prompted the title of Markie’s fourth LP All Samples Cleared!.After this incident, sample clearing was one of the main hurdles to jump as a recording artist in this genre.

As the new millennium approached, Markie never saw much of a decline in popularity. In 2002, he made his first major motion picture appearance in Men in Black 2. From then, he continued to make a plethora of television and big screen appearances. From Nick Cannon’s Wild N Out to Grand Theft Auto, The Biz is seen and heard throughout visual media.

During this decade, he also started his endeavors as a child educator through the children’s program Yo Gabba Gabba. Through entertainment, Markie has helped educate young children on music and artistic expression on the Nick Jr. hit show.

On July 16, 2021, Biz Markie passed away reportedly from complications of diabetes. H was 57 years old. No one has had a career in the Hip Hop game quite like “the human orchestra” Biz Markie and his impact on the game will never be forgotten. Especially on his birthday!

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Today In Hip Hop History: Das EFX’s Debut Album ‘Dead Serious’ Turns 30 Years Old!

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A couple of dreadheaded backpackers made stuttering rhymes chic when Krayz Drayz and Skoob came together and dropped their Dead Serious album April 7, 1992.

Released on the East/West imprint and recorded in both the famed Firehouse Studios in Brooklyn and North Shore Soundworks in Long Island, Dead Serious became a platinum selling album in just two years, revering it as one of the most influential LPs of the “Golden Era”.

The hit singles “They Want Efx” and “Mic Checka” were both forces to be reckoned with on the Billboard charts, while the virtually production of Chris Charity and Derek Lynch aka “Solid Scheme” ensured the consistent output of quality music for Das EFX until Charity’s untimely passing in 2000.

The Brooklyn, NY/Teaneck, NJ duo met in college at Virginia State University and became a part of EPMD‘s “Hit Squad” collective in just two years after their initial meeting with EPMD and never looked back. Salute to Drayz, Skoob, and the entire former Hit Squad family for bringing us such an historic classic.

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Today In Hip Hop History: Nas Released His Third LP ‘I Am’ 23 Years Ago

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Released by Columbia Records, Nas’ third album, I Am, debuted at #1 on the Billboard 200 chart. The album sold 470,000 copies in its first week and went on to be certified double platinum in the United States. The album was nominated in 2000 for Best Rap Album at the 43rd Grammy Awards.

Originally intended to be a double album titled I Am…The Autobiography, the album was arguably Nas’ most honest and poetic project at the time. Although the additional tracks were scrapped due to bootlegging of the original sessions, the intention for the theme and tone of the project can still be felt on the single-disc LP that was released.

Nas’ cover art has always been an iconic staple of his work. Usually consisting of his face superimposed over his native Queens, each cover has served as a visual representation of Nas as an artist. This particular cover was shot by famed portrait photographer Danny Hastings. In order to create the image of Nas’ face in the Pharaoh mask in a pre-Photoshop world, Hastings created a clay mold for Nas’ face (which in fact almost killed him when clay got lodged in his nostrils, nearly suffocating him).

This album wasn’t only popular in the United States. I Am… made appearances on music charts in Australia, Canada, Norway, France, Germany, Sweden, Switzerland, and the United Kingdom. The two official singles from this project claimed spots on the Billboard Hot 100 chart. “Nas Is Like..” peaked at #86 and “Hate Me Now” climbed a little higher to take the #62 spot.

After the release of this album, Nas went on to release seven more solo albums and two collaborative projects. Nas continues to perform and is known as one of the most prolific rappers of his or any generation. Take some time today to listen to this album appreciate the career of a living legend.

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Today In Hip Hop History: M.O.P. Dropped Their Debut Album ‘To the Death’ 28 Years Ago

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April 5 is an interesting day in Hip-Hop music. Rarely is a rap record released on this day — we did the research, but feel free to prove us wrong! There was one influential LP that jumpstarted the careers of two Brownsville natives and completely shook the game up in 1994. Yes, we’re talking about the Mash Out Posse, who you may know better as M.O.P.. and today we show them love as their debut album To The Death turns 28.

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Released on April 5, 1994, To The Death was yet another milestone in the domination that New York had on the rap game, with Lil’ Fame and Billy Danze both representing Brooklyn with the ruggedness and street appeal that shaped the attitude, look and overall sound of Hip-Hop at this time. The album itself was a precursor for rappers like Nas (Illmatic), Outkast (Southernplayalisticadillacmuzik), Da Brat (Funkdafied) and The Notorious B.I.G. (Ready to Die) amongst others that also debuted in 1994, with M.O.P. coming out swinging with three singles and a modest peak at #68 on the US Top R&B/Hip-Hop Albums chart.

