Camp Flog Gnaw Somehow Improved On Perfection

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Tyler, The Creator’s Camp Flog Gnaw Carnival is already one of the best festivals in the world. So, for the festival’s tenth anniversary, how could the rebellious Los Angeles native possibly improve what is as close to perfection as it gets? The only way he knows how: By focusing on the fans to give them the experience he would want for himself. While that includes top-down conceptualizing like the always-excellent curation of the festival’s lineup of artists Tyler actually enjoys, it also means ensuring that everything from the facilities to the food stands out, meeting the best-in-class standard Flog Gnaw has set for the past ten years — and will hopefully continue to do so for many more. Here are five takeaways from the tenth Flog Gnaw.

Philip Cosores

Getting To The Festival Is A Breeze

Tyler rarely puts out environmental messages or talks about civic duty — that would be at odds with his image as a devil-may-care, mischievous menace — but his priorities are plain from the moves he makes in support of the Flog Gnaw festivities. This year, the festival partnered with LA’s local public transit network to provide a free shuttle from the city’s historical Union Station to the festival grounds at Dodger Stadium, where the fest returned for the fourth year. While Metro itself sort of dropped the ball with this due to some needed improvements on one of the rail lines (specifically, the one I use to get to Union Station), necessitating an additional transfer, the shuttle service somehow managed to corral those hundreds of exuberant 20-somethings (and one grumpy 40-year-old) and keep things moving along fairly efficiently. There aren’t too many other local festivals as ideally situated, but I would love to see more of them duplicate similar services.

Philip Cosores

Dodger Stadium Is The Perfect Venue

In the four years since the festival moved to Dodger Stadium from Exposition Park, gradual improvements to its layout and grounds have made it the ideal venue for such an event. Last year, someone figured out that sticking all three stages in the north parking lots offered the best version of the layout, and this year, that stuck, with the Camp Stage situated in the center of the event space, flanked by the Flog stage to the west and Gnaw to the east. There’s still plenty of space to move around, and the landscape is dotted with even more rides and games, giving the festival a true carnival feel. While in line for the shuttle, I overheard nearby attendees discussing whether VIP passes were worth it, ultimately coming to the conclusion that there’s plenty of bang for your buck thanks to the VIP-exclusive rides, which had shorter lines — although only two stages have dedicated VIP sections (Gnaw is situated in such a way that it really wouldn’t make sense to add one there).

Themed Pop-Up Restaurants Even Make Eating Fun

While browsing social media posts about the festival, I saw quite a few posts responding to the MF DOOM’s MM..FOOD Diner menu with skepticism and derision. I assume most of these posts were just from commenters salty they weren’t at the fest and didn’t get to try the food for themselves. Consisting of items named after tracks from DOOM’s 2004 concept album, the menu was similar in price to the other concessions around it, and each item offered enough food to feed two people. My partner and I ordered the Rap Snitch Kniches, which turned out to be chicken and waffles with a twist — the chicken was INSIDE the waffle. This is momentous stuff. This needs to be a real restaurant, stat. Another artist-themed offering was Pusha T’s Grindin coffee, which cleverly tied into the artist’s persona in a similar way.

Meanwhile, even with the usual assortment of festival foods, we never waited in line for anything for longer than 10 or 20 minutes (the line for MM..FOOD was the longest, but the meal was in our hands almost as soon as we ordered it). The food booths are also ideally located to keep lines from overlapping any of the activations or stage crowds, so it was as close to a hassle-free experience as it gets. I would like to see more tables, but logistically, I understand potential safety hazards.

Philip Cosores

The Merch Is Enviable And Actually Looks Great

Flog Gnaw has always presented enviable merch options in comparison to a lot of other festivals. While it’s likely that not everybody in the fest’s target demographic can justify the cost of a $100 sweatshirt commemorating their attendance, the designs are undoubtedly among the coolest I’ve seen at the 20 or so fests I’ve covered in my time at Uproxx. My partner came away with one that cheekily reads “Save The Bees,” which doubles as both another ironic-but-sincere environmental message endorsed by Tyler and a reference to the cover of his 2017 breakout album Flower Boy. I still have yet to come away with a stuffed Tyler toy (there are all kinds of different ones, from his ski-masked Goblin alter ego to more recent album era-inspired looks), but perhaps next year will be my year. Meanwhile, even the general stores dotting the grounds had some unexpected treats; I haven’t seen another festival selling collapsible stools before, but I wouldn’t be surprised if they started showing up at more events in the future — and let me tell you, they are lifesavers no matter how old you are.