The album was produced entirely by legendary East Coast rap producer and fellow Brownsville native DR Period, aside from the closing track “Guns N Roses” which was handled by Silver D and executive producer creds going to silent M.O.P. member Laze E Laze. The musical themes highlight the climate of life in hoods throughout America in the ’90s — gang violence, “fake ass gangstas,” staying fresh and just surviving the “rugged neva smoove” streets of New York City.

Of all the singles released off this shining debut, the highlight would of course be the anthem cut “How About Some Hardcore.” It was the most successful performance on the charts and amongst the hardest of Hip-Hop fans, peaking in the Top 40 on the US Hot Rap Songs chart at #36. For those that liked it raw, M.O.P. provided that effortlessly on this record with impressive lyricism, dope production and a tenacity to make it big that we’d see the duo accomplish even greater on the DJ Premier-produced follow up album and the 2001 smash hit “Ante Up (Remix).” And to think: all of this originated from a chance standout appearance on the soundtrack to House Party 3!

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Today in Hip Hop History: Big Pun’s Posthumous Sophomore Lp ‘Yeeeah Baby’ Dropped 22 Years Ago

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On this day in 2000, the first posthumous L.P. to be released by the first “Latin to go platinum” entitled Yeeeah Baby was released on the Loud/Terror Squad imprint.

Christopher “Big Pun” Rios passed away just shy of two months before his sophomore L.P.’s release and anticipated success, which came on the heels of his debut album, Capital Punishment. With appearances from the entire Terror Squad and executive production by the T.S. general Fat Joe, the 16-track album showed Pun’s acute diversity in his lyricism and approach to song-making, which yielded some of the most memorable songs of his career. The album took longer to record because of Pun’s extreme obesity since his breathing problems couldn’t permit him to spit his custom, rapid-fire flow freely.

Some of the L.P.’s favorites are the Puerto Rican anthem “100%” with Terror Squad crooner Tony Sunshine on the hook, “New York Giants” featuring M.O.P., “Ms. Martin,” an ode to his protege Remy Ma and the touching single “It’s So Hard” featuring Donnell Jones.

Salute to Big Pun, Pun Jr., and the entire Terror Squad for this remarkable piece of Hip Hop History!

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Today In Hip Hop History: EPMD Dropped Their Sophomore LP ‘Unfinished Business’ 33 Years Ago

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On this day in Hip-Hop history, New York duo EPMD released their second studio LP, Unfinished Business. Certified gold by the RIAA, this album was the critically acclaimed follow up to the group’s debut Strictly Business.

Claiming the #1 spot on the Top R&B/Hip Hop charts, this project has proven its timelessness. EPMD’s style is what set them and this album apart from what was currently popular in New York at the time. In ’89, New York Hip Hop was heavily saturated with conscious boom-bap and the braggadocio lyricism of Erick Sermon and PMD brought something fresh to the rap game. EPMD’s style of rap helped paved the way for the flashy New York rappers of the next generation such as Jay-Z, The Diplomats, and A$AP Mob.

The single from this project, So What Cha Sayin’ peaked at #23 on the Hot R&B/Hip-Hop singles chart and #5 on the Top Rap chart.

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Today in Hip Hop History: Kris Kross’ Debut Album ‘Totally Krossed Out’ Turns 30 Years Old!

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On this day in Hip Hop history, Atlanta based tag-team Kriss Kross released their ridiculously successful debut album, Totally Krossed Out.

The album was the follow up to the mega-hit single Jump released in February of the same year. Largely written and produced by Jermaine Dupri, it took two years to produce the album after the musical concept for the group was conceptualized.

Totally Krossed Out was as successful as anyone could ask their debut album to be. The album claimed the #1 spot on both the Billboard 200 chart and the Top R&B/Hip-Hop chart and sold over four million copies in the year of its release. Two of the four singles released from the album, “Jump” and “Warm It Up” were both #1 Hot Rap Singles.

“Jump” is one of the biggest singles of its era. It claimed the #1 spot on the Eurochart Hot 100 as well as the top music charts in Australia, Finland, Ireland, New Zealand, and Switzerland. It was a Top 10 hit all over Europe. The single went double platinum in the United States and Silver in France (125,000 copies sold) all in 1992.

At the time of this release, Kris Kross members Mac Daddy and Daddy Mac were only 12 and 13 years old. Jump was the fasting selling single in fifteen years and the two rose instantly to be among the ranks of child stars in the entertainment industry.

The critical reception for the album was much better than one would expect for a rap album by two children. Publications praised Jermaine Dupri for his creation and Kriss Kross for their iconic swagger and style. They received high ratings from a plethora of magazines and media outlets with little negative feedback.  The success of this album landed the duo a spot opening on Michael Jackson’s 1992 European Dangerous World Tour and a cameo in Michael Jackson’s “Jam” music video.