The Music Remains The Star Of The Show

The thing that makes Tyler so distinctive as an artist is that he’s such a huge fan of music, in general. Too often in hip-hop, there’s this cool-guy mindset: “I don’t really listen to music.” And I guess it’s an effort not to look cringe or like you’ve been inspired by someone else — you’re a one-of-one, completely original — which is why T not doing that is so dang cool (and kind of ironic, considering his seeming abhorrence of anything cringe or too sincere). He listens to everything; you can experience a sampling of his personal playlist by hanging around the Camp stage between sets. And he knows that just because you enjoy the jazz styling of André 3000’s latest album, doesn’t mean you won’t also get absolutely wrecked to Playboi Carti or Denzel Curry’s approach to thrash rap.

Philip Cosores

The same crowd that vibes out to Omar Apollo can get roasted by Vince Staples (do not, under any circumstances, forget that rap is Black music). Syd and Orion Sun can offer dreamy R&B, Raye can demonstrate her vocal virtuoso, Earl Sweatshirt can get deeply lyrical, and Mase can bring out the hits — some of which are older than half of Flog Gnaw’s attendees — and all of them can resonate with the diverse, eclectic crowd (some more than others, true). The weekend’s standouts, in addition to the above-mentioned names, were Doechii, who continued her campaign for rap’s upper echelons, and Sexyy Red, who made believers of even the most skeptical listeners, according to the results of my recap-related ear hustling. Oh, yeah, Tyler performed a bunch of his new songs from Chromakopia, and I can’t wait for that tour. “Sticky” is a hit.

Undoubtedly, the coolest part for me was seeing a full orchestra paying homage to the masked man who unexpectedly inspired so many of the artists who appeared on this bill, MF DOOM. There’s no way to describe it for those who weren’t there, but the vibes were immaculate — and elevated by an appearance from Erykah Badu, fresh off her main stage set, to reproduce the interpolation from his signature hit “Doomsday.” Also, yes, there was an actual accordion. For me, the set encapsulated the best thing about Camp Flog Gnaw: acknowledging the past, enjoying the present, and imagining a(n Odd) future where both can coexist and complement each other. That future is always on the way, thanks to Tyler The Creator.

Philip Cosores

Check out exclusive photos from Camp Flog Gnaw 2024 below.

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10 Musicians Who Attended An HBCU Institution

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Getty Image/Merle Cooper

HBCU institutions have a rich music culture. Over the last few decades, its various schools across the country have helped boost the careers of numerous artists by providing a space for their music to thrive. The shortlist of artists who have seen this effect include Jeezy, Lil Boosie, Rich Homie Quan, Migos, Young Thug, Young Dolph, and more. Additionally, the importance of music can be seen through HBCU bands that are extremely important to the fabric of school life. It comes to life through big displays like the annual Battle Of The Bands competitions and smaller instances like the infamous Grambling vs. Southern rivalry football games.

With all this being said, it’s no surprise that HBCUs have also produced some of the music’s most famous artists. From legends like Lionel Richie and Common and present day stars like Megan Thee Stallion, SZA, and Metro Boomin, the spirit of HBCUs runs through a number of artists — even if their tenure at the institution was short.

Ahead of homecoming season, we decided to spotlight ten artists who have connections to an HBCU. Scroll down for the list of artists and the institutions they attended.

Megan The Stallion (Texas Southern University)

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In 2021, the same year that she went No. 1 on the Billboard Hot 100 charts for her “Savage” remix with Beyoncé, Megan Thee Stallion graduated from Texas Southern University with a Bachelor’s degree in Health Administration. During an interview with Rolling Stone in 2021, Megan spoke about being in school “for so long” and how she balanced her rap career after deciding to ramp up her semester load to finish sooner. “Every time I had an assignment or something due, one of my managers would just pull me to the side and be like, ‘Hey Megan, you know you got to do this presentation today.’ Or ‘Hey Megan, you know you got to turn this assignment in today,’” she said. “I would have not been successful this semester without my team.”

SZA (Delaware State University)

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SZA attended Delaware Statue University after graduating from high school in 2008. The singer majored in marine biology and earned straight As for her first two semesters before losing interest. In a 2023 interview with Elle, SZA opened up about her experience in college. “I’m like, ‘I told you I was smart and I proved my point. I have to leave now,’” SZA said, recalling a conversation with her mother. A few years later, the singer met TDE president Terrence “Punch” Henderson Jr., signed to the label, and the rest is history.

Metro Boomin (Morehouse College)

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Multi-platinum producer Metro Boomin spent just one semester at Atlanta’s Morehouse College before dropping out to pursue music. He spoke about the decisions that led to him leaving the school during a 2017 interview with GQ. “As grateful as I was to be there, I didn’t want to be there,” he said. “It was bittersweet, because I knew for a fact that I need to put all of my time into music. School is the same as producing: If you want to make it far, there are a million, trillion people trying to do the same thing. If you’re not in over-grind mode, it’s probably not going to work the way that you want it to.”

Rick Ross (Albany State University)

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Grammy-nominated rapper Rick Ross attended Albany State University on a football scholarship, but dropped out of school soon after. Ross’ pursuit of a music career kicked into gear at the turn of the century, and in the decades after, Ross’ ties to Albany State University have remained strong. In 2022, he spoke to students at the school for the homecoming convocation ceremony, where he told students that “the greatest job you will ever have is being CEO of your life.”

2 Chainz (Alabama State University)

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Just like Rick Ross, 2 Chainz also attended an HBCU off an athletic scholarship. His, however, was a basketball scholarship to Alabama State University. In a 2017 interview with The Daily Beast, 2 Chainz said that he left ASU after his freshman year after he “got into some trouble.” He later returned to the school to complete his degree. In another conversation, this time with Rolling Stone, 2 Chainz addressed rumors that he graduated with a 4.0 GPA. “Don’t believe anything on Wack-ipedia,” he said. “There’s a lot of false stuff on there, to the point that every time I try to fix one thing, something else comes out.”

Wale (Virginia State University & Bowie State University)

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Our collection of HBCU scholarship athletes continues with Wale. The DMV rapper initially attended Robert Morris University on a football scholarship before transferring to Virginia State University. His football career would come to an end when he transferred to another HBCU, Bowie State University, but Wale would later drop out to pursue a music career. It was at VSU that Wale discovered his musical talents. In a 2021 conversation with The Ringer, Wale recalled spitting freestyles art the school’s Foster Hall. “The guy that was across the hall from me in my dorm was like, ‘Keep going, keep going. You tight,’” he said. “People really started f*cking with me at Virginia State.”

Killer Mike (Morehouse College)

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Earlier this year, Killer Mike won his first Grammys as a lead artist for Best Rap Album with Michael and Best Rap Performance and Best Rap Song with “Scientists.” Those awards came more than 20 years after Mike won his first Grammy thanks to a feature on Outkast’s “The Whole World.” That song was the result of Mike and Big Boi’s friendship which came about through Mike’s attendance of Morehouse College in the 1990s. “The deciding factor for me getting into Morehouse was probably my homeroom teacher,” Killer Mike told the Seattle Times. “He was a Morehouse man. His name was Mister Lee-Roy Arnold.”

He added, “I think [Mr. Arnold] saw something in me, because he pushed me and messed with me for five years, to the point where he bet me all my book money for the first year that I would not get into Morehouse.”

Common (Florida A&M University)

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Before Common achieved his dreams of being a successful rapper, the Chicago native was enrolled at Florida A&M University under an academic scholarship as a business administration major. Common would only stay at the school for two years before dropping out to pursue rap. In 2019, nearly 30 years after he attended, Common would be honored with a doctorate degree in fine arts and invited him to speak at that year’s commencement ceremony. In his speech, Common said that his activism, which went on to be ever-present in his music, began right at FAMU where he says his experience was unlike anything he went through in hometown of Chicago.