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Exclusive: Lil Baby Embraces Having an Impact on the Youth, Provides Update on New Music

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Hip-Hop and basketball are synonymous with each other. Over the eras, both arenas had key figures who stood at the forefront of this cultural partnership. Examining the landscape today, one of rap’s most influential representatives is Lil Baby. The friendship of the My Turn rapper and James Harden is chronicled throughout the media, and Baby’s love for hoops has bled into his philanthropic efforts. In December, Lil Baby teamed with another basketball lover in Hip-Hop, Meek Mill, to give back to the youth of Philadelphia in partnership with the 76ers. As fate would have it, Harden would soon join the ball club in one of league history’s biggest trade deadline deals.

Fast forward to March, and Lil Baby finds himself once again around basketball. This time with the stars of tomorrow. The superstar is in Chicago, pulling the double duty of being the halftime performer of the McDonald’s All American Game and spending time with the future of hoops like Amari Bailey, Dariq Whitehead, and Mark Mitchell on the hardwood of Wintrust Arena before the big game. Speaking with The Source ahead of his halftime performance, the positive impact of his presence is not lost on Lil Baby.

“They make me go harder,” Lil Baby said. “You have the want to go hard and get to a certain level of money. Then it’s like another feeling that can make you go hard too. It’s not about the money. It’s about the future. They look up to me. I could guide the future.”

Once it’s his time to perform, you see the importance of Lil Baby to Hip-Hop culture. Draped in an oversized coat, dripped in dancing diamonds, Lil Baby’s stroll onto the halftime floor is deafening. The players, who have spent the last week under the spotlight, immediately turn into fans. As Lil Baby moves across the court to service areas of the crowd with verses from “We Paid,” “Drip Too Hard,” and more, the entire Boys and Girls teams follow him, nearly embodying a new wave of security. Fans from courtside to the top row are enamored with every word he raps. A sign that his forthcoming music will have, at minimum, the same rate of success as his last album.

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Lil Baby knows he broke a 60-year-old Billboard record on that last album, but that’s not what his concern is. “I seen that somewhere,” he said. “I seen it the other day. That’s hard, but I’m not the type to get into that.”

Lil Baby’s focus is on what next. Weeks back, he put Hip-Hop on alert. His version of JAY-Z telling the game, “Y’all got less than two months to get y’all thing together” at the end of “Show Me What You Got” in 2006. Lil Baby kept it coy when asked for an update, “You’ll see in the summer. It’s definitely coming, though.” After some prodding, he became a bit more lenient.

“I gotta start out early. So the whole summer could be up. It ain’t gonna be late summer.”  

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Today In Hip Hop History: Onyx Dropped Their Debut Album ‘Bacdafucup’ 28 Years Ago

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On March 30, 1993, cousins Fredro Starr and Sticky Fingaz and their partners Sonny Seeza and Big DS put out their debut album, Bacdafucup, on the newly created Rush Associated Labels.

Primarily produced by the group’s founder Jam Master Jay, other production credits include The Afros’ Kool Tee, Chryskillz, and a then young producer named Jeff Harris; Bacdafucup was by far Onyx’s best studio LP, becoming certified platinum by the RIAA in just a little over seven months after its debut.

The album’s sure shot singles include the riot-causing “Throw Ya Gunz,” the horn propelled “Shiftee,” and of course, the mainstream favorite of all, “Slam.”

Onyx made their claim to fame with their trademark “mad face,” bald heads, and all black everything. Many copycats came after these guys, but their mark on the game is definitely unparalleled. Salute to Fredro, Sticky, Seez, and a big RIP to DS.

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Today In Hip Hop History: DJ Jazzy Jeff And The Fresh Prince’s Released Their Second Album ‘He’s The DJ, I’m The Rapper’ 34 Years Ago

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On this day in Hip Hop history, the rapper turned actor Will Smith along with DJ Jazzy Jeff released their second LP, He’s the DJ, I’m the Rapper. This was the first double album in Hip Hop in its original vinyl state and is certified platinum by the RIAA.

It can be said that without this album, Will Smith would not be where he is today. The success this album provided for Smith gave him the exposure to take his talents from music to the screen. This was also a breakthrough album for the career of DJ Jazzy Jeff. Critics and consumers alike cited Jeff as the more musically inclined of the duo, although Smith was the obvious crowd favorite and frontman. Jeff’s ability on the turntables and the boards allowed him to be the unsung hero of the album and gain a lot of respect in the Hip Hop community.

The album received positive reviews from critics of countless publications. The Source even selected this album as one of the 100 Best Rap Albums list in 1998. The album peaked at #4 on the Billboard 200 chart and #5 on the Top R&B/Hip Hop chart. Overseas it peaked at #68 on the UK Album chart. The album’s most popular single, “Parents Just Don’t Understand” won the first-ever Grammy Award for Best Rap Performance in 1989.

The post Today In Hip Hop History: DJ Jazzy Jeff And The Fresh Prince’s Released Their Second Album ‘He’s The DJ, I’m The Rapper’ 34 Years Ago appeared first on The Source.