Erykah Badu (Grambling State University)

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Erykah Badu nearly graduated from Grambling State University with a major in theater, but she left the school in 1993 to focus on her music career. Four years later, she delivered her debut album Baduizm, a masterclass in neo-soul that’s still heralded as a classic today. In an interview with the school’s newspaper The Gramblinite, Badu recalled her time at the university. “I auditioned for several plays while at GSU at the Floyd L. Sandle Theatre,” she said. “I danced with the Orchesis and was involved in a rap group called ‘CP Posse,’ which stands for Cultural Production.”

Lionel Richie (Tuskegee Institute)

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While all the artists on this list did not experience the HBCU life until their adult years, Lionel Richie’s time at an HBCU dates back to his childhood. The legendary singer grew up on Tuskegee Institute’s campus before attending the school and earning a Bachelor’s degree in economics with a minor in accounting. “In my world growing up on campus, we were surrounded by gospel music because of the choir,” Richie said of his experience to The Austin Chronicle. “R&B music was the music they played on the college campus.”

Durand Bernarr Stuns Erykah Badu With His Soulful “BBL Drizzy” Cover

Durand Bernarr is a staggeringly talented vocalist. He was the second place finisher on the BET reality competition The Next Big Thing in 2019. He has worked with some of the biggest names in the music industry since. Bernarr has linked up with Kaytranada, Anderson .Paak, and the Internet. And he most recently got a chance to perform alongside the queen of neo-soul, Erykah Badu. Instead of covering a soul standard, though, Bernarr fooled around. He decided to cover Metro Boomin’s “BBL Drizzy.”

Bernarr posted the footage on his Instagram on June 3. He made it clear in the caption that the idea came about spontaneously, and that he was merely having fun with the audience. “Per usual,” he wrote. “We have no sense. It was good to be back with the crew.” The footage sees him absolutely lay into the chorus of the infamous Metro instrumental, adding tons of vocal runs in the process. The rest of the performers onstage are stunned by Durand Bernarr’s ability to squeeze passion out of such a silly phrase. Erykah Badu walks into frame towards the end of the cover, and practically falls out.

Read More: Drake Defends OVO Crew After Deleting His Kendrick Lamar Disses

Durand Bernarr Spices Up The Metro Boomin Meme

 
 
 
 
 
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Badu wasn’t the only artist who was impressed by Bernarr’s rendition. The post was flooded with comments from other musical superstars. SZA commented: “My GYAAADDD.” The praise from her is especially meaningful, given that she just released a bold cover of Eminem’s “Lose Yourself.” Summer Walker and Rapsody commented with a bunch of heart and laughing emojis, respectively. DUCKWRTH praised the pairing of Bernarr and Badu. “Best superhero team up honestly,” he commented. Isaiah Jaay, meanwhile, lauded the confidence to pull such a bold cover off. “It’s always the confidence for me,” he wrote. “You know you can sang and it makes it even better.”

“BBL Drizzy” has proven to have legs. The instrumental spawned dozens of viral covers. Then it was sampled by the target of the diss, Drake, on the Sexyy Red song “U My Everything.” Drizzy tried to reclaim the trollish meaning of the original beat and flip it to his advantage, but fans didn’t buy it. “U My Everything” has more dislikes than likes on YouTube, despite the star power of both artists. To make matters worse, Drake decided to take down all his disses against Kendrick Lamar. The decision has led fans to do even more trolling online.

Read More: Drake Gets Roasted For Deleting All His Kendrick Lamar Disses On IG

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Rapsody Delivers Another Lyrical Masterclass On “Please Don’t Cry”

Rapsody is one of the most talented rappers in the game. Her music represents the sort of quality and reflectiveness that typified the backpack genre. She feels cut from the same cloth as Phonte, Mos Def, and her mentor, 9th Wonder. Rapsody broke through with her 2017 album, Laila’s Wisdom, but she’s been notably absent throughout the 2020s. Please Don’t Cry is her first new album in five years, and we’re happy to confirm that she hasn’t missed a step. If anything, she’s gotten better.

If Rapsody’s previous release, Eve, was about tributing her heroes, than Please Don’t Cry is about looking inward. She described the album on Instagram as a “love story with the reflection in the mirror,” an appreciation of all things “raw” and “imperfect.” The lyrical content of the album’s best songs bear this out. “3 A.M.” is a jazzy meditation on connecting with a loved one, and the Erykah Badu vocals on the hook embellish its smooth qualities. “Stand Tall” and “Lonely Women” are similar mid-tempo tracks that see Rapsody talk about the way people perceive and judge her. The latter, in particular, addresses the way people assume her sexuality based on her appearance.

Read More: Rapsody Argues Kendrick Lamar’s Strategy Won Him The Battle Over Drake

Rapsody Sounds Sharper Than Ever On New Album

Please Don’t Cry isn’t a one-dimensional listen, however. There are plenty of hard-hitting instrumentals that liven things up and prove that Rapsody can outmaneuver most of her male peers. “Black Popstar” and “Asteroids” are prime examples of this gear shift. The latter features a chugging Hit-Boy beat that ranks among the best instrumental flourishes on the album. “Raw” is another gritty showcase that sees Rapsody trade bars with Lil Wayne. Please Don’t Cry does run a bit long, at 22 tracks, but the rapper has been gone for a long time, and she had a lot to say. Listeners will be rewarded.

What are your thoughts on this brand-new album Please Don’t Cry by Rapsody? Does the rapper deliver after five years away? What is your favorite song and why? Did any features steal the show? We would like to hear what you have to say, so be sure to leave your takes in the comments section. Additionally, always keep it locked in with HNHH for all of the latest news surrounding Rapsody. Finally, stay with us for everything else going on around the music world.

Please Don’t Cry Tracklist:

  1. She’s Expecting You (featuring Phylicia Rashad)
  2. Marlanna
  3. Asteroids (featuring Hit-Boy)
  4. Look What You’ve Done
  5. DND (It’s Personal) [featuring Bee-B]
  6. Black Popstar (featuring DIXSON)
  7. Stand Tall
  8. That One Time
  9. 3 AM (featuring Erykah Badu)
  10. Loose Rocks (featuring Alex Isley)
  11. Diary of a Mad B*tch (featuring Bibi Bourelly)
  12. Never Enough (featuring Keznamdi)
  13. He Shot Me
  14. God’s Light
  15. Back In My Bag
  16. Niko’s Interlude (featuring Niko Brim)
  17. Raw (featuring Lil Wayne)
  18. Lonely Women
  19. A Ballad for Homegirls (featuring Baby Tate)
  20. Please Don’t Cry (Interlude)
  21. Faith
  22. Forget Me Not (featuring Amber Navran & Phylicia Rashad)

Read More: Rapsody Claps Back At Rap Blogs For Their Coverage Of Her Kendrick Lamar Comments

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Rapsody Shares Her ‘3:AM’ Thoughts With Erykah Badu In Her Latest ‘Please Don’t Cry’ Single

It has been five years since Rapsody released Eve and her fans were getting antsy for a new album. Fortunately, she announced in March that her fourth studio album, Please Don’t Cry, is coming soon. She began the rollout with the single “Stand Tall” and an intimate conversation with actress Sanaa Lathan, demonstrating just what kind of inspirational and vulnerable material would appear on the album. Today, she continues the rollout with another new single, “3:AM,” a romantic late-night jam featuring none other than neo-soul godmother Erykah Badu.

In addition to releasing the usual set of lyrics videos and visualizers, Rap also shared a live performance video taken from Erykah Badu’s annual birthday bash concert in Dallas. The lyrics find the North Carolina native addressing a longtime lover and how he helps make her feel safe. “Not afraid to show my insecurities like Issa / Love makin’, booty clappin’ like Netty and Ceile / Netflix askin’ if we still watchin’ TV,” she rhymes. Meanwhile, on the chorus, Ms. Badu croons, “I remember late nights with you / What you like in the mornin’?”

Watch Rapsody’s ‘3:AM’ live performance video with Erykah Badu above.

Please Don’t Cry is due on 5/17 through We Each Other / Jamla Records / Roc Nation Records.

Rapsody & Erykah Badu Are Lovestruck On “3:AM”

About two and half months ago, Erykah Badu celebrated turning 53 years young with a show in her hometown of Dallas, Texas. Joining her onstage for her birthday bash was North Carolina veteran femcee Rapsody. Their performance together went viral mostly because of thirsty men online. Badu sported booty shorts that male fans googly-eyed and simping. But hip-hop heads were also ecstatic because of the snippet that these two legends previewed. “3:AM” from Rapsody and Erykah Badu is now here, and it is quite spectacular.

This is now the third single from the “OooWee” rapper’s forthcoming record Please Don’t Cry. The May 17 release first began its rollout back in October of last year with “Asteroids” featuring production from Hit-Boy. It would not be until March that we received the second offering “Stand Tall.” The feature list is going to be stacked, with names like Lil Wayne, Baby Tate, Alex Isley, and Niko Brim also in the fold.

Read More: Gunna Reveals The Release Date For “One Of Wun”

Listen To “3:AM” By Rapsody & Erykah Badu

From the brief audio we heard at Badu’s show, “3:AM” seemed to be leaning into the R&B side of things. Those suspicions were correct, as both leading ladies sing and rap about being infatuated with their partners. Badu’s high-pitched and nasally voice on the chorus and in the background complement Rap’s passionate performance. The instrumental is slow, sensual, and extremely dreamy and in our eyes, Rapsody is three for three so far.

What are your thoughts on this brand-new single “3:AM” by Rapsody and Erykah Badu? Does this get you excited for her upcoming album Please Don’t Cry, why or why not? Who had the stronger performance on the track? Did this collaboration live up to the hype? We would like to hear what you have to say, so be sure to leave your takes in the comments section. Additionally, always keep it locked in with HNHH for all of the latest news surrounding Rapsody and Erykah Badu. Finally, stay with us for everything else going on in the music world.

Quotable Lyrics:

You could take the sour out of lemons with your sweetness (Softly)
Solid, grounded like the ones that grows beneath us
I conceive your fetus, that would probably have my features (Haha)
We laugh, our sense of humor is what feeds us, I love you (I love you)
I trust you, staycations in St. Regis, like Weezy (Let’s go)
It’s hot boy, we hit the beach, sun tannin’ my peach (Mm)

Read More: Ghostface Killah Raps Like The Rent Is Due Alongside Nas On “Scar Tissue”

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Erykah Badu’s Daughter Puma Curry Covers Keyshia Cole’s “Love” On Live: Watch

Erykah Badu’s reputation as a “maneater” of sorts amongst the men of hip-hop is no secret – just ask Cam’ron. The genre-bending vocalist shares children with Andre 3000, The D.O.C. and Jay Electronica, and it seems her second-born, Puma Curry, is already taking after her mother’s singing talents. In the past, the teenager has teamed up with her mom on creative projects, and she’s already amassed a substantial social media following for herself. On her Instagram, Curry shows off some of her best fashion moments, and she loves to sing for fans on Live from time to time.

Earlier this week, the black-haired beauty was streaming with thousands of followers when she began belting out an infectious R&B ballad. “Love” by Keyshia Cole was her track of choice, and now the clips from the IG Live are circulating online, some feel like Curry might’ve sung the song better than the original artist. “Why Keisha couldn’t sing it like that?! 😂” one user quipped beneath @livebitez’s post.

Read More: Erykah Badu’s Teen Daughter Puma Belts Out “Dreamgirls” Hit

Puma Curry Proves She Inherited Her Mom’s Singing Chops

 
 
 
 
 
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“Oh she definitely has it!! No question 🔥🔥🔥🔥,” another viewer wrote. With parents as talented as Badu and The D.O.C., it’s no wonder that Curry’s creativity seems to be boundless. It’s unclear if she has plans to release any original music, but on her IG feed Curry has shared more covers. On Tuesday (April 16) she took on Billie Eilish’s “Listen Before I Go,” earning a stamp of approval from her famous mother and thousands of others.

Puma Curry’s cover of one of Keyshia Cole’s biggest hits isn’t the only reason she’s been making headlines lately. Instead, it’s the R&B singer’s budding romance with Hunxho, who’s significantly younger than her, that has our attention at this time. Read what Cole had to say about that at the link below, and check back later for more hip-hop/pop culture news updates.

Read More: Keyshia Cole & Hunxho: Songstress Denies Having “Daddy Issues” Amid Criticism Of New Relationship

[Via]

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Erykah Badu Changes Her Tune On Beyonce’s “COWBOY CARTER”: “GET EM”

Erykah Badu has not been mincing her words about Beyonce and her new album COWBOY CARTER. Up until the release of the semi-country project today, the legendary soul singer has not been all that impressed. The Dallas, Texas native has felt some type of way about Bey’s cover art, specifically the deluxe edition. There is certainly some inspiration from the artist’s iconic beaded bangs look and “everybody[‘s] stylist” was quick to point it out. Erykah Badu reposted the COWBOY CARTER artwork on her Instagram story with the blunt caption, “Hmmm.”

However, the Mama’s Gun creator has been feeling a little guilty lately. She went on an Instagram Live session to talk about her recent behavior and how her astrological sign could have something to do with it. “Stomach feels bloated. The moon got me feeling guilty, stressed all out. I don’t know why. But I’m up and I’m going. Past few days I’ve been feeling kinda not on my best behavior, kinda like low vibrational a little bit.”

Read More: Shenseea Is Willing To “Die For You” On Latest Sensual Single

Erykah Badu Is Hopping On The Beyhive Bandwagon

 
 
 
 
 
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That happened about four days ago and it seems Badu has come to put her differences aside and give COWBOY CARTER and Beyonce their due praise. She reposted a graphic on her IG story earlier today that talked about the records that Bey was breaking. Some of those include her biggest album debut on Amazon Music and the most streams for a country album by a female artist. Badu has seemingly hopping on the hype train, saying, “GET EM.”

What are your thoughts on Erykah Badu switching up her tone about Beyonce’s new album COWBOY CARTER? How are you feeling about the album so far? Do you think it is deserving of all the praise it is receiving, why or why not? What songs are you gravitating toward right now? We would like to hear what you have to say, so be sure to leave your takes in the comments section. Additionally, always keep it locked in with HNHH for all of the latest news surrounding Erykah Badu, Beyonce, and COWBOY CARTER. Finally, stay with us for everything else going on around the world of music.

Read More: Halle Bailey’s Birthday: DDG & Halo Spoil Their Favourite Girl With A Rolex And Family Time

The post Erykah Badu Changes Her Tune On Beyonce’s “COWBOY CARTER”: “GET EM” appeared first on HotNewHipHop.

Full Moon In Libra Leaves Erykah Badu Feeling “Low Vibrational” After Beyoncé Drama

Erykah Badu is a powerful woman, there’s no denying that, but even someone who’s done as much work on their energy as she has feels the impact of the full moon. In particular, this month’s lunar transit through the sign of Libra, which also coincides with an eclipse, has “The Healer” singer feeling “low vibrational” as she put it during an Instagram Live session. Badu’s announcement comes just days after she went viral for seemingly accusing Beyoncé of copying her with the album artwork for her upcoming COWBOY CARTER project.

“Stomach feels bloated,” she told those watching her stream. “The moon got me feeling guilty, stressed all out. I don’t know why. But I’m up and I’m going. Past few days I’ve been feeling kinda not on my best behaviour, kinda like low vibrational a little bit.” Thankfully, Badu isn’t letting the energetic shifts get her down, as she knows that “it’s all part of the process, it’s all part of the cycle.”

Read More: Erykah Badu Asks Jay-Z To Squash Beyonce Beef, Bey’s Publicist Responds

Erykah Badu Goes Live to Talk About Her Feelings

 
 
 
 
 
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It’s unclear if the 53-year-old’s guilt is related to the comments she made about Queen B, or if it’s a theme arising all throughout her life right now. Regardless, we’re glad Badu has the foresight and intuitive connection to know she’s more than her feelings. She did try to make amends with Bey by asking Jay-Z to intervene and calm down the swarming Beyhive, but the most bitter among them continue to pester the Dallas-born songstress.

Those of you who love Erykah Badu for her music will be happy to know that she’s been back in the studio as of late. She and Rapsody will be collaborating on the latter’s Please Don’t Cry LP, which is due out on May 17. Explore the full tracklist for that at the link below, and check back later for more hip-hop/pop culture news updates.

Read More: Rapsody’s “Please Don’t Cry” Tracklist Features Hit-Boy, Erykah Badu, Lil Wayne, And More

[Via]

